muscle actor

Chapter 163 Speechless
"You stand for me!"

"Don't run!"

After several days of tracking, they finally found a suspicious-looking man in black. Ding Cheng and his disciples chased him wildly and came to an abandoned factory. Just as he was about to catch him, a scream came from behind.

The apprentice fell from a height!

"Liu'er!"

Ding Cheng looked at the apprentice who was struggling on the ground, and looked up at the man in black who kept going away, struggling in his heart, finally gritted his teeth, turned around and continued to chase.

After a fierce fight, the other party ran away, leaving only one shoe, a size 41 sneaker.

"People are dying!"

"If we could have sent it earlier, we might have been able to save..."

"It's a pity to be so young!"

Ding Cheng stared at his apprentice's corpse, dumbstruck, tears running down his cheeks silently...

The whole person was completely stunned, looking at everyone like a murderer, holding sneakers every day, just like a prince looking for Cinderella with a glass slipper.

The characters played by Jiang Yunyan are like the kind of people I often met when I was a child. They don't know where they came from, and they don't know where they are going. They are like fairies in the sky, and they seem to be always wandering.

The big city is not only her heart's longing, but also a paradise.It seems that there are her life dreams and her emotional sustenance there.

In this role, he is unrestrained, enthusiastic and full of vigor.From her face, you can't see Yu Guowei's depression and desolation, but a kind of youthful vitality and mature charm.

Unexpectedly, in the entire oppressive environment, it was she who brought a glimmer of colorful dawn.

"I'll open a hair salon for you..."

"Just down the street!"

Ding Cheng handed Yanzi the passbook of all his belongings, seeing the other party jumping happily, with mixed emotions in his heart.

Since I can't catch you?

Then lead you out!

"Let's shoot with natural light as much as possible!" Liu Yingjian insisted: "Only when the light looks natural and real, can the atmosphere of the environment be real, and the audience can gradually ignore the hypothetical nature of the drama, and it looks as if it is real, so they are sincerely impressed by the actors." Substituted by his performance, he is placed in the time, space and atmosphere created by the movie."

"In the hair salon, the diffused natural light coming in from outside the door is used. The lighting is installed on the balcony on the second floor. Try putting four M90s..."

"Go two people and spread a 12*12 white cotton cloth on the opposite wall to reflect astigmatism..."

"A large area of ​​black cloth or butterfly cloth is used between the two roofs of the street to adjust the brightness of the street outside the door..."

Ding Cheng looked at Liu Yingjian and the lighting team busy in full swing, and lamented that he was not the only one who made progress.

This time is different from Shadow Chase, the most direct reflection of using the new LUT process is that there is no need to do more fill light, and the advantage is to keep as much as possible the weak reflection light of the real scene.

Because there is no excessive lighting, the light perception is natural and the authenticity of the restored environment is preserved.Most of them just scattered light outside the window. The lighting engineer and camera assistants used the light meter to work during the whole shooting, and strictly controlled the light ratio and exposure.

The props team is not idle either. All the rain scenes are not made with ordinary sprinkler nozzles. The equipment is a large rain frame made by themselves and a small rain shower that is easy to move.

In the case of a large area, the whole equipment is hoisted by a crane, and the small ones are directly erected on the edge of the screen and on the roof, and then connected to the sprinkler through a water pipe to deliver water under pressure.

When shooting, according to the effect in the screen, adjust the position of each device, the size of the water volume, the density of the water output, the size of the particles, or adjust the model of the nozzle...

When chasing scenes in the rain, first look for the accuracy of the camera position and fixed angle of view.Then according to the description of the script, start from the concept, conduct multiple scene surveys and observations, and then combine the main line and tasks of the script to refine it.

As for the action design in the scene, details such as camera position, angle, scene, rain operability and other details were repeatedly discussed...

Especially for the part where Yu Guowei was looking for the suspect, the necessary shots were shot first on the first day.On the second day, I mainly filmed the fight with the suspect.

In the scene, I drilled across the railroad tracks, which was actually convenient for rain. In fact, I just took advantage of the location to shoot the entire scene in one passage.

The raining equipment was erected on two train carriages, and the raining equipment in the background of the panoramic shot was erased later.

The part where the two were struggling on the ground was filmed in a place with a train carriage on only one side, so that the machine would have enough space to work.

There is a lot of yellow styrofoam before the seams of the iron doors on the carriage, and the props are painted black with self-painting to make the whole more unified.

On the screen, the black metal car cabin that was soaked by rain was very thick. Because of the continuous rain, there will be more and more accumulated water on the ground.

All in all, making a movie is a collaborative process of collective wisdom, talent and physical labor. In the end, it must be presented audio-visually. All participants feel both honored and pressured.

When the plot came to the end, when Yanzi accidentally learned that Yu Guowei was only using her to solve the case, a sense of frustration, a sense of loss, a disappointment of being abandoned and being used emerged spontaneously.

Her daring to love and hate, and her desperation are the most notable characteristics of this character.

Her love is like lightning, like a burning flame that wants to burn both Yu Guowei and herself.

Therefore, only a leap on the flyover is the nostalgia for the real world.

She is an optimistic and unrestrained person, a chic and elegant person, like a hero in a martial arts novel, who plays the role of embellishing colors and promoting the development of the plot in the movie.

I am also lamenting the impermanence of fate, the ruthlessness of time, and the teasing of life.The last conversation between the two on the overpass, the background is covered with dark clouds and the dark and gloomy background, it is like a black humor, but also like a dialogue facing the future.

In Ding Cheng's view, the role of Yanzi and the role of Yu Guowei are actually two sides of the same coin.

Blizzard came so quietly, beyond everyone's expectations.

It was like she jumped, without any warning before, it happened suddenly.

The moment Yanzi jumped down, Ding Cheng's whole world collapsed completely!
The apprentice left,

Lover is gone too,
Leaving myself alone.

At this moment, he was completely insane.

Picking up the hammer, he approached the so-called murderer step by step, watching him numbly explaining and begging for mercy...

a bit,
twice,

three times...

Until the blood is bloody...

Sitting in Lao Zhang's police car, handcuffed, speechless, even Ding Cheng himself didn't know what it was like, empty, his whole body was hollowed out, as if his soul was gone.

(End of this chapter)