muscle actor
Chapter 390
Chapter 390
Compared with the three brain-burning suspense films made last year, without any big scenes, and relying on logic to win at a small cost, this kind of film took another path.
Of course, it is also the mainstream of the market. No matter how powerful the reasoning is, it can only satisfy the tastes of the minority. More people go to the movie theater just to watch the big scene for two hours, or watch a comedy to laugh a few times, that's all.
So if you don't play logic to the fullest, or the big scene is exciting, other than that, it's all cannon fodder!
Especially those works that want to add so-called private goods to commercial films,
Don't want to die!
The two most difficult things this year: first put other people's money in your own pocket...
Or put your own thoughts into someone else's head.
"Do you know what I've been through during this time?"
Ding Cheng looked at the tired Yaozai and asked with concern, "Someone discriminates against us?"
"That's not the case!" Yaozai held Ding Cheng's hand, and faced his lover's concern, he rarely relaxed and said, "The biggest difference between here and the country is that we need to deal with the trade union."
"Through continuous development, mergers, strikes and negotiations over the years, various unions have gradually become organizational entities with a powerful voice in the Hollywood film and television industry."
"Have you ever heard of the existence of an art directors' union?"
Ding Cheng suddenly realized that it was because of this?
During this time, I also had a deep understanding of it. Only after personal contact did I understand how complicated the Hollywood system is.
There are hundreds of thousands of people working in the film industry, and there are hundreds of types of work, and almost every type of work can find a corresponding trade union security system.
On the one hand, trade unions gather the strength of all members to negotiate with employers on minimum wages, working conditions and benefits.The articles and regulations formed through negotiations have evolved into a code of conduct that must be observed during the production of film and television dramas.
On the other hand, as long as we cooperate with the labor union, more than 80% of the on-site work types will be represented by them, which will form a strong restriction on the producers.Because we will encounter various troubles under the union system during the cooperation process, many low-cost productions try their best to avoid dealing with the union.
The world's first language + the world's first national spending power + creative freedom + stable capitalism + the national character is extroverted, cheerful and serious, which will inevitably lead to the world's number one entertainment industry.
The works can make a lot of money, so they can invest a lot of money in the film, and try to please the audience in the story writing, resulting in a typical Hollywood narrative structure ending with a climax + happy ending, and satisfying the audience's curiosity and curiosity about reality and the future world as much as possible. Fantasy, it seems that the quality is not high, but the whole world loves to watch it.
This is the Hollywood formula.
"However, this period of time has not been in vain. We finally have our own branch company in this three-acre land!"
Ding Cheng looked at Yaozai's satisfied expression. As an agent, it is also a great satisfaction to have his own studio in Hollywood and to gain his influence into the world's top circles.
You must know that only Brother Cheng Long has this strength, not even Li Chengjie!
Compared with Hollywood’s unbridled power to sweep the world,
The Chinese language is simply insignificant in this land, especially in China. Leaving aside the golden age of Hong Kong Island, there has been nothing in the past ten years.
Of course, it’s just about film works. For the capital that has long been eager to try, it has already begun to lay out.
Heroes of Fire invested by Fatty Yu last year, as the first part of Bona's so-called pride trilogy, has received great expectations from inside and outside the industry.Behind the film, the producer Sony Columbia is impressively listed.
Previously, Alibaba Pictures, Tencent Pictures, Wanda and other domestic film and television companies successively invested in six major film projects including "Mission: Impossible 6", "Venom", "Bumblebee" and "Wonder Woman". Once Upon a Time in Hollywood"...
The cooperation between the Hollywood Six and Huaxia Film and Television has entered a new stage.
It can be traced back even further to Zhang Yimou's "No One Less" and "My Father and Mother", Feng Xiaogang's "Big Shot", Cheng Kaige's "The Taoist Comes Down the Mountain" and Jiang Wen's "One Step Away", etc., all of which have the shadow of the Six Greats. .
When choosing to invest in a domestic film, it is natural to consider the company behind the film and television project.Even in their hearts, choosing a company to cooperate with is far more important than choosing a project.
After all, in an unfamiliar environment and establishing a stable long-term cooperative relationship with a company, projects will naturally follow.
"I have studied the six major investment projects in Hollywood, and almost every work is supported by a big director or a big star."
Su Yao analyzed: "The four major directors are their most trusted partners. If they participate in works, as long as they can get investment quotas, they will basically not let go of investment opportunities."
"The types of investment are mainly limited to romance, comedy and action. On the one hand, this is related to the judgment of the six majors on the preferences of domestic audiences. As we all know, comedy and action are our most favorite movie types."
