Reborn Japan for entertainment

Chapter 562 Morning Call from Girlfriend
The time in 2009 went a little fast. Before Kiyoshi Sakamoto could do a lot of things, it quietly entered the late autumn of November.

Having lived in Japan for nearly 20 years, Kiyoshi Sakamoto can say without exaggeration: Among the four seasons in Japan, the most beautiful season is autumn.

The red maple leaves, golden ginkgo leaves and green pine trees are like the palette prepared by God, rendering the whole Tokyo into a colorful picture.

Compared with the pink cherry blossoms flying all over the sky in spring, Sakamoto Kiyoshi prefers to walk on the path with fallen maple leaves.

Catching a slowly falling maple leaf with his hand, he lowered his head to appreciate the texture of the maple leaf, and Kiyoshi Sakamoto's thoughts drifted back to a few days ago involuntarily. . .

It was inside Oimachi Station in Shinagawa, Tokyo.

On that day, Sakamoto Kiyoshi and all members of the "Killing City" crew ushered in the last scene.

The protagonist of that scene is not "Genno Kei" played by Kiyoshi Sakamoto, nor "Kato Kato" played by Kenichi Matsuyama, but the heroine whose role suddenly increased in the second part of the movie, played by Yoshitaka Yuriko "Kojima Duohui".

The scene was very simple. It was just filming Kojima Tae walking out of the subway slowly, and when she walked to the platform where she had confessed her love to Xuan Ye Kei, for some reason, her heart was filled with sadness for no reason, so she stayed behind. tears.

It may be because it is the last scene, or it may be because of the emotions accumulated by the crew over the past few months. It is finally time to say goodbye. Yuriko Yoshitaka, who is full of reluctance, is filming this scene. At that time, there was no need to brew emotions at all, tears kept falling from the red eyes.

This made supervisor Sato Shinsuke a little hesitant, but the word "CUT" that came to his mouth was delayed.

He just wanted to leave the audience with an open suspense through this shot:

How could Tae Kojima, who obviously had no relevant memories, suddenly shed tears of sadness on the platform of the subway station?

Could it be that her memory has not been completely erased by GANTZ?

Could it be that she still remembers Xuanye Kei, whom she once loved deeply? !

This is a beautiful reverie left by the supervisor and screenwriter to the audience. . .

"I made her cry, but I didn't make her cry so sad!" Sato Shinsuke, who was sitting behind the monitor, whispered.

Yes, what made him hesitate was that Yoshitaka Yuriko cried harder than expected.

Tears were rushing, and he completely turned into a tearful person.

This is not the same as what he asked before shooting.

He only needed Yoshitaka Yuriko to shed a tear, but Yoshitaka's lacrimal glands flowed down like a faucet. . .

As a result, it was difficult for him to choose.

The tears were just to set off from the side, Kojima Tae may not have forgotten Xuanye Kei.

However, tears that are too much may make this sense of regret be diluted by the tears that keep falling.

In the end, after discussing with the screenwriter, Sato Shinsuke still chose to keep this shot.

In his opinion, the harder you cry, the more it represents that in the depths of Kojima Tae's memory, the memory that belongs to Genno Kei is so deep and deep into the bone marrow!

This is another way to express that although two people can't be together, they still exist in their hearts.

Thanks also to Yoshitaka Yuriko, this last crying scene made the ending of the whole movie seem less regrettable and more beautiful. . .

After the movie was released, this sad shot became one of the few classic shots in the whole movie.

. . . . . .

"CUT!"

Following Sato Shinsuke's last yell, there was a huge applause at the shooting scene.

The entire "Killing City" crew, everyone, applauded vigorously.

Kiyoshi Sakamoto was one of them.

I saw him in a black windbreaker, standing aside, applauding, and talking to Matsuyama Kenichi beside him.

"Finally...finally, another work has been completed!"

"Well, speaking of it, everyone has worked hard in the past few months..." Matsuyama Kenichi replied while applauding.

"Having said that, what are your next plans after filming this movie?"

"Uh... Arrangement..." Kiyoshi Sakamoto pondered for a moment, and then under Kenichi Matsuyama's curious gaze, he replied, "Maybe go home and rest for a few days, and get together with your family."

"After all, I haven't been home for a long time..."

In fact, there was still an unspoken word in his heart.

"I haven't seen Kara-chan for a long time..."

"Oh, that's right, I'm also planning to go back to my hometown." Matsuyama Kenichi seemed to agree with Sakamoto Kiyoshi's words, and nodded.

At this time, Supervisor Sato Shinsuke also held a loudspeaker and said loudly:
"At the finale banquet tonight, you two, don't even think about leaving, we won't come back if we get drunk!"

"Oh!"

"Hoohoho!"

"Don't get drunk, don't go home!"

Looking at the instantly excited crew members and actors such as Matsuyama Kenichi beside him, Sakamoto Kiyoshi also wiped the sweat that didn't exist on his forehead, and whispered: "Fortunately, I'm still a minor, otherwise, the If I get down, I might get drunk and pass out..."

"No! I'm sure I'll be unconscious!"

Sure enough, at the wrap-up banquet that night, Kiyoshi Sakamoto, as the leading actor, would have been knocked down by everyone if he hadn't had the shield of "minor".

However, even so, he was still fed up with the juice that everyone came to, and he kept running to the bathroom.

At 11 o'clock in the evening, Sakamoto Kiyoshi, who took a taxi and returned to the Roppongi apartment, wanted to send a text message to Aragaki Yui, but because he didn't get a reply, he lay on the bed bored, and fell asleep unconsciously. .

. . .

the next day.

Holding the quilt in his arms, Kiyoshi Sakamoto, who was lying on his side on the bed, suddenly felt his nose itchy, as if someone was holding something on his nose and gently fiddled with it.

However, Kiyoshi Sakamoto, who was still immersed in his sleep, of course did not know that beside his bed, there was a girl holding her hair and gently teasing his nose. . .

He just wrinkled his nose slightly and continued to sleep.

However, the other party seemed unwilling to let him go so easily. . .

Kiyoshi Sakamoto couldn't bear the itching from his ears at last, and turned around.

Still haven't woken up. . .

Facing such a stubborn guy, the girl with a long hair also smiled helplessly and murmured.

"Baga, you slept so deeply..."

In the end, the girl still resorted to her trump card, put her face close to Kiyoshi Sakamoto's ear, and blew a breath.

"Baga, the sun is on your butt, why don't you get up?" The soft "Morning Call" finally moved Kiyoshi Sakamoto's tightly closed eyelids.

This move really worked!

Kiyoshi Sakamoto slowly opened his eyes, and saw a face that made him dream.

"Karma sauce?!"

　Correct a detail here, the director of "Killing City" Nobusuke Sato was in 70, not 79, the information is wrong, sorry!
　　Another new week, please continue to support!

　　
　
(End of this chapter)