muscle actor
Chapter 203 The highest realm of actors
Chapter 203 The highest realm of actors
"While I was away from everyone's sight for recovery and treatment, with my father's encouragement, I picked up reading again, which I had neglected for a long time due to filming..."
“He always said that it was reading that allowed him to find the meaning of life!”
Brother Hu stood on the stage and shared with the audience: "The books that Teacher Huang Lei recommended to me by Master Bo Yang, and Teacher Yi Zhongtian's "Hundred Schools Forum" became the spiritual sustenance of that darkest and difficult time."
"The car accident damaged my appearance and impacted my heart. Every time I picked up the mirror with fear, I longed to find courage and strength in the mirror."
"The language of the mirror is concise and full of wisdom. No one can really make me stand up again except myself. If the skin is difficult to repair, just fill it with thoughts."
"Every time I read a book, I communicate spiritually with the characters in the book, experience the ups and downs of the plot, think about the ups and downs of fate, and understand how to coexist with fate. This is a process of introspection, and it is also a process of finding myself..."
"Later, I finally realized that the car accident was like a gift from heaven. I, who had been unable to calm down and think about my studies, suddenly had time to recharge my batteries."
"Falling in love with reading is another harvest in life. When the heart is strong enough, the vortex of fate can no longer make people depressed!"
"Because your temperament hides all the books you have read and the roads you have traveled."
"Only then can we truly know how to respect, be grateful, repay, and be ourselves..."
"Because you only have one life, you should strive to become a better version of yourself!"
"Since I survived, I can't live in vain!"
The audience applauded warmly, and Ding Cheng was also very moved. This kind of experience is unimaginable for ordinary people.
Faced with Zhuo Wei's provocation of his love affair with a certain Shuying, he calmly quoted a sentence from the Southern Tang Dynasty Prime Minister Feng Yansi's "A Visit to the Golden Gate":
The wind blew up and wrinkled a pool of spring water.
In other words: none of your business?
"Next, please invite the second sharer..."
"Ding Cheng!"
Dong Qing looked at Ding Cheng who was on the stage, handed over the microphone, and asked, "What do you want to share with us today?"
Facing the audience, Ding Cheng, who was sitting next to Brother Hu, said relaxedly: "The meaning of life to me may not be as heavy as his, but more like an experience."
"Today I bring you a book that I have loved recently..."
"Ink Drama!"
The lights dimmed slowly, and Ding Cheng stood in the spotlight, his voice was slow and melodious, and he began to share.
"On the theater stage, walking thousands of miles, young and old in a blink of an eye, miraculously and freely transforming time and space..."
"In the ink and wash canvas, get the source of the heart, learn from nature, and gallop freely with the heart and mind."
"In the end, whether it's a drama performance or an ink work, whether it's singing, reciting, playing, or the thickness of the brush and ink, they all show the charm of traditional art and tell the audience or readers the philosophy that real life is like a play."
The voice is like a piece of ink painting, elegant and handsome, bringing people into scenes like dreams and illusions...
"Someone once wanted to buy a shrimp from Qi Baishi for 250 yuan, but found that there were only two and a half?"
"Because there is a shrimp with half of its body in the aquatic plants, and the remaining half is faint, which is full of imagination and wit."
"Actually, Old Man Baishi has a rule. Each shrimp, regardless of size, costs 100 yuan. If you give him 250, you can only draw two and a half!"
Seeing the audience roaring with laughter, Ding Cheng said: "This is the blank space, and it is also the charm."
"I believe that drama performances express life through stylized movements, while ink and wash paintings are full of charm in just a few strokes. Performances on the dramatic stage are the art of the audience, so we must capture typical impulses and characteristics, and express a certain key moment to let people It’s up to the audience to imagine.”
"You can see the specific environment of the characters in the play from the actors' walking, body posture, movements, singing and other performances. The actors outline these physical things into a set of regular and programmed performance actions."
"This actually needs to be imagined along with the actors. This kind of virtual performance must be based on real objects. It cannot just come out of thin air, it must be extracted from life."
"So actors must feel that everything on the stage is actually empty and non-existent. All the scenery, props, and actions are all on the actors..."
