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Chapter 459 The Biggest Failure

Is hell the world?
Is the world hell?
In fact, it seems to be such a thing. The hell depicted in the movie is as vivid and real as Tang Seng went to the Buddha and was asked for benefits by his followers. Where is there any hell, the world is hell.

According to this logic, it is easy to understand why King Yama has to do things in accordance with the laws and regulations of hell, and he has to follow the regulations if he doesn't like it.

Level and being neither humble nor arrogant exist in hell. When you meet the boss, you have to kneel. No matter how advanced and supernatural you are, you still have to kneel. You have to be careful when you speak, and say the right thing at the right time. Interrupting may not be enough. Having said that, this is actually exactly the same as the human world, and the hierarchy is so strict that you cannot tolerate any disrespect.

But correspondingly, where there is suppression, there is resistance to suppression. Even in hell, people can be neither humble nor overbearing. If you let me speak, I can also make facial expressions. If you don’t let me speak, I can’t pout my lips to express objection. In fact, the fact that people are neither humble nor overbearing is also very real.

In Ding Cheng's eyes, the protagonist Jiang Lin has committed very serious crimes, including laziness, lies, injustice, betrayal, violence, murder, and family relationships, all of which are crimes in the six hells.However, instead of being judged, he turned into a ghost messenger. As long as he saves 49 dead people, he can erase the memory and reincarnate according to his wish?
It seems very cost-effective, but in fact, the hell that King Yan Luo made him suffer is the cruelest Avici Hell besides the Seven Great Hells!
The one who speaks is nothing, and the one who speaks the nose speaks of space, which means no time, no space, and a realm of immeasurable karmic rewards. Therefore, the hell of Avici is also called the endless hell.

Although Jiang Lin was a ghost messenger and seemed to be free to come and go, but from the moment Yan Luo asked him to keep his memory, he was doomed to suffer in his heart for thousands of years.

The images of his father begging for help with all his strength, his own ruthless turning around, and his mother's heart-rending cries will torture his heart day and night. In the great hells of "Tianlun", the pain of that snowy night will emerge.

What hurt him the most was that he would never be able to seek forgiveness, nor could he seek relief. No one knew when the 49 dead would be enough. , let alone ordinary people.

So thousands of years later, when he saw Lieutenant Park make a big mistake because of a mistake, he saw the resolute self in that snowy night.The difference is this time there is an opportunity to prevent tragedy from happening again.

So on the surface, it seems that he is helping Kim Soo Hong, but he is actually helping Lieutenant Park, and he is also making a confession for himself that is a thousand years late.And that monologue also presented the dark line of the movie to the audience: Father's love is like a mountain.

The director uses two stories to express fatherly love. The first one is Chengzao Shen and Xiandong. Although he has no blood relationship with Xiandong, his role is that of a father, and the starting point of everything he does is actually for Xiandong.

Investing, painting, and protecting the family, just like the father in our impression, he may not be very rich, he may not dress very tastefully, and he may even be a little slovenly, but he will carry the whole family and move forward silently. Leave the good ones to the children, and use your tall body to shield them from the wind and rain.

He is what the family needs him to be.The God of Creation embodies the form of the father.

The second one is King Yan Luo and Jiang Lin. King Yan Luo's previous life was actually Jiang Lin's father. After being killed by his son, he took over the position of Yan Luo.

In the final analysis, Jiang Wenzhi is for atonement.It is the fault of the father whether to raise or not to teach.As an excellent general, he knows that he has not fulfilled his responsibilities as a father and failed to guide Jiang Lin correctly, allowing jealousy, greed for power, and pursuit of fame and fortune to fill his son's heart, which eventually led to a tragedy of human relations.

So he took over the position of Yan Luo and turned his son into a ghost messenger.Even if he is punishing Jiang Lin for the crime of killing his father, he is also fulfilling the final responsibility of a father. He hopes that after his son becomes a ghost messenger, he will see all the splendor of the world, discover the greed, hatred, hatred and anger of the year, and sincerely repent.

I wonder what father in the world doesn’t love his children?

If it weren't for the criminals, who would be willing to let his son carry the memories of atonement for thousands of years, looking at the two people around him every day, constantly recalling the painful past, as if living in an endless hell?
Yan Luo embodies the god of the father!

Therefore, from the point of view of the theme, the dark line of the second part is paternal love, which echoes the maternal love of the first part, and it is interpreted from the two aspects of form and spirit, and the expression is more successful and profound.

Of course, there are also many failures. In the first part, the nobleman is the core character who promotes the development of the story.In the second part, the mystery of the previous life of the trio is the booster for the development of the film.

On the one hand, it is because the cause of Kim Soo-hong's death has been clearly shown to the audience in the first film, and the definition of a nobleman given at the beginning of the movie also alleviated a lot of doubts about how to defend Kim Soo-hong.

So the director chose a trio with a mysterious life experience to bring the rhythm of the whole play. It is understandable to do so, but the price of doing so is also huge.

Since the focus of the film is on the past life of the evil, it will inevitably weaken into the two lines of Zao Shen and Kim Soo Hong. The booster lost its original rhythm, and the fatherly love between Cheng Zao Shen and Xian Dong could not show the emotion it should have.

And Kim Soo-hong's road to trial has become Jiang Lin's road to memories. Poor Mr. Jin can only highlight his sense of existence through frequent complaints, and even summon dinosaurs to relieve boredom.

The director was unwilling to give up these two lines, so he had to fragment the memories of the trio into these two lines. As soon as the audience saw some emotional reactions, the director cut the scene back to reality. The director cut back to reality.

What's more, the keynote of the reality is joy. On the one hand, it is funny to relieve grievances + leeks to become gods, and on the other hand, it is Kim Soo-hong, who makes complaints, and there are always laughing points.In the story of the previous life, the audience's emotions couldn't be brewed at all.

Even suspense for the sake of suspense, deliberately not telling the audience that Jie Yuanmai is Jiang Lin's younger brother, but audiences with a little experience in watching movies will silently watch the director pretend to be B.

In most cases, multi-line narratives will converge to highlight the drama.There is no need to narrate this way for the sake of suspense.The fragmentation of the memory fragments eventually directly led to the weakening of the characteristics of the characters in the trio's past life, symbolizing the characters that should have been as vivid as the present life, and dismembering a good past life story.

Become the biggest failure of the whole film!
(End of this chapter)