muscle actor

Chapter 453 Rebellion is a hero's privilege

A more significant compromise occurred at the finish line of the Le Mans circuit.This time the compromise is a true compromise, slow down, slow down, hand over control of speed.

There must be many very different interpretations of this final decision, and Ding Cheng tends to base it on a conversation between the previous character and his son.

Several compromises may be choices made to keep his chances as a racing driver. It is the helplessness of idealism to endure humiliation, but perhaps for him, it is more transparent and relieved after understanding the meaning of speed.

After breaking personal records time and time again, and pushing the car in his hand to the physical limit time and time again, he has widened the boundaries of his own speed.For him, the track is not a straight line pointing to the finish line. The real track is a never-ending process lap after lap.

So no need to win, just take that chance at the wheel because after that it won't stop!
Looking back at the script, this may be the most different from other types of films.Don't care about the result, only care about the process.

Although it may seem like chicken soup to comfort the losers, it is an absolutely correct guide to action for truly pure competitors.Perhaps the term "competitor" is not accurate enough here, because there was no other opponent in the final driving, and he was the only one driving towards a ball of fire in the wilderness.

I have to say that as a film adapted from real events, the script has been adapted to the maximum extent within the framework of reality.From the difference between reality and movies, we may be able to see the focus of the creators' expression.

In reality, not only did Enzo Ferrari not pay tribute to Ken at the end of the race, he did not even attend Le Mans in 66.

In fact, Ford did not set up many obstacles for Ken. In 65, it sent Ken to fight in Le Mans.The shaping of these two companies out of reality, on the one hand, enriches the plot, on the other hand, perhaps the creators themselves stand in line, criticizing the impurity of the industry monopoly from the perspective of the so-called pure.

Compared with the previous two works, whether it is the shocking Washington Post or the lonely journey of Blackwater...

There is a huge gap between fictional works and the real world, and creators use limited information and old TV images to fill the gaps in the story with their own attitudes and interpretations.

In addition to the fun of character creation and a slightly subversive interpretation of genre narratives, another highlight of Speed ​​Car King as a sports movie and biopic is the presentation of the character's family.

In the process of racing drivers pursuing the ultimate, loved ones are no longer a worrying obstacle beside the TV, but instead stand on the opposite side of stereotypes and break away from functional roles.

The wife was the perfect soul mate, would drive faster than him, would sit with a garden chair open and a magazine while watching two older boys fight.

The son is Ken's biggest admirer, but he will also show confusion and disappointment when his father makes compromises, and finally truly understands the man's helplessness.

We can see the unyielding determination of the generation of Americans who experienced World War II. They are the real engine that made this country great.

Whether it is the two protagonists or the boss of Ford, they always mention the experience of World War II.That was the most important test that their generation had experienced in their lives. After passing the test, they would be men who stood upright, and nothing could stop them.

The United States is the biggest winner of World War II, but Italy is the defeated country in World War II, and it is still the weakest defeated country.The plot crises continue one after another, but instead dilute the climax, it really needs to be matched with a cliché ending of celebrating victory...

This movie is trash!

Usually movies like to treat the above-mentioned plot as the last difficulty that the protagonist needs to overcome. The cliché ending is that the protagonist insists on himself and wins the game. In the end, the big boss is overwhelmed by his courage, and the applause lasts for a long time.

Worse than this kind of cliché is to let the protagonist submit to the boss's despotic power, obviously being exploited and oppressed, but also showing a masochistic smile, thanking the boss for the meal, and praising the collective power that the big company has provided him. The warmth of doctrine.

The great thing is that the protagonist takes the initiative and loses the championship trophy that he was determined to win, while the company leaders are too busy celebrating to pay attention to him.

Instead, his opponent greeted him from a distance, and he returned a tacit smile.

Until this moment, Ford and Ferrari, who the director respects and demotes, is the dust settled.

Who regards the car as a tool to make money?

Who is the one who really loves and understands cars?
The answer is finally clear, and the rebellion hidden under the skin of the main theme gives the ending more room to ponder.

The charisma of these characters comes largely from rebellion, that is, disobedience.

In a sense, human history is driven by disobedient people. The Renaissance, the Reformation, and the Industrial Revolution made people no longer obey gods, emperors, and popes, but instead obeyed human reason.

In contemporary commercial society, the object of obedience is actually a large company. This obedience is no longer a compulsion that comes from whipping, but is internalized into the operating principles of society.

Considering the melancholy heroism throughout and the car racing theme that represents the spirit of human exploration, Ding Cheng is more inclined to think that entrepreneurship in today's society is far more difficult than in the 60s!

Because big business is far bigger than in the 60s...humans are no longer on the moon...classes are more solidified than in the 60s...the best minds are doing advertising recommendation algorithms...

Even if you still feel that you can't disobey your superiors and tell the truth, it is really cool to persist in rebellion, stick to yourself, and do your best to face the future.

Rebellion is the prerogative of heroes. May the world give rebels more respect and space.

(End of this chapter)