"For example, in "The Legend of the White Snake", getting on and off the boat depends on the band, as if there is a feeling of surging waves. The actor knows that he is on the boat by swinging back and forth by himself, and then he jumps up, feeling that the boat is surging. When you look at the side of your body, you know he has jumped ashore, and when you stagger into the boat, you feel that he is on the boat again."
After finishing speaking, facing the audience, he said sincerely: "I heard a sentence..."
"The highest state of an actor is to live every mask as himself!"
"Life is a large-scale stage play. We are born clean but ugly, and we are gods, tigers and dogs. Our daily life is a constant performance, with different scripts for different people."
"Sophisticated people, socializing and entertaining, you will get used to using your face as a prop. In daily life, parents are short-sighted, but after a long time, you can't even figure out what is real?"
"What is illusion?"
"I have to admit that wearing it is very tiring, so I always want to take it off when people are not paying attention. However, there are countless pairs of eyes that are also covered under the mask, watching you, making you feel guilty and timid. ..."
"How many people show their true colors in order to survive?"
"In order to mediate, how many people don't change their faces frequently?"
"Perhaps, no one likes to live with a mask on, but no one wants to take it off first!"
The voice became deep and powerful, with a deafening feeling, and the entire audience fell into deep thought.
"The root of everything actually comes from the deep self's fear, just as we are not afraid of difficulties, but are afraid of being found out about our true thoughts. The fear of the enemy's darkness is the root of everything."
"Everyone has a pure land in their hearts. If you want not to be disturbed, you have to know how to protect it."
The sound gradually became clearer, like the dark clouds dispersing, the sun shining, and the breeze sweeping away the gloom.
"It's not easy for people to live, so don't put too much pressure on yourself at certain times. You have to understand that downfall is not scary, and you have nothing to fear, then all difficulties are empty talk."
"In the same way, it's okay to wear a mask, as long as you can understand that you wear it, not that it dominates you, that's enough."
"People don't live like armored warriors. Everyone has their own shortcomings and shortcomings. If life is really too difficult, then it's okay to make mistakes and crash occasionally."
"Put a mask on your face, put comfort and peace in your heart, do what you want, and walk what you should, as long as you are fearless, you will be fine."
"Life is like a drama, drama is like life……"
"This may be the interesting part of life!"
(End of this chapter)
"While I was away from everyone's sight for recovery and treatment, with my father's encouragement, I picked up reading again, which I had neglected for a long time due to filming..."
“He always said that it was reading that allowed him to find the meaning of life!”
Brother Hu stood on the stage and shared with the audience: "The books that Teacher Huang Lei recommended to me by Master Bo Yang, and Teacher Yi Zhongtian's "Hundred Schools Forum" became the spiritual sustenance of that darkest and difficult time."
"The car accident damaged my appearance and impacted my heart. Every time I picked up the mirror with fear, I longed to find courage and strength in the mirror."
"The language of the mirror is concise and full of wisdom. No one can really make me stand up again except myself. If the skin is difficult to repair, just fill it with thoughts."
"Every time I read a book, I communicate spiritually with the characters in the book, experience the ups and downs of the plot, think about the ups and downs of fate, and understand how to coexist with fate. This is a process of introspection, and it is also a process of finding myself..."
"Later, I finally realized that the car accident was like a gift from heaven. I, who had been unable to calm down and think about my studies, suddenly had time to recharge my batteries."
"Falling in love with reading is another harvest in life. When the heart is strong enough, the vortex of fate can no longer make people depressed!"
"Because your temperament hides all the books you have read and the roads you have traveled."
"Only then can we truly know how to respect, be grateful, repay, and be ourselves..."
"Because you only have one life, you should strive to become a better version of yourself!"
"Since I survived, I can't live in vain!"
The audience applauded warmly, and Ding Cheng was also very moved. This kind of experience is unimaginable for ordinary people.
Faced with Zhuo Wei's provocation of his love affair with a certain Shuying, he calmly quoted a sentence from the Southern Tang Dynasty Prime Minister Feng Yansi's "A Visit to the Golden Gate":
The wind blew up and wrinkled a pool of spring water.
In other words: none of your business?
"Next, please invite the second sharer..."
"Ding Cheng!"
Dong Qing looked at Ding Cheng who was on the stage, handed over the microphone, and asked, "What do you want to share with us today?"