"On the other hand, these three major genres, especially comedy and action, are difficult for them to achieve because of cultural differences. Even regions like the north and the south have different preferences and understandings when it comes to comedy, which is very important for Hollywood's creative team. To say it is an impossible task."
"Of course, there are red lines that they don't have the opportunity to touch. For example, projects such as "Amazing China", "Operation Red Sea", "Space Hunting" and "Tangshan Earthquake" involve sensitive subjects, so don't even think about it."
"Foreigners are not stupid, especially in terms of investment projects in the past two years, they have obviously opened up their minds. In 16, Sony Columbia invested in Star Master's "Mermaid", which achieved both box office and word of mouth."
"Warner also made a lot of money by investing in The Origin of the White Snake. I estimate that science fiction, thrillers, and suspense may also become their focus of investment in the future."
Ding Cheng nodded. In fact, after this period of contact, there are actually three major gaps between Chinese-language movies and Hollywood.
The basic investment of Hollywood movies is more than 1 million U.S. dollars, and some major productions are 3 million U.S. dollars, or even 5 million U.S. dollars, and the production cost accounts for more than half, which means that the cost of special effects may be 1 million U.S. dollars. How many dollars.
The largest investment in Chinese-language films is "Journey to the West", with an investment of almost 4 million. Excluding the investment water injection, it can be automatically ignored. 7000 million is almost [-] to [-] million U.S. dollars. This money is used for Hollywood, and special effects cannot be made. What a level.
To put it bluntly, the market is not big enough. Domestic films rely entirely on the domestic box office, and overseas revenue is almost zero.For Hollywood movies, overseas income accounts for more than half, which is the gap.
If domestic films can also spend [-] to [-] million US dollars in production costs for special effects, Ding Cheng believes that they can also produce world-class special effects, and Nezha is the best proof.
The second is the gap in the overall industrial level. What Hollywood has been emphasizing is industrial production, especially the sequels of big IPs. They all have a set of strict production standards, which can ensure that the quality of the film is above the passing line.
For example, Marvel, even if the director and actors have changed, the overall style is still the same.In China, the quality varies widely, and there is almost no standard at all.
In the end, it's the screenwriter. Huaxia has never been short of good directors and good actors. The current screenwriters only know how to remake, but only know how to adapt novels, and there is no originality at all.
In such a big environment, no matter how good a director is, he can't produce high-quality works, and the actors are even more powerless.
Not to mention Hollywood, even South Korea can't compare to this!
(End of this chapter)
Compared with the three brain-burning suspense films made last year, without any big scenes, and relying on logic to win at a small cost, this kind of film took another path.
Of course, it is also the mainstream of the market. No matter how powerful the reasoning is, it can only satisfy the tastes of the minority. More people go to the movie theater just to watch the big scene for two hours, or watch a comedy to laugh a few times, that's all.
So if you don't play logic to the fullest, or the big scene is exciting, other than that, it's all cannon fodder!
Especially those works that want to add so-called private goods to commercial films,
Don't want to die!
The two most difficult things this year: first put other people's money in your own pocket...
Or put your own thoughts into someone else's head.
"Do you know what I've been through during this time?"
Ding Cheng looked at the tired Yaozai and asked with concern, "Someone discriminates against us?"
"That's not the case!" Yaozai held Ding Cheng's hand, and faced his lover's concern, he rarely relaxed and said, "The biggest difference between here and the country is that we need to deal with the trade union."
"Through continuous development, mergers, strikes and negotiations over the years, various unions have gradually become organizational entities with a powerful voice in the Hollywood film and television industry."
"Have you ever heard of the existence of an art directors' union?"
Ding Cheng suddenly realized that it was because of this?
During this time, I also had a deep understanding of it. Only after personal contact did I understand how complicated the Hollywood system is.
There are hundreds of thousands of people working in the film industry, and there are hundreds of types of work, and almost every type of work can find a corresponding trade union security system.
On the one hand, trade unions gather the strength of all members to negotiate with employers on minimum wages, working conditions and benefits.The articles and regulations formed through negotiations have evolved into a code of conduct that must be observed during the production of film and television dramas.
On the other hand, as long as we cooperate with the labor union, more than 80% of the on-site work types will be represented by them, which will form a strong restriction on the producers.Because we will encounter various troubles under the union system during the cooperation process, many low-cost productions try their best to avoid dealing with the union.
The world's first language + the world's first national spending power + creative freedom + stable capitalism + the national character is extroverted, cheerful and serious, which will inevitably lead to the world's number one entertainment industry.
The works can make a lot of money, so they can invest a lot of money in the film, and try to please the audience in the story writing, resulting in a typical Hollywood narrative structure ending with a climax + happy ending, and satisfying the audience's curiosity and curiosity about reality and the future world as much as possible. Fantasy, it seems that the quality is not high, but the whole world loves to watch it.
