muscle actor
Chapter 240 So You Are Such a Person!
Chapter 240 So You Are Such a Person!
"You really are a good actor!"
Xu Anhua lamented that acting is only part of it, what is more important is to have a sensitive heart and be able to perceive everything around.
I am socially phobic, afraid of crowds, and don't want to be influenced by the outside world. I always want to make a maverick attitude, but I also secretly speculate on others' opinions,
Seeing the scolding person, while expressing disdain and thinking that you are old, and don't even bother to complain, at the same time, it seems that you have suffered some internal injuries silently.
"They are all making literary films. I am completely different from Wong Kar Wai. He can shoot a movie for several years. Every scene and every shot is carefully crafted, and the pace is not too fast or slow."
"I'm the complete opposite. I'm always in a hurry. I'm anxious to find a script, I'm eager to prepare, I'm anxious to shoot. I'm eager to prepare for the next one before it's released..."
"Even if a film is made for three years, it is always in a state of anxiety, not as calm as he is at all."
"Hey, no way!"
Ding Cheng listened attentively. It seemed like a small talk, but it was actually very important. It was related to how to communicate and get along with the director in the future.
I have worked with seven or eight directors with different styles, and the works actually convey their personalities and views on life in the world.
Xu Yinghua is the most rational and logical; Xu Wenzheng is very smart and has a very sensitive business sense; Guan Hu and Ding Sheng are full of blood and always want to express something different.
Wuyou has self-knowledge, knows what he wants, and he is lucky, so he can get to where he is today.
Xu Anhua is not stupid, he secretly observes Ding Cheng's state, the more he watches, the more he appreciates it.Young people are very smart, not petty cleverness, but spirituality.
The director is not afraid to teach the actors step by step. After all, not everyone can understand the spirit, but the cost of communication can be high or low. You can get started with a few good sentences, and you can find the feeling after a few takes.
It's not enough to toss around for a long time. Not only the director himself, but the entire team will be dragged down. Who can I turn to for reasoning?
Although it was the first time we met, Ding Cheng was far better than in the works. His sincere smile and clean eyes made people feel very comfortable and friendly.
No wonder it can be appreciated by Liu Tianwang!
In Ding Cheng's view, there is no doubt about Xu Anhua's persistent pursuit of movies, but it is also a fact that her quality is not stable. Often, one movie is completed, and the next one is missed, sometimes good and sometimes bad.
In addition to the above-mentioned rush, there are also some obvious production flaws from time to time, sometimes because of the production budget or time constraints, sometimes because the script was not completed before shooting, sometimes because of the hasty post-production...
In the final analysis, it is all because she does not insist enough on the quality of her works.
Because she is still not an artist like Wong Kar Wai, a director who pursues perfection in her works.
Instead, they are accustomed to taking care of non-artistic considerations such as bosses' investments, staff welfare, and interpersonal relationships.
Once an artistic compromise is made...
I care too much about other people's opinions, I don't want to offend people, I don't want to owe favors, so many times I can only make do with it.
In fact, a pure artist must sometimes be unreasonable, self-important, and once successful!
Yesterday, Yaozai was doing her homework and found a copy of her autobiography, good guy, she can be said to be unabashedly explosive.
Scolding myself for not paying attention to details...the picture lacks a sense of cinema...the rhythm control is not too strong...
And I don't know how to write scripts, and I always rely on screenwriters. Once the script fails, there is nothing to do.
They are almost all criticisms, even those works that have won various awards and are praised by everyone, are still a bunch of shortcomings in her eyes.
Directors generally regard their works as their own children, and they can't even love them, especially some directors nowadays, if others say a bad word, they even want to tear it up in person.
Compared with them, she is so strange, it is tantamount to making complaints about herself.
The debut film, which is also the pioneering work of the new wave of Hong Kong films, "Crazy Robbery" complained: In the later stage of filming, Zhang Aijia and Lin Zixiang's investigation scenes suddenly lost their sense, and they didn't know what they were filming.
This is the first adaptation of Eileen Chang's "Love in a Fallen City" - of course this drama failed, the art was not detailed enough, and I couldn't capture the drama of the two protagonists well, so it was nothing to watch.
Temporarily replacing "Magic City Vacation" directed by Bai Jingrui - I didn't put my personal opinion into it, so there is nothing to expect.For me, this set of scenes is a waste of manpower and material resources like film.
"A Jin", which tells about the life of a martial artist in an action movie, was shot in a hurry. Due to various reasons, I was limited to finish the filming within seven months, so I kept urging and urging, and at the same time added chaos.
