Reborn Japan for entertainment

Chapter 304 Different Atmospheres

Ever since Kiyoshi Sakamoto hugged her into her arms that day, Yui Aragaki felt like she had become another person.

In the next shooting, she seemed to be no longer uneasy, and when she performed, there was a significant change compared to the state of the previous few days.

I don't know if it's a hallucination, but Kiyoshi Sakamoto felt that after that, Karchan's eyes seemed to be much firmer than before.

I don't know what happened between Kiyoshi Sakamoto and Yui Aragaki. The supervisor, Natsuki Imai, only knows that the heroine he is looking for has finally shown the acting skills that match it, and it is a good thing for the filming of the movie.

No one knew that Yui Aragaki was thinking of an idea during filming and rest.

"Concentrate! Concentrate! Concentrate!!!"

"I have to work hard! In order to keep up with Mr. Qing, I have to work harder! I must not admit defeat, damn it! Yui!!!"

It may be such a strong belief that Yui Aragaki's performance suddenly looks like Aoi Miyazaki's upper body and Momoe Yamaguchi's body. In the next dozen scenes, she performed very well.

This also made Natsuki Imai gratified, and he had great expectations for the finished product of this movie.

In "Love in the Sky", a film shot from the perspective of the heroine, Yui Aragaki's performance actually determines the quality of the entire film to a large extent.

The outstanding performance of Kiyoshi Sakamoto is just a weapon that can make the box office explode and attract more audiences to the theater. In the final analysis, it depends on whether Yui Aragaki's performance in the movie can attract the audience's attention.

Imai Natsuki's expectations for Aragaki Yui are very high.

You know, due to Yui Aragaki's busy schedule, when she really couldn't spare time to prepare, Natsuki Imai flew to Okinawa with the script in person and held a reading session for Yui Aragaki to familiarize her with the characters.

Such a move, no matter from various aspects, just shows that Natsuki Imai values ​​Aragaki Yui.

So, seeing his heroine's performance finally start to improve, Imai Natsuki is also very happy.

Thanks to Yui Aragaki's improved performance and Kiyoshi Sakamoto's superb performance, the filming progress of the entire "Love in the Sky" crew is finally on track. . .

. . . . . .

On this day, Sakamoto Kiyoshi and Aragaki Yui ushered in the first kiss scene of "Love in the Sky".

Speaking of kiss scenes, Kiyoshi Sakamoto and Yui Aragaki gave each other their first kisses. . .

It was in 2004, when Kiyoshi Sakamoto met Yui Aragaki for the first time, less than half an hour later, he was about to film a kiss scene with her in the MV.

At that time, the two young boys and girls were very shy, but in the end they kissed lightly, just like the jerky youth, fleeting. . .

Looking back now, a 14-year-old boy and a 16-year-old girl actually kissed each other in a kissing scene.

No excuses, just like that, lip to lip.

Afterwards, Kiyoshi Sakamoto felt that he had really made a fortune.

In this way, the first kiss of Yui Aragaki, the future public wife, was taken away. . .

Later, when Kiyoshi Sakamoto talked about the kiss when they met each other, Yui Aragaki would say it shyly.

It can be seen that in Yui Aragaki's heart, he deeply feels the significance of this somewhat fateful kiss.

Although Kiyoshi Sakamoto took Yui Aragaki's second kiss again in October last year. . .

But that time was an accident, and the place where Aragaki Yui's lips fell was not Sakamoto