The rise of the country from the entertainment industry

Chapter 244 Wrong, Wrong Again
The last scene will be filmed this afternoon.

It is a panoramic picture of a theater. In the picture, Jiang Li's figure is very blurred, implying the ending of "Cheng Dieyi", but Zhang Feng's figure is very clear.

But this all shows how insignificant the characters are under the special background.

Whether it is the inheritance of opera culture, or Cheng Dieyi's emotion that is different from ordinary people.

The theater manager said, "It's all right now."

Duan Xiaolou followed him and repeated: "It's fine now."

The seemingly repeated sentence is actually Duan Xiaolou wanting to emphasize the difference between the past and the present.

When the lights in the theater were turned on, it was pitch black.A beam of light came down, and the light changed from large to small, from divergent to concentrated, and the distance between the two of them became closer and closer.

The contrast of light and dark light further strengthens the performance effect of the drama.

The two stood on the stage and sang again.

Cheng Dieyi: [My lord, quickly give the sword to the concubine. 】

Duan Xiaolou: [Concubine, no, no, you can't commit such short-sightedness! 】

Cheng Dieyi: [My lord, quickly give the sword to the concubine. 】

Duan Xiaolou: 【Must not! 】

But Duan Xiaolou stopped singing while singing.

He pinched his waist and laughed: "It's not working, it's not working! Don't follow me, I'm old, I can't sing anymore."

Cheng Dieyi looked at senior brother blankly.

The senior brother in front of him is no longer the senior brother who sang opera with him back then.

Everything has changed and there is no going back.

Duan Xiaolou took off his false beard, and suddenly sang the play they sang when they were young.

Duan Xiaolou sang: [The little nun is twenty-eight years old. 】

Cheng Dieyi was stunned for a moment, then came back to his senses and instinctively continued: [Zheng Qingchun was cut off by Master. 】

Duan Xiaolou sang: [I was originally a man...]

Cheng Dieyi didn't even think about it, and then sang: [It's not a girl Jiao'e. 】

Duan Xiaolou immediately pointed at Cheng Dieyi and smiled, "Wrong, wrong again."

Cheng Dieyi froze in place.

Wrong, wrong again.

On the surface, he sang the wrong lines, but in fact, it implied Dieyi's gender dislocation and wrong life.

Everything is wrong.

"I was originally a man, not a girl."

He always yelled this sentence wrong, because he couldn't tell the difference between the stage and the audience.

He has been unable to change this sentence. It is not just a line. He is unwilling to change his words because he is sticking to his bottom line. He does not want to complete his gender transition. He cannot accept it and has been resisting and rejecting it.

From the bottom of his heart, he believes that he is a man and not a woman. Even if he makes mistakes and gets beaten every time, he still has to stick to the bottom line in his heart.

Until the theater manager went to the troupe to check the quality, Xiaodouzi sang the wrong words again, almost ruining the troupe.

Brother Xiao Shitou put down his self-esteem for his own good.Poke his mouth with a cigarette stick and punish him for singing wrong words.

"I was originally a man, not a girl."

This sentence completely changed Cheng Dieyi's fate.

For Cheng Dieyi, who couldn't tell the difference between on stage and off stage, Xiaodouzi's gender was also distorted, and his consciousness has changed since then.

Cheng Dieyi's last persistence drifted away with this passage, and since then he has made Concubine Yu on stage and ruined Cheng Dieyi off stage.

Since then, he has been living in the play, unable to face the real society, he might as well be a concubine for a lifetime.

"I'm a man, not a girl..." Cheng Dieyi murmured.

Finally pursed his lips and smiled: "Okay, let's do it again."

The eyes are full of ultimate tragedy and final relief.

Cheng Dieyi finally woke up from the role of Yu Ji and returned to her original self.

Duan Xiaolou said that he was old and could no longer sing operas, and the so-called life of playing with operas was finally over.

And Xi and Xiaolou are indeed Cheng Dieyi's whole life.

He has been a character in the play for decades, how easy is it to let him return to reality now?
This is a boy, how can we continue to love each other again?
But when he understood this truth, it was too late.

Cheng Dieyi: [My lord, quickly give the sword to the concubine. 】

Duan Xiaolou: [Concubine, no, no, you can't commit such short-sightedness! 】

Cheng Dieyi: [My lord, quickly give the sword to the concubine. 】

Duan Xiaolou: 【Must not! 】

Cheng Dieyi: [My lord, the Han soldiers, he, he, he came in! 】

Duan Xiaolou took a step forward, turned his back to Cheng Dieyi and sang: [Where is it? 】

Cheng Dieyi drew the sword from his waist and swung it to kill himself.

The sound of falling to the ground echoed.

At that moment, Duan Xiaolou yelled "Dieyi", and then calmly yelled "Xiaodouzi".

"Dieyi" is the name that Xiaolou blurted out out of surprise when Dieyi committed suicide.

"Little Douzi" expresses Xiaolou's remorse and regret for the past.

The innocence of the year passed away and I sighed helplessly all my life.

If you pay close attention, you can find that apart from being blank, Duan Xiaolou's expression also has a deeper sense of relief.

That is the relief of the past grievances, right and wrong.

It means being relieved for Dieyi, and also being relieved of my own opera.

In a lifetime of ups and downs, the two people I love the most have left Duan Xiaolou, I'm sorry for her, and even more sorry for him.

It is a pity that the times and the environment cannot be changed. Only people who change can adapt to the times, or they will be abandoned by the times.

The different choices of Cheng Dieyi and Duan Xiaolou in the changing times are just the epitome of that era.

The ideas of the two reflect the collision of traditional and modern concepts. Where there is collision, there will be contradictions, and if there are contradictions, there will be sacrifices.

Cheng Dieyi, who sacrificed for art, his tragedy was doomed as soon as he went out.

In history, Concubine Yu slayed herself by the river and died in the arms of the Overlord.

Cheng Dieyi in the play also committed suicide and died in front of Duan Xiaolou.

Cheng Dieyi is a victim of the times, and he also defended the purity of art with his own life.

As Cheng Dieyi said, the master taught him that he should stick to the end, and he really did it with actions and thoughts.

In the middle of the film, Duan Xiaolou said, You are the real Concubine Yu and I am the fake Overlord.

Cheng Dieyi asked Duan Xiaolou, why did Concubine Yu die?
Boss Guan said that Yu Ji, no matter how she plays, no matter how well she plays, won't she still die in the end?
These all hint at the tragedy of Cheng Dieyi.

The tragedy of family affection leads to the tragedy of love, and the tragedy of love leads to self-fulfillment dedicated to art.

Cheng Dieyi has been conveying the essence of "life is like a play, and play is like life" in a unique way from beginning to end.

Dieyi's vigorous life is nothing more than a beautiful dream.

As far as reality is concerned, dreams cannot argue with reality, so while dreams are beautiful, what they show is that dreams are actually a tragedy.

As Xiaolou said in the middle of the film, you are the real Concubine Yu and I am the fake Overlord.

Cheng Dieyi asked Duan Xiaolou, why did Concubine Yu die?

Boss Guan said: "Concubine Yu, no matter how you act, no matter how well you act, won't you still die after all?"

This is the fate of "Concubine Yu" Cheng Dieyi.

(End of this chapter)