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Chapter 660 Qiao Feng
During the shooting, there were many pure action shots. Han Yi used moving shots to shoot many action scenes, and these also needed to be processed through fine editing.

Moving the camera is the main way to shoot action scenes. Han Yi successively used orbital cameras, cantilever cameras, camera stabilizers and Steadicam. The action scenes in the film must present a tense atmosphere. He edited while the camera was moving, Make sure that one shot after another is in motion.

The action scenes cut out in this way are more compact and make the audience dizzy.

In this shoot, Han Yi used a purely single-lens shot for some shots, but this is only a part. Most of the other scenes continued his usual style, using multiple cameras to shoot from multiple angles.

Shots shot from multiple angles are edited into the film, and it is not possible to mechanically cut back to the same angle all the time, or to reread the same series of shots that were used not long ago.

In these multi-angle shots, the actor's eyes are the focus of the editing. The actor's face attracts attention on TV, in the film and on the stage, but it is the actor's eyes that are most important. When editing intense dialogue scenes, Han Yi paid great attention to the eyes of the actors, did they convey the appropriate emotion?How did the actors react to the play?The performance of the actors dictates the cut in this regard.

At times, Han Yi focuses more on delivering the dialogue of the main actors and cuts out the reactions of others.

This is to exclude some irrelevant side details in the performance of the actors.

Han Yi likes a tight editing rhythm, which is obvious from the very beginning, and exclusion is necessary to maintain the rhythm.

Most actors exaggerate more than is appropriate, actors will emphasize pauses, add more mistakes than the script requires, and perform more stuttering for longer periods of time, which requires proper editing to bring the performance back to normal, cutting out The lengthy action and dialogue make the movie real and not artificial.

Therefore, if an actor wants to win a performance award, the director and editor are also the key.

These methods and methods all serve to form the storyline of the film.

Some people say that there are three types of movies in the world: scripted, filmed, and edited. No matter which type of editing, you must pay great attention to the story line, and don’t be afraid to change the script or shooting content, as long as it is meaningful.

Han Yi has been using the storyboard as a record to visually present the storyline, which can help the editing team to determine the most logical way to present the story to the audience.

Although this is not the first time they have worked together, they definitely have different views on some plots and shots, and no matter how successful a director is, he also needs the assistance of an excellent editor, especially to inject some differences into it, and to correct what the director cannot notice. mistake.

Movies have always been the product of teamwork, and the director is only the helmsman in it. If there are problems in other links, it may also fail.

Having said that, is there anyone in this world who doesn't make subjective mistakes and doesn't notice them?
Instead of reviewing every shot in post-production, a director like Han Yi revises it based on the editing team's cut version of the performance, whether or not they enjoyed the actor's performance.

If he did appreciate a different performance by an actor, he would suggest editing the cut or finding the right part from the framing shot.The more the edited scene feels fresh and convincing, the more the director will identify with the editor's technique.

Han Yi and the entire editing team did not finish this work until the end of April, and there will be a series of things such as soundtrack and subtitles after that.

At the same time, it is necessary to prepare dubbing in different countries for the film. This is mainly based on the languages ​​of several major ticket warehouses, such as Chinese and English.

Although Han Yi did not appear in the public's field of vision, Han Yi's name did not disappear because of this, because Han Yi's novel "The Eight Parts of the Dragon" is still being serialized.

Before this novel was serialized, it had already been approved by Ji Lao. Ji Lao also specially attached a few words when the book started to be serialized. Interest was aroused.

"When the pen falls, the wind and rain startle, and when the book ends, ghosts and gods weep!"

What kind of book can be worthy of these ten characters, this is what everyone wants to know.

When Han Yi completed the editing of "Crouching Tiger, Hidden Dragon", it was updated to Chapter 14 of "Dragon and Babu", "Drinking a Thousand Cups of Men".

"Qiao Feng" (or Xiao Feng) makes a grand appearance!
Chapter 14, Qiao Feng's first appearance.

Qiao Feng (or Xiao Feng), this is a great hero!This is a role that has moved countless people. In him, watching his deeds, you can't help being moved, and you won't be moved.

Qiao Feng is benevolent and righteous, wise and brave, sincere and sincere. He has all the traditional heroic virtues in him, and his words and deeds are in harmony, perfect and impeccable.

When every reader saw Qiao Feng, although he didn't know whether Qiao Feng would be the protagonist of this book, he was shocked by this character at first glance.

Duan Yu applauded like this: "What a big man! This must be the tragic and generous man of Yanzhao Beiguo. No matter Jiangnan or Dali, there will be no such person. Bao Budong boasted that he was so heroic, like this big man, Only then can it be called the four characters of heroism!"

With just this sentence, Qiao Feng's majestic and majestic aura is presented in front of readers.His appearance was a bit abrupt, as if it was coming from nowhere, but it was a sound of spring thunder in the flat ground.Because only this sentence, the reader will know.This is a hero!
A real hero doesn't need heavy brush and ink to paint, doesn't need to build momentum, and doesn't need to set off. He just needs to stand wherever he wants, and he can overwhelm everything around him. He is strong, proud, and powerful.No one can stare at it, even among thousands of people, it can be seen at a glance.

Why did Han Yi call "Dragon and Babu" the master of martial arts novels?
There are still three points: characters, plot, and martial arts.

Speaking of characters, the number of impressive characters portrayed in "Swordsman" is actually no less than that of "Dragon Babu", such as Ren Woxing, Dongfang Bubai, Yue Buqun, Yu Canghai, Tian Boguang, Qu Yang, Liu Zhengfeng and so on.However, in terms of the setting of the main characters, it is far inferior to "Tian Long Ba Bu", especially the setting of the male protagonist.Including "The Legend of the Condor Heroes", "The Legend of the Condor Heroes", etc., the setting of the male protagonist is not as good as that of "Dragon and Babu".

Of course, the difference here is not essential, it is related to the style, writing power, and the protagonist itself, but refers to the impression of the reader, the impression on the reader's perception.

(End of this chapter)