Konoha's White Teeth Shine

Chapter 442
For Xuanma, who is already a Jonin, the Chunin Exam is a thing of the past a long time ago.

However, this Chunin exam also brought him a long-lost feeling of youthful enthusiasm.

Therefore, when the contestants are going through arduous training, Xuanma is also constantly honing his skills.

He has brought many sword skills cheats from the Iron Country.

The Kingdom of Iron also generously told him that these things can only be used with maximum efficiency after becoming a fairy.

Why is there so many strong men in the Iron Country, but they don't have the slightest intention to invade other countries and start wars.

Xuan Jian pondered, the elders of the Iron Country at this time were actually not considered powerful.

We are already old, not to mention fighting, life is spent day by day.

So they did not choose to compete with other big countries for land and various resources.

Maybe they once had the heart to compete with the strong, but maybe they met stronger opponents when they were the strongest.

Because of this, he lost the heart to fight for the front.

The Kingdom of Iron is very special. During the ninja world war, almost all countries will be involved in the war, but he can maintain a neutral position intact.

If you think about it, it's just a geographical reason, and terror is not enough to make it stable for a hundred years.

After really getting to know the Iron Country, Xuanjian realized that the Iron Country itself has material, and it is not easy to bully.

Xuanjian felt this way more and more when he was practicing the secrets of swordsmanship.

Just like the Piaoxue swordsmanship of the Liusheng clan.

He paid attention to the elegant and cold artistic conception, and after communicating with Liu Sheng Yuhoe, he was even more surprised.

It turns out that the Yagyu swordsmanship created by the Yagyu family using Chakra is just an illusion, not the real Yagyu swordsmanship.

However, due to the fact that the snow in the Iron Kingdom lasted for a long time, this made the Piaoxue swordsmanship still possess some of its original characteristics.

Elegance is a visual phenomenon created by illusion, similar to a mirage, almost the same as the creation of avatar.

And the snowflakes have a bone-chilling feeling of coldness, because Chakra controls the ice and snow, making the time when Xuanma's back attacks, as if cut by an ice knife.

And after using natural energy to practice the Piaoxue sword technique, Xuanjian could fully feel the power of this set of sword techniques.

Xuanjian didn't know how the natural energy came to exist. In short, after he finished his swordplay, there would be a lot of snow left behind.

If there is too much snow, you can take it home to make hail for Huowu...

Other sword techniques and sword techniques have similar meanings.

But each one is different and contains its unique artistic conception.

It can be roughly seen from this that after practicing the saber gesture, it is this man who has honed himself to prepare for the master-level artistic conception.

However, there seems to be no shortcut to the rise from momentum to consciousness, and one can only practice steadily step by step.

In the end, Tianxinliu Juhe will be a kind of artistic conception of looking up to the mountains.

Miyamoto Kobu double swords, with the double swords, dances the domineering aura of the swords, and observes the domineering artistic conception.

Beichen swordsmanship, as long as it is insidious and tricky, has it, and it will be the predictable insidious artistic conception after rising to artistic conception.

As for Shen Yun San Huan Juhe, it was a bit unexpected for Xuan Jian.

It seems that its artistic conception is mysterious.

And it is precisely this artistic conception that makes this trick have endless changes.

Naturally, Xuanjian couldn't practice all these middle sword techniques and sword techniques.

He deliberately chose Piaoxue and Beichen swordsmanship, plus Shenyun Sanhuan Juhe.

He understands the reason why he can't chew too much, but he also has his considerations in choosing these sword techniques.

It took about half a year to practice Piaoxue swordsmanship before it began to take on charm.

The insidious and tricky Xuanjian of Beichen's swordsmanship has not yet been perfected, but the general shape is already there, but the artistic conception has not been able to get started.

Xuanjian asked Beichenjinliang specifically, but was told that his personality was inconsistent, that he wasn't vicious enough, and that he couldn't learn normally.

This made Xuanjian very depressed, but it didn't mean that he couldn't learn it if he was destined to die.

Instead, you need to learn to be a villain.

This is difficult for Xuanjian.

He knows a little about everything, just being a villain, without any clue.

In desperation, Xuanjian had no choice but to search around, looking for a guy who was vicious enough.

But after searching the whole Konoha, Danzo seems to meet his psychological expectations.

If the three generations are really as guessed by netizens in the previous life, then they can be counted as one.

But even if they are, Xuanjian can still go to them and ask for advice, how to be a villain?

That is of course impossible.

Not only is this impossible, but if they teach them how to write the word "little man", they may be frustrated.

Unable to practice Beichen swordsmanship for the time being, Xuanjian began to practice Shenyun Sanhuan Juhe.

In fact, this juhe technique should not be counted as juhe, and the mysterious artistic conception is even more difficult to figure out.

Xuanjian has been practicing this saber technique for a month.

He probably understood that this was a strange way of fighting with high IQ.

Using Shen Yun Huan San Ju He, the key is to use the two in front to play the three in the back.

This two does not refer to one two, it can be many twos, infinitely many twos, and the final attack can be called three.

Two represents the angle, representing a fixed angle.

What puzzled Xuanjian was how this move felt, how it looked like cutting out two vectors with an angle and then superimposing the power of these two vectors.

But even if it is to be superimposed, these three are also very important.

It is very necessary to fit the included angle, and the force is suitable, and the key is the mysterious artistic conception.

As Xuanjian was practicing, he always felt as if he had touched something, but he always felt that it was a little bit worse.

After asking Masaru Ito, he told Xuanma that this set of sword techniques was actually designed for him.

At that time Xuanjian was in a daze, but after trying it out, he merged Shenyin into his body and used the Shenyun Three Illusory Saber Technique.

This is really easy, almost as easy as eating and drinking.

And Masaru Itowara handed him a quaint map, and the words Shenyun Qianhuanjuhe came into view impressively.

Only then did Xuanjian know that this saber technique was really created for him.

To be precise, it was created for a person like him who can use divine concealment.

So after obtaining Shenyun Qianhuanjuhe, Xuanjian devoted himself to cultivation.

It wasn't until the Zhongnin Exam that he practiced how many vector power superpositions.

Shenyun Sanhuan is just the starting point, and the subsequent Qianhuan is the essence of formally entering this set of sword skills.

The mysterious artistic conception is insignificant in front of Shenyin.

There is no general experience at all, and Xuanjian can only speed up his proficiency in this set of sword skills through the continuous practice of shadow clones.

The power of this set of sword techniques is also very unimaginable.

Just using ten vector superpositions, he chopped down a small mountain.

Although the mountain is only tens of meters high, it was unimaginable before it was placed in Xuanjian.

In fact, he often uses Shenyin's ever-changing ability to practice this set of saber techniques.

For example, instantly transforming thousands of knives around the body, slashing together in a vector direction, trying to superimpose vectors.

(End of this chapter)