Actor's Life Simulator

Chapter 118 The Academic School

Here Deng Tao was stunned for a long time, his mind was already messed up by Wu Gezi's behavior of interrupting the rhythm. After thinking about it, he found that if he didn't say what he thought, his narration might be even more incomplete. Instead of doing this, Deng Tao finally decided to bite the bullet and turn the topic back to his original direction.

"Producer, in order to make the plot more compact, the narrative method of "Jianyu Jianghu" is more complicated, and the way of interspersed narration adds a sense of drama, but it also mixes the character's present moment with their future. If you just act according to the script If you do this, I feel that the character will not be able to stand up, if you want the character's behavior to be reasonable, then you must establish a set of inner evolution process of the character."

Wu Gezi is a director who is very good at training artists. There are too many artists who were born in Yeluzi during the golden age of Xiangjiang movies. Many popular singers can produce good movies after entering the film and television industry.

Of course, this is not because they are all talented, but because of the rapid market demand, Xiangjiang's filmmakers have long been accustomed to how to train these artists who can't act, so that they can quickly enter the roles they need.

Wu Gezi had originally met Deng Tao, and after being stunned by his question, he already felt that this young man was a difficult stick, and helplessly began to think about how to enlighten him. At this time, when he heard Deng Tao's answer, he couldn't help but stay for a while.

Wu Gezi himself entered the show business circle after Wanwan's art school, which can be regarded as a very orthodox background in Xiangjiang's eyes, but Wanwan's art major and textbook skills are far ahead of the mainland's academic schools. Really not enough to watch.

Because a large number of artistic talents are quickly cultivated. Although Xiangjiang Filmmakers themselves often boast about the efficiency of their system outside, but if they are compared with the academics who came out of the ivory tower, Xiangjiang Filmmakers still understand in their hearts. , their approach looks formal.

This is also the reason why the old-fashioned script study sessions in the mainland drama circle require each actor to write a character biography, which often makes Xiangjiang filmmakers feel professional in their hearts. Regardless of whether it is useful or not, it looks like that. .

Wu Gezi originally thought that Deng Tao in front of him was a stick, but he didn't expect that what he said was the most orthodox method of analyzing characters from the logic of drama.

Before Wang Yi investigated Deng Tao’s background, he revealed to Wu Gezi that although Deng Tao claimed to be a student of NAFA, he was actually just a student in a training class who took the route of accompanying him. , so Wu Gezi completely ignored Deng Tao's self-boasting that he was a professional actor.

After hearing Deng Tao's explanation of this very formal academic approach, Wu Gezi was indeed a little surprised.

"Have you ever acted before?"

Deng Tao nodded.

Wu Gezi thought for a while, "Have you written anything?"

"Teacher, I wrote a draft of a biography."

"Let me see."

Wu Gezi stretched out his hand directly, Deng Tao fumbled in his pocket for a while, and found a stack of square white papers.

Wu Gezi opened Deng Tao's biography, and didn't care when he saw the ugly handwriting, but stared at the dense content and read carefully.

Wu Gezi was relieved after only reading the first few lines.

It is indeed a very formal character biography, yes.

Although Wu Gezi only went to a junior college, but his artistic achievements are so high, his understanding of acting is certainly not comparable to that of ordinary performing arts students or professors. He has a lot of understanding of acting directly from practice , but in fact, it also leads to the same goal as the set of things learned by the academic school.

He understands very well that acting is not just about reproducing the content of the script.

Because many times when screenwriters and directors write a plot, what they pursue is only a sense of drama, and they don't care what the tool people in the drama think.This will lead to a character who has this character in the previous plot, but suddenly behaves like another character in the later plot.As for how to make a character's character coherent, in addition to the content compiled in advance by the screenwriter, a lot of the actor's own understanding must also be added.

This kind of work of character rationalization is actually the most important content of an actor's work.

If it is an artist like Da Aisi, Wu Gezi and Su Zhaobing can only help her do it.As long as Da Aisi can follow the requirements of Wu Gezi and Su Zhaobing, it is enough to show what they have prepared for her.

In this case, in fact, Da Aisi is often unable to complete it. If you ask more, people still don't understand why, thinking that you are making things difficult for her.Often get more and more headache.

Originally, Wu Gezi was worried that Deng Tao was another such guy, and he was still the leading actor, so his psychological activities were more complicated and difficult to deal with.But after reading Deng Tao's detailed biography, Wu Gezi finally felt relieved.

It's an actor.Not to mention how amazing the acting skills are, but at least they can reach ordinary standards.

For Wu Gezi, this is already a leading role that makes him very popular.

"Do you have a copy of this biography?"

Deng Tao nodded. Although the things were handwritten, he had experience in "The Sichuan Army's Anti-Japanese War to the End", so he went to Wenyinshe to make two copies before coming to the set today.

Wu Gezi smiled again when he heard the words, it was really the practice of the inland academics, which made him more at ease.

"Then I will take it away and put it in the file as a reference when we are filming."

Deng Tao nodded hastily, and a stone finally landed in his heart. It seemed that he had passed the exam this time.

In the distance, Da Ai Si was stunned to see Wu Gezi holding a piece of paper, patted Deng Tao on the shoulder, got up and left with a smile.

She frowned, "What's going on? Why did you leave?"

The agent on the side looked embarrassed.

what happened?Isn't that obvious?I passed it, do you think anyone's acting skills are similar to yours...

Seeing his own artist who suddenly became angry again, the manager scratched his head.

She knew that this guy was really disrespectful to acting, seeing that Deng Tao wasn't being bullied, she might feel that the whole crew was bullying her.

Originally, Jiang Asheng's role was prepared for Zheng Shengyu's schedule, and all the scenes were not filmed. Now that Deng Tao is on top, the crew is also running quickly.

The fight scenes in the early stage went surprisingly smoothly because of Deng Tao's agility.And Deng Tao is also fully committed, this is his own role!Many times, Deng Tao puts his heart and soul into designing moves by himself, and the results are quite satisfactory to Wu Gezi and Su Zhaobing. With the blessing of Discovery's eyes, Deng Tao directly came up with a set in line with Jiang Asheng's personality after a few days. After showing Su Zhaobing's uneven swordsmanship, the opponent's eyes lighted up.

Can we talk about it, but it is absolutely beautiful to play.What makes Su Zhaobing praise again and again is that he feels that this set of swordsmanship is very in line with Jiang Asheng's setting in his script.That's not true, this is Deng Tao's artistic synesthesia after looking at the script and using his eyes to discover beauty, and portrayed it one by one.

In less than a week, all of Jiang Asheng's plays were done, and the crew quickly entered the stage of literary and play creation.

(End of this chapter)