Adapted from Hai Yan's novel, "Jade Guanyin" was the most popular in the mainland at the time - the process was particularly bad, I led the team by myself, this time I was just a hired director, so I had to listen to others in everything, and strictly followed the mainland's regulations rule.
One of the bosses proposed to use another actor to play Mao Jie. It was a friend he knew. He told me this before the filming started. At that time, Ting Feng was already decided to be used in the middle. It was difficult to do, and every day was annoying!
Even Liu Tianwang, although she discovered it by herself, still starred in "Extreme Path Tracking" back then, and said directly: "I don't like Liu Kaihua very much. I think he is not convincing and a bit inappropriate, but I can't say anything wrong. place."
The criticism of Shu Qi was more specific. The lead actor in "Ghost World" said afterwards: "I am very disappointed with her. Originally, the role was the best in the play, but she was in a poor state of filming. Maybe it was because she was too busy. During the filming, she was like a ghost all day long. I didn't wake up.
I wanted to talk to her, but in the end I endured it, and felt that there was no need to quarrel with her, otherwise after the quarrel, in her state, she might disappear.
Even Brother Ma in "Aunt's Postmodern Life": I have some hesitation about him, because I'm not sure if it's too exaggerated?
Even after Siqin Gaowa won the Golden Award for this film, she didn't think the performance was perfect: I think it can be done better, because the scene between her and the child is a bit too tense, and she should relax ordered. "
Such memes abound...
I was shocked after reading it myself!
At the time, I didn't quite understand, when I was shooting, I was always in a hurry, I always let it go, I always let it go easily, and then I felt that it was all a problem after the shooting?
Since I was picky after the fact, why didn't I be more careful at the beginning?
It wasn't until we met and chatted that I realized that this is her personality, just like her. If one day she becomes persistent in this aspect, maybe her usual humanistic care and tolerance will disappear, and the loss will not be worth the loss.
Because she is a tolerant person. Tolerance is not only reflected in the connotation of the work, but also in the process of filming. This is the two sides of a coin, and there are gains and losses.
As for the fact that she likes to criticize the work afterwards and point out the problems of the actors, it does not mean that she is not tolerant, because after she finishes the criticism, she will always take all the problems on her own head, and she will bear all the responsibilities.
Even the outside world generally praises the advantages of being good at training actors, but she is also denied by herself, she is so cheap!
(End of this chapter)
"You really are a good actor!"
Xu Anhua lamented that acting is only part of it, what is more important is to have a sensitive heart and be able to perceive everything around.
I am socially phobic, afraid of crowds, and don't want to be influenced by the outside world. I always want to make a maverick attitude, but I also secretly speculate on others' opinions,
Seeing the scolding person, while expressing disdain and thinking that you are old, and don't even bother to complain, at the same time, it seems that you have suffered some internal injuries silently.
"They are all making literary films. I am completely different from Wong Kar Wai. He can shoot a movie for several years. Every scene and every shot is carefully crafted, and the pace is not too fast or slow."
"I'm the complete opposite. I'm always in a hurry. I'm anxious to find a script, I'm eager to prepare, I'm anxious to shoot. I'm eager to prepare for the next one before it's released..."
"Even if a film is made for three years, it is always in a state of anxiety, not as calm as he is at all."
"Hey, no way!"
Ding Cheng listened attentively. It seemed like a small talk, but it was actually very important. It was related to how to communicate and get along with the director in the future.
I have worked with seven or eight directors with different styles, and the works actually convey their personalities and views on life in the world.
Xu Yinghua is the most rational and logical; Xu Wenzheng is very smart and has a very sensitive business sense; Guan Hu and Ding Sheng are full of blood and always want to express something different.
Wuyou has self-knowledge, knows what he wants, and he is lucky, so he can get to where he is today.
Xu Anhua is not stupid, he secretly observes Ding Cheng's state, the more he watches, the more he appreciates it.Young people are very smart, not petty cleverness, but spirituality.
The director is not afraid to teach the actors step by step. After all, not everyone can understand the spirit, but the cost of communication can be high or low. You can get started with a few good sentences, and you can find the feeling after a few takes.
It's not enough to toss around for a long time. Not only the director himself, but the entire team will be dragged down. Who can I turn to for reasoning?
Although it was the first time we met, Ding Cheng was far better than in the works. His sincere smile and clean eyes made people feel very comfortable and friendly.
No wonder it can be appreciated by Liu Tianwang!
In Ding Cheng's view, there is no doubt about Xu Anhua's persistent pursuit of movies, but it is also a fact that her quality is not stable. Often, one movie is completed, and the next one is missed, sometimes good and sometimes bad.