Facing the audience, Ding Cheng, who was sitting next to Brother Hu, said relaxedly: "The meaning of life to me may not be as heavy as his, but more like an experience."
"Today I bring you a book that I have loved recently..."
"Ink Drama!"
The lights dimmed slowly, and Ding Cheng stood in the spotlight, his voice was slow and melodious, and he began to share.
"On the theater stage, walking thousands of miles, young and old in a blink of an eye, miraculously and freely transforming time and space..."
"In the ink and wash canvas, get the source of the heart, learn from nature, and gallop freely with the heart and mind."
"In the end, whether it's a drama performance or an ink work, whether it's singing, reciting, playing, or the thickness of the brush and ink, they all show the charm of traditional art and tell the audience or readers the philosophy that real life is like a play."
The voice is like a piece of ink painting, elegant and handsome, bringing people into scenes like dreams and illusions...
"Someone once wanted to buy a shrimp from Qi Baishi for 250 yuan, but found that there were only two and a half?"
"Because there is a shrimp with half of its body in the aquatic plants, and the remaining half is faint, which is full of imagination and wit."
"Actually, Old Man Baishi has a rule. Each shrimp, regardless of size, costs 100 yuan. If you give him 250, you can only draw two and a half!"
Seeing the audience roaring with laughter, Ding Cheng said: "This is the blank space, and it is also the charm."
"I believe that drama performances express life through stylized movements, while ink and wash paintings are full of charm in just a few strokes. Performances on the dramatic stage are the art of the audience, so we must capture typical impulses and characteristics, and express a certain key moment to let people It’s up to the audience to imagine.”
"You can see the specific environment of the characters in the play from the actors' walking, body posture, movements, singing and other performances. The actors outline these physical things into a set of regular and programmed performance actions."
"This actually needs to be imagined along with the actors. This kind of virtual performance must be based on real objects. It cannot just come out of thin air, it must be extracted from life."
"So actors must feel that everything on the stage is actually empty and non-existent. All the scenery, props, and actions are all on the actors..."
"For example, in "The Legend of the White Snake", getting on and off the boat depends on the band, as if there is a feeling of surging waves. The actor knows that he is on the boat by swinging back and forth by himself, and then he jumps up, feeling that the boat is surging. When you look at the side of your body, you know he has jumped ashore, and when you stagger into the boat, you feel that he is on the boat again."
After finishing speaking, facing the audience, he said sincerely: "I heard a sentence..."
"The highest state of an actor is to live every mask as himself!"
"Life is a large-scale stage play. We are born clean but ugly, and we are gods, tigers and dogs. Our daily life is a constant performance, with different scripts for different people."
"Sophisticated people, socializing and entertaining, you will get used to using your face as a prop. In daily life, parents are short-sighted, but after a long time, you can't even figure out what is real?"
"What is illusion?"
"I have to admit that wearing it is very tiring, so I always want to take it off when people are not paying attention. However, there are countless pairs of eyes that are also covered under the mask, watching you, making you feel guilty and timid. ..."
"How many people show their true colors in order to survive?"
"In order to mediate, how many people don't change their faces frequently?"
"Perhaps, no one likes to live with a mask on, but no one wants to take it off first!"
The voice became deep and powerful, with a deafening feeling, and the entire audience fell into deep thought.
"The root of everything actually comes from the deep self's fear, just as we are not afraid of difficulties, but are afraid of being found out about our true thoughts. The fear of the enemy's darkness is the root of everything."
"Everyone has a pure land in their hearts. If you want not to be disturbed, you have to know how to protect it."
The sound gradually became clearer, like the dark clouds dispersing, the sun shining, and the breeze sweeping away the gloom.
"It's not easy for people to live, so don't put too much pressure on yourself at certain times. You have to understand that downfall is not scary, and you have nothing to fear, then all difficulties are empty talk."
"In the same way, it's okay to wear a mask, as long as you can understand that you wear it, not that it dominates you, that's enough."
"People don't live like armored warriors. Everyone has their own shortcomings and shortcomings. If life is really too difficult, then it's okay to make mistakes and crash occasionally."
"Put a mask on your face, put comfort and peace in your heart, do what you want, and walk what you should, as long as you are fearless, you will be fine."
"Life is like a drama, drama is like life……"
"This may be the interesting part of life!"
(End of this chapter)
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