The rise of the country from the entertainment industry

Chapter 250

Just like the song "Night Run".

"Looking back at the sky, running away in a hurry."

After Xiaodouzi and Xiao Laizi sneak away, they watch a corner performance.

I saw the social status and popularity of famous Peking Opera actors.

I saw the madness of the audience listening to the opera.

This changed Xiaodouzi's thinking and made him really like the art of Peking Opera.

"A runner who runs away from duty will be punished!"

"Kill you, break up!"

Running away from class shows that he gave up Peking Opera and challenged Master Guan's bottom line.

His punishment for the two of them was solemn and ceremonial.

Xiao Laizi, who was afraid of punishment, hanged himself and ended his life.

The Overlord's mask was placed on the coffin and left with the carriage.

As the leading and very rare literary film director in China, Zhang Mou is good at camera language.

In "Farewell My Concubine", there is actually no complicated lens language, but a single lens with rich ideological connotations.

It is not through language to tell stories, but through lens images. To understand his movie images, you must understand the shapes and lenses in them, which contain the thoughts that the creator wants to express.

The thoughtfulness and richness of the movie are reflected in the movie screen, and the screen is naturally expressed by the shape and lens.

The expressive use of various plastic arts is a major feature of literary films.

The difference in light and shade, the color produced by the object will be different. On the basis of pursuing reality, convey his own subjective ideas. This is why Jiang Li has to strictly control the modeling of the film.

In the shot, the scope of the picture, light and shade effects, color contrast, and actor scheduling are all strictly controlled.

Unify the whole picture from left to right and from top to bottom. If it is moved a little, the meaning effect of the whole picture will be destroyed.

The magnificent narrative, exquisite and gorgeous pictures and freehand use of color in "Farewell My Concubine" are one of the highlights of this film.

According to the different states of the character's heart, it presents different tones.

At the beginning, Cheng Dieyi and Duan Xiaolou returned to the stage, and the master who managed the theater turned on the lights for them. A strong light shone down from the top, and the surroundings were completely dark.

With the adjustment of the light direction, the shadows of the two changed from long to short, and finally disappeared, only the two were seen in the center of the stage.

This beam of light fixes them on the stage. This beam of light is not only the gaze of the master, but also the gaze of the audience.

In the light, they identify with the image projected by others; in the light, Cheng Dieyi loses himself, and the subject will live under the shackles of this beam of light throughout his life.

Afterwards the film was in black and white.

Xiaodouzi's mother appeared in the market with him in her arms, ready to send him away. This black and white memory was a turning point in Xiaodouzi's life, the moment when he was separated from his mother. After that, he thought of his mother countless times in his life.

The black and white tones are in contrast to the colorful life behind. In the black and white picture, he is happy with his mother in his arms. After entering happiness, his life becomes colorful.

This rich and colorful life is his misrecognition, and the self is lost in this dazzling color.

Just like Master Guan's evaluation of Overlord in the movie.

"Even if a person has all kinds of abilities, he can't match the destiny! From one end to the end, a person has to perfect himself."

Then the remnants of feudalism, Zhang Gonggong, ravaged Xiaodouzi, which surprised the audience again.

Although it is not directly shown in the film, in fact, as long as you think about it, you will know what the plot implies.

"Isn't the scale of this plot a bit big?"

Mu Yu's expression was dull, and he said foolishly.

Hearing this, Jiang Li laughed out loud.

At the same time, Zhenghui took out his phone and checked the time.

The movie has been on for half an hour.

The plot has ups and downs, and the sense of substitution for the audience is very strong.

The unique advantages of literary and artistic films in rendering emotions have been brought to the extreme.

But the development of the previous episode was really too slow.

So far, Jiang Li and Zhang Feng, who are the leading actors, have not yet appeared on the scene.

The two people who appeared in the front of the theater were also wearing stage makeup, so they couldn't see their faces clearly.

And Xiaodouzi and Xiaoshi, who seem to have more scenes, don't even have names.

The smile on Zhenghui's face was even wider.

"The routine of wanting to promote before suppressing is indeed understood by you, Jiang Li."

From the perspective of an experienced film director, he thinks there is nothing wrong with this film. The plot needs ups and downs, which is no problem.

But still that sentence, the foreshadowing is too long.

In fact, his point of view is indeed right.

It's been too long and too long!

Moreover, the more you do this, the harder it is for the audience to be satisfied.

If the following plot is not exciting enough and the emotions cannot be vented, the audience will feel very uncomfortable.

Even if the plot is very exciting, but it can't surprise the audience, what's the point?

If it weren't for the exciting plot ahead, the audience's sense of psychological gap may be even stronger now!

"And judging from the plot structure of the movie, in order to catch the audience's attention, they shot so many tragic scenes at the beginning, chopping fingers, hanging themselves, and being whipped."

"Isn't it too realistic and pessimistic?"

And looking at the previous paragraph, this film should be similar to the form of an interlude?
Then the ending should be a happy reunion?

What a cliché.

Zhenghui has already labeled this movie as a "bad movie" in his heart.

However, as a director of commercial films, he completely ignored the unique forms of expression of literary and artistic films.

Commercial films don't have a center, like green onions.

And literary films have a center and connotation, just like garlic seeds.

Relying on the integration and balance of comprehensive human factors such as skill, willingness and imagination, it has a very high aesthetic pursuit and widens the distance between literary films and commercial films.

Instead of attracting the audience's attention with exaggerated movie stunts and unimaginable or fascinating storylines, it pays attention to some deep thinking such as life, human nature, and philosophy to express human emotions.

Through the artistic shooting technique of the director and the artistic performance of the actors, it makes the audience deeply feel the beautiful emotions of human beings, arouses emotional resonance, and thus achieves the ultimate goal of filming.

At this time, ten years have passed in the film. Under the strict and cruel teaching of Master Guan, and under the threat of sticks, the skills of Xiaoshi and Xiaodouzi have made great progress.

Xiaoshitou's stage name is Duan Xiaolou, and Xiaodouzi's stage name is Cheng Dieyi.

They all became famous actors who were extremely popular, and the "Farewell My Concubine" they collaborated with was well-known in Beijing.

The family portrait is finished, and the boyhood is over.

At this time, 41 minutes of the film have passed.

Some passers-by also said with emotion: "Not to mention, Jiang Li is indeed very handsome, even in a suit."

Many viewers here are close to 40 years old, and literary films happen to be within their scope of interest.

Most of this generation grew up in the era when beautiful men in ancient costumes dominate the screen, and their aesthetics are very high.

I'm not interested in those handsome guys who look similar nowadays.

Even so, these people have to admit that Jiang Li is really no worse than those handsome guys.

(End of this chapter)