In addition to the above-mentioned rush, there are also some obvious production flaws from time to time, sometimes because of the production budget or time constraints, sometimes because the script was not completed before shooting, sometimes because of the hasty post-production...
In the final analysis, it is all because she does not insist enough on the quality of her works.
Because she is still not an artist like Wong Kar Wai, a director who pursues perfection in her works.
Instead, they are accustomed to taking care of non-artistic considerations such as bosses' investments, staff welfare, and interpersonal relationships.
Once an artistic compromise is made...
I care too much about other people's opinions, I don't want to offend people, I don't want to owe favors, so many times I can only make do with it.
In fact, a pure artist must sometimes be unreasonable, self-important, and once successful!
Yesterday, Yaozai was doing her homework and found a copy of her autobiography, good guy, she can be said to be unabashedly explosive.
Scolding myself for not paying attention to details...the picture lacks a sense of cinema...the rhythm control is not too strong...
And I don't know how to write scripts, and I always rely on screenwriters. Once the script fails, there is nothing to do.
They are almost all criticisms, even those works that have won various awards and are praised by everyone, are still a bunch of shortcomings in her eyes.
Directors generally regard their works as their own children, and they can't even love them, especially some directors nowadays, if others say a bad word, they even want to tear it up in person.
Compared with them, she is so strange, it is tantamount to making complaints about herself.
The debut film, which is also the pioneering work of the new wave of Hong Kong films, "Crazy Robbery" complained: In the later stage of filming, Zhang Aijia and Lin Zixiang's investigation scenes suddenly lost their sense, and they didn't know what they were filming.
This is the first adaptation of Eileen Chang's "Love in a Fallen City" - of course this drama failed, the art was not detailed enough, and I couldn't capture the drama of the two protagonists well, so it was nothing to watch.
Temporarily replacing "Magic City Vacation" directed by Bai Jingrui - I didn't put my personal opinion into it, so there is nothing to expect.For me, this set of scenes is a waste of manpower and material resources like film.
"A Jin", which tells about the life of a martial artist in an action movie, was shot in a hurry. Due to various reasons, I was limited to finish the filming within seven months, so I kept urging and urging, and at the same time added chaos.
Adapted from Hai Yan's novel, "Jade Guanyin" was the most popular in the mainland at the time - the process was particularly bad, I led the team by myself, this time I was just a hired director, so I had to listen to others in everything, and strictly followed the mainland's regulations rule.
One of the bosses proposed to use another actor to play Mao Jie. It was a friend he knew. He told me this before the filming started. At that time, Ting Feng was already decided to be used in the middle. It was difficult to do, and every day was annoying!
Even Liu Tianwang, although she discovered it by herself, still starred in "Extreme Path Tracking" back then, and said directly: "I don't like Liu Kaihua very much. I think he is not convincing and a bit inappropriate, but I can't say anything wrong. place."
The criticism of Shu Qi was more specific. The lead actor in "Ghost World" said afterwards: "I am very disappointed with her. Originally, the role was the best in the play, but she was in a poor state of filming. Maybe it was because she was too busy. During the filming, she was like a ghost all day long. I didn't wake up.
I wanted to talk to her, but in the end I endured it, and felt that there was no need to quarrel with her, otherwise after the quarrel, in her state, she might disappear.
Even Brother Ma in "Aunt's Postmodern Life": I have some hesitation about him, because I'm not sure if it's too exaggerated?
Even after Siqin Gaowa won the Golden Award for this film, she didn't think the performance was perfect: I think it can be done better, because the scene between her and the child is a bit too tense, and she should relax ordered. "
Such memes abound...
I was shocked after reading it myself!
At the time, I didn't quite understand, when I was shooting, I was always in a hurry, I always let it go, I always let it go easily, and then I felt that it was all a problem after the shooting?
Since I was picky after the fact, why didn't I be more careful at the beginning?
It wasn't until we met and chatted that I realized that this is her personality, just like her. If one day she becomes persistent in this aspect, maybe her usual humanistic care and tolerance will disappear, and the loss will not be worth the loss.
Because she is a tolerant person. Tolerance is not only reflected in the connotation of the work, but also in the process of filming. This is the two sides of a coin, and there are gains and losses.
As for the fact that she likes to criticize the work afterwards and point out the problems of the actors, it does not mean that she is not tolerant, because after she finishes the criticism, she will always take all the problems on her own head, and she will bear all the responsibilities.
Even the outside world generally praises the advantages of being good at training actors, but she is also denied by herself, she is so cheap!
(End of this chapter)
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