muscle actor

Chapter 293 Who Will Give It To Whom!
Not to mention all dangerous moves,

Impressive.

The first half may seem dull, but in fact it profoundly demonstrates the monopoly of the economy by large chaebols, which has resulted in a serious gap between rich and poor in South Korea.For ordinary people, it is almost impossible to become rich.

Just like the Kize family in "Parasite", the reason why they are so hysterical is also because that is their only chance to change their lives.

The director uses the relationship between the protagonist and his family to show the predicament of young people's current life. The nephew does not want to admit that he is his uncle, the parents dislike him because he can't even clean the dishes, and the older sister scolds this worthless younger brother all day long... …

But no matter how you dislike yourself, you are still a family after all.My sister still finds excuses to pay for living expenses, and my mother loves him very much.

Therefore, when a crisis comes, he will put his family first and put his own safety aside, and his bravery will also want to regain the approval of his family.

As one of the core themes, family affection is constantly being strengthened, which has also become a very important driving force for the protagonist's actions in the second half of the film.

Unexpectedly,

Reasonable!

Even the director did not strengthen the clue of love, and the hand in hand between himself and Li Yuner is more like a partner than a lover.

In Ding Cheng's view, their end point is not each other, but their respective families.

At the end, when the two escaped from the infected area, they rushed to hug their family members desperately.

And she also smiled and called her family...

I have to say that although Lee Sang-geun is only a newcomer, his filming of rock climbing and parkour scenes is undoubtedly top-notch!

Especially when I chose to climb up from the window in order to open the door of the hotel roof, the scene of climbing a 50-storey building with bare hands was thrilling enough, and the cross-editing also showed the danger that my sister might die at any time due to poison gas!
The poisonous gas that keeps floating up, rather than capturing the movements and expressions of his strenuous climbing, the director puts more emphasis on photographing the relationship between the characters and the environment, knowing that the cause of fear to the audience is the environment that may kill them at any time.

Almost every tilt shot is shot with a relatively loose scene, in order to better highlight the tension brought by the environment.

When the two started their urban parkour, this guy not only made jokes, but also continued to escalate the crisis.The pacing and suspense design are undoubtedly excellent, and almost every scene pushes the character's situation to more extremes.

Only by forcing them to break through the barriers can they escape. The most impressive part is that the two came to the roof of a barbecue restaurant. They thought they still had time to escape, and wanted to chat with Li Yuner, but turned around...

The smoking machine sends all the poisonous gas that floats into the store to the roof!

There are many such scenarios, and almost every single scene has its own inherent three-act structure, which constantly creates expectations for the audience, then sets up difficulties, and then allows the characters to solve the difficulties and break through the encirclement.

At the most burning moment, the drones are dispatched collectively, watching the drones all over the screen come to rescue the protagonist one after another...

Tears instantly!

Flying between buildings in order to survive, the little man is unwilling to be reconciled to the dangers of the environment, the kind of survival instinct that gushes out...

Who else wouldn't be moved?

"In this scene where students gather in the building opposite and cry out desperately from the window, I want the audience to think of the serious shipwreck in 14..."

Li Shanggen looked at the material and explained to Ding Cheng: "The victims were mostly sophomores who participated in the graduation trip!"

Ding Cheng suddenly realized why he did not choose a hysterical and brutal close-up, but instead used the two protagonists' onlookers' perspectives to show the inner unbearable and entangled emotions.

Because it was a real example of his own practice, he gave up the chance of escape and pointed out the way for the helicopter to rescue the students.

In the illusory parallel time and space of the movie, finding an outlet for the students to live is perhaps the most touching tenderness given by the movie.

Compared with other black government works, this drama obviously deliberately downplays the political context behind the disaster, and even limits the cause of the disaster to personal hatred.

But it also makes the background of the situation more pure and focused, and highlights those wonderful and precious details.The director and screenwriter have a high degree of self-awareness of social responsibility, resulting in a textbook-like rigorous interpretation of the rescue scene.

All disaster emergency bridges, including coma first aid, temporary stretchers, distress signals...

[-]% real and actionable!

At first glance, the two protagonists are just small individuals in the disaster, but what is actually reflected behind them is the anxious group portrait of the entire Korean society eager for an outlet for survival!
"Thank you for taking care of me, senior!"

After watching the material, Li Yuner stood up, bowed deeply to Ding Cheng and the director, and said gratefully: "This is the first female lead in a movie in my life..."

“It is also a precious experience that will be unforgettable in a lifetime!”

Ding Cheng smiled and waved her hands. Her character is also a rare independent woman who is decisive and responsible.When escaping, you first think of your guests, when you ask for help, you calmly state your address in a clear message, you always act before others, and you take the initiative to give up escape opportunities again and again at the critical moment...

It is definitely not a vase that is used to being rescued by men in traditional disaster movies, but a positive female character with subjective initiative. Even after returning from the catastrophe, she will fight back against the past harassment in the workplace.

Perhaps for Korean blockbusters that have neglected female roles for a long time, such a character setting that respects women is undoubtedly the key to attracting female audiences to buy tickets.

This work is far more excellent than the words. No matter the director or the team, they don't exaggerate, pretend, or indulge themselves. One second, they resolutely give up the chance of escape to others, and the next second they can't help but shed tears and struggle with grievances.

But after wiping away the tears, he still bravely continued to run for his life. What has never been abandoned is the truest human nature.

Although he doesn't have the superpowers of a hero, what he does is to apply what he has learned about fitness, let alone save the world, but at least he can save his family, strangers, and himself.

Just like the looming rainbow in the rain, this is the brilliance of ordinary people.

To be fair, it is definitely not enough to just define this movie as an entertainment and stress-relieving popcorn movie!
Under the misty and difficult social reality, the deep inner strength and courage and the inspiring joy are its most charming places.

Kill it!
I returned to Beijing at the end of January, and the Spring Festival is coming soon. I am very satisfied with this cross-border cooperation. I not only tried new genres, but also gained an in-depth understanding of the Korean film industry model. I came back with a full load.

Of course, there is another good thing during the period, Wushuang was released on Christmas, and it directly exceeded [-] million on the first day!

The final box office locked 18 billion,
Break Zhuang Wenqiang's personal record!
At that time, he called to announce the good news. Hearing that next year there would be several finalists for the Academy Awards, Ding Cheng hung up the phone directly.

Who will give it to whom,
I really don't want it anymore!
(End of this chapter)