This is the Hollywood formula.
"However, this period of time has not been in vain. We finally have our own branch company in this three-acre land!"
Ding Cheng looked at Yaozai's satisfied expression. As an agent, it is also a great satisfaction to have his own studio in Hollywood and to gain his influence into the world's top circles.
You must know that only Brother Cheng Long has this strength, not even Li Chengjie!
Compared with Hollywood’s unbridled power to sweep the world,
The Chinese language is simply insignificant in this land, especially in China. Leaving aside the golden age of Hong Kong Island, there has been nothing in the past ten years.
Of course, it’s just about film works. For the capital that has long been eager to try, it has already begun to lay out.
Heroes of Fire invested by Fatty Yu last year, as the first part of Bona's so-called pride trilogy, has received great expectations from inside and outside the industry.Behind the film, the producer Sony Columbia is impressively listed.
Previously, Alibaba Pictures, Tencent Pictures, Wanda and other domestic film and television companies successively invested in six major film projects including "Mission: Impossible 6", "Venom", "Bumblebee" and "Wonder Woman". Once Upon a Time in Hollywood"...
The cooperation between the Hollywood Six and Huaxia Film and Television has entered a new stage.
It can be traced back even further to Zhang Yimou's "No One Less" and "My Father and Mother", Feng Xiaogang's "Big Shot", Cheng Kaige's "The Taoist Comes Down the Mountain" and Jiang Wen's "One Step Away", etc., all of which have the shadow of the Six Greats. .
When choosing to invest in a domestic film, it is natural to consider the company behind the film and television project.Even in their hearts, choosing a company to cooperate with is far more important than choosing a project.
After all, in an unfamiliar environment and establishing a stable long-term cooperative relationship with a company, projects will naturally follow.
"I have studied the six major investment projects in Hollywood, and almost every work is supported by a big director or a big star."
Su Yao analyzed: "The four major directors are their most trusted partners. If they participate in works, as long as they can get investment quotas, they will basically not let go of investment opportunities."
"The types of investment are mainly limited to romance, comedy and action. On the one hand, this is related to the judgment of the six majors on the preferences of domestic audiences. As we all know, comedy and action are our most favorite movie types."
"On the other hand, these three major genres, especially comedy and action, are difficult for them to achieve because of cultural differences. Even regions like the north and the south have different preferences and understandings when it comes to comedy, which is very important for Hollywood's creative team. To say it is an impossible task."
"Of course, there are red lines that they don't have the opportunity to touch. For example, projects such as "Amazing China", "Operation Red Sea", "Space Hunting" and "Tangshan Earthquake" involve sensitive subjects, so don't even think about it."
"Foreigners are not stupid, especially in terms of investment projects in the past two years, they have obviously opened up their minds. In 16, Sony Columbia invested in Star Master's "Mermaid", which achieved both box office and word of mouth."
"Warner also made a lot of money by investing in The Origin of the White Snake. I estimate that science fiction, thrillers, and suspense may also become their focus of investment in the future."
Ding Cheng nodded. In fact, after this period of contact, there are actually three major gaps between Chinese-language movies and Hollywood.
The basic investment of Hollywood movies is more than 1 million U.S. dollars, and some major productions are 3 million U.S. dollars, or even 5 million U.S. dollars, and the production cost accounts for more than half, which means that the cost of special effects may be 1 million U.S. dollars. How many dollars.
The largest investment in Chinese-language films is "Journey to the West", with an investment of almost 4 million. Excluding the investment water injection, it can be automatically ignored. 7000 million is almost [-] to [-] million U.S. dollars. This money is used for Hollywood, and special effects cannot be made. What a level.
To put it bluntly, the market is not big enough. Domestic films rely entirely on the domestic box office, and overseas revenue is almost zero.For Hollywood movies, overseas income accounts for more than half, which is the gap.
If domestic films can also spend [-] to [-] million US dollars in production costs for special effects, Ding Cheng believes that they can also produce world-class special effects, and Nezha is the best proof.
The second is the gap in the overall industrial level. What Hollywood has been emphasizing is industrial production, especially the sequels of big IPs. They all have a set of strict production standards, which can ensure that the quality of the film is above the passing line.
For example, Marvel, even if the director and actors have changed, the overall style is still the same.In China, the quality varies widely, and there is almost no standard at all.
In the end, it's the screenwriter. Huaxia has never been short of good directors and good actors. The current screenwriters only know how to remake, but only know how to adapt novels, and there is no originality at all.
In such a big environment, no matter how good a director is, he can't produce high-quality works, and the actors are even more powerless.
Not to mention Hollywood, even South Korea can't compare to this!
(End of this chapter)
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