The rise of the country from the entertainment industry

Chapter 208
Country style, heavy metal, rock...

impossible?

Undoubtedly, Tong Lin's first reaction was that it was impossible.

But seeing the fans in the live broadcast room say the same thing, with good reasons, he also began to be a little skeptical.

"Come on, "Dream Back to the Tang Dynasty" is on fire."

"Of course, this is a collaboration between Teacher Xueqian and Teacher Jiang, Saigao, yyds okay!"

"Oh, brothers, I found a blind spot. Such a good rock song "Dream Back to Tang Dynasty" is actually ranked behind Hong Jian and Zeng Ye? Do you think this can be tolerated?"

"Just kidding, I haven't heard such a good Chinese heavy metal rock song for more than ten years, how can I let the orb be dusted?!"

"Brothers, put "Dream Back to the Tang Dynasty" on top! Go for the duck!!"

At this time, Zhang Wei also reacted.

The live broadcast was originally used to promote Hong Jian and Zeng Ye, but when it started, the wind changed.

If it continues, it will be your own family beating your own family!
Zhang Wei quickly gestured to Tong Lin, implying that he would immediately download the broadcast.

But seeing Tong Lin sitting in front of the camera, not knowing what he was thinking, Zhang Wei was so angry that his nose was crooked.

He rushed directly to the camera, forced a smile on the corner of his mouth, and said: "Thank you for your support, today's live broadcast ends here, and we will see you next time!"

As he spoke, the live broadcast was cut off directly.

"Whoo~"

Zhang Wei breathed a sigh of relief and looked at Tong Lin.

He was still in deep thought.

Zhang Wei was already in a very bad mood, but seeing his distraught appearance, he immediately became even more dissatisfied.

He frowned and asked, "Tong Lin, what were you doing just now, why didn't you guide the fans in the live broadcast room in time?"

Tong Lin raised his head as if awakened from a dream, sneered twice, turned his head and left without answering a word of explanation.

From the beginning to the end, Zhang Wei's impotent rage behind him was ignored.

Anyway, he is also a pillar of Yinghuo. Even if Zhang Wei is the music director, he can't vent his anger on him for no reason.

Of course, Tong Lin doesn't care about Zhang Wei's feelings now.

He was just thinking about Jiang Li, Yanhuang Studio, and the so-called "national style heavy metal rock songs".

Jiang Li, a rising star, has stirred up the entertainment circle recently, and Tong Lin has naturally heard of it.

But the understanding of him is limited to the superficial aspects of "the founder of the new national style", "the founder of Yanhuang Studio" and "both talents and virtues".

Tong Lin knew more about this songwriter who debuted three years earlier and was always mysterious. He was known as the "Golden Hand".

But also limited.

What is certain, though, is that neither has released a rock song of their own.

So this time, it was the first time for the eldest girl to get on the bridal sedan chair.

So, what kind of song can make so many people like it?
Thinking of this, Tong Lin's pace became a little faster.

He can't wait to listen to the song "Dream Back to the Tang Dynasty"...

………………

At this moment in the Yanhuang live broadcast room, Zhao Tianming also stepped onto the stage.

Jiang Li, or "short of talent and shallow learning", prepared a new song for Zhao Tianming, which is an urban fable song called "Camel".

Behind Zhao Tianming, Jiang Li played the flute, and Jiang Xiao played the guitar slowly.

【What is calling me to remind me】

【I was cowardly and hesitant】

【If I can break free from that rope】

【As if no one saw me and came to talk about me】

[I am a camel and have never seen the most beautiful desert]

【The frog in the well advises me not to believe the nonsense of migratory birds】

[There is a desert in my heart, there are many camels there]

【No longer lonely will surround me and talk to me】

[There is a desert in my heart, dotted with forest lakes]

[After the rainy season, there are small fruits that I love to eat]

With the gentle chord matching of the two, Zhao Tianming also slowly opened the "telling" of freedom in "Camel" with gentle bites, and opened the curtain of this desert story.

This softness continues to wrap the first verse of the song, as if the boundless desert baked by the scorching sun comes into view.

The simple treatment of blank space before the track enters the chorus forms a strong contrast with the suddenly full level of the chorus arrangement, leading to the sense of loneliness that is lost in the infinite magnificence and constantly fills every part of the whole song. detail.

The exotic interludes and chorus parts portray the desert scene in a more detailed and three-dimensional way.

[I finally broke free from the rope, I have never been so comfortable and relaxed]

【I decided to get back the life of the camel】

[Don't follow me and ride me again]

[Clouds landed while no one saw them along the way]

【Reminding me that no one has ever gone out before】

[I saw the desert in a blink of an eye, are there any camels there]

【Whether it is looking forward to me or not secretly looking at me】

[Obviously came to the desert, why can't I see the camel]

【Does it mean that I came at the wrong time】

In the second half, Que's arrangement style is constantly changing between complexity and simplicity, just like the relentless alternation of the hot desert in the daytime and the cold night in the desert.

Everyone present had obviously just experienced the explosion of "Dream Back to the Tang Dynasty", and their blood had not yet cooled down.

But now that the song "Camel" is playing, they feel like a tiny camel in a vast desert.

Lonely, but yearning for freedom.

Deserts and camels are like cities and people in real life.

Living in this icy city, sometimes the world looks like a scorching desert.

【So this is the desert】

[There was no camel in the first place]

【Responsible to say what is me and what is me】

【The whole world is a desert】

【A camel lives in a person's heart】

【Just pretend I never came here】

[It's all my fault for killing the camel with my own hands]

The second half of the plot gradually came to an end, restraining the overflowing passion one by one, and using minimalist pen and ink to draw a full stop to the song.

Deserts are always inhospitable, with only occasional oases.

The sun is always hot in the sun, but the opposite is the calmness of people.

Everyone is a camel who is not lonely enough. When traveling, they carry their own bags on their backs and walk silently in the desert that symbolizes the desolation of the city, but they cannot see the oasis of liberation.

Choosing the desert does not mean leaving the city, thinking is a return and belief in the city.

Except for Tong Lin and Li Feng, two singers who like rock and roll.

There are also old partners Han Shuo and Zhou Wentian.

Han Shuo listened to the tune and composed it.

Zhou Wentian cocked his legs on one side.

After finishing the song, he commented:
"This kind of song is really difficult to sing. It can neither be sung heartbreakingly, nor can it be sung calmly. It is really difficult to grasp this degree well."

Be sad and vulnerable, yet full of firmness and strength.

It's like an actor who wants to show strength in sadness, or laugh and cry.

Such conflicting emotions are undoubtedly difficult to express.

(End of this chapter)