muscle actor

Chapter 447 Really Awesome!
Along with the shooting, Ding Cheng became more and more shocked in the face of the history of that year.

In the United States in the 70s, the workplace was completely dominated by men. Women could only work as operators or secretaries. Their birth capital was the capital for them to gain a foothold, and they also had to face discrimination from commercial advertisements.

In 1970, the cigarette brand Tipalet wrote in its ad: Blow a cigarette in her face and she will listen to you.

In 1972, the feminist movement had little effect, and the shoemaker put out an advertisement poster, implying that women are playthings that will surrender for a pair of shoes.

The background of "Mad Men" is the United States in the 70s and [-]s. As soon as the female secretary entered the job, she was surrounded by three tall men in the elevator, and she had to endure all kinds of harassment and molestation.

Elegantly called a female secretary, she is nothing more than a person who serves tea and pours water.Because men don't believe that these women will be as thoughtful and capable as they are.

So when the camera sweeps across the editorial office, there are newspapers, documents, and men sitting at typewriters everywhere, and there are very few women.

In the press at that time, most of the executives were men, let alone the top leaders.So when the heroine took office, many editors and reporters switched jobs one after another.

That was 1971!
To face hair, or not to hair?

She swallowed, and men surrounded her, demanding to conceal the truth for the company's consideration.Probably because I was too nervous, I said three Go ahead in a row.

The most common picture that Ding Cheng sees is that she is surrounded by a group of men, repeating it several times, hesitant to speak.

Having morning tea with my subordinates, rubbing my hands subconsciously, I said cautiously: I think our female readers are losing, you can focus on female...

Before I finished speaking, the other party robbed me: Catherine, don't judge my work.

He froze for an instant, made a swallowing movement, and then turned his face away...

Going to a meeting with investors, she is the only woman in the entire conference room.

The men said one sentence after another, she murmured for a while, and as soon as she uttered a word, she was stopped by the man in the next seat, yelling not to get tangled up in it.So he had no choice but to keep silent, watched others speak, and then smiled in agreement.

Wearing a nightgown, standing among a group of men, debating whether or not to send out that classified Pentagon document.The men were arguing and arguing endlessly, leaving her no chance to speak out.

When I stepped on the steps, I found that all the female clerks were standing outside the door.When the door was pushed open, all the people who came into view were senior male officials.

The difference between the two lenses is obvious.

As Catherine waits in line for her appeal, a black woman walks by holding a file box.She is short and thin and works for the government, but she looks up at Catherine with a firm gaze: I hope you win.

There is also the editor-in-chief's daughter, who made her first appearance selling lemonade at her door for 25 cents a cup.

He looks seven or eight years old, with a ponytail and a self-made brand on his back.Struggling to pick up the kettle and pour lemonade into glasses for others.There is no need to do such a thing, after all, I have a father who is the editor-in-chief.

But he still stacked up the money he earned and handed it to his mother.At this moment, she is not anyone's daughter at all, but a young independent woman.

What Ding Cheng admired the most was the hero's wife. When the heroine gave the order to publish, the reporters went in and out of the editor-in-chief's house, working in the living room, and papers were spread all over the floor.They have to extract the most important information and edit it before the deadline.

At this moment, she quietly counted the number of people by the door to determine how many mustard turkey and horseradish roast beef.Then, holding the plate, he bowed and asked everyone what they needed.

Behind her, at the entrance, was her daughter who carried the heavy billboards home alone.

After putting all the food on the table, he stood quietly in the kitchen, watching the men in the restaurant talking loudly, without saying a word, without showing their edge.

Women do all the housework, and men demand absolute loyalty from them, not even letting a salesman into the house to drink water.

The guests dispersed, and in the dead of night, she began to make sculptures.The hero proudly flaunted that the Pentagon Papers could be published, and her first reaction was: Catherine is so brave.

The male lead frowned and asked, "I'm not brave?"

She lowered her head and continued to fiddle with her sculpture, and said softly: In a position where many people do not recognize her, she has been said countless times that she is not good enough, and has been ignored, so she risked her life and made this decision, I think she is braver.

Only then did men realize the contribution of women, the contribution of all women in that era!

This is what shocked Ding Cheng. Although it is a biographical film, it was filmed by the director with a sense of rhythm and entertainment. It is not a serious, pure biographical film based entirely on reality.

In the use of audiovisual language, Spielberg still has his personal ingenuity.

Strictly position yourself and the audience as observers rather than participants, and do not allow the audience to use the perspective of characters throughout the process, but moderately use a third-party perspective to follow up the process of everything.

Every time a turning point is reached, when a key character who causes a plot twist appears, the camera will first be from the side, roughly at the height of the character's chest, parallel to the character in a panoramic view, and the camera will be slightly undulating, much like a living third person. Follow the character from the side and move forward rapidly, then the camera slowly walks behind the character, follows the character from behind into a certain room, and watches something happen.

Always watch the progress of this matter step by step from the perspective of a third party, and watch the characters struggle with themselves, with their opponents, and with their rights.

The audience observes the choices of the characters from an objective point of view. Although such a lens setting does not have a sense of participation, it will give the audience an involuntary sense of judgment and inspection.

Various scenes are alternated, the rhythm is controlled, there are no redundant shots and settings, and the wonderful character creation combined with the director's arrangement and editing makes each character very individual.

Can express the background of the times in commercial films, portray the ups and downs of human nature, and highlight the brilliance of the profession...

This is called real awesomeness!
(End of this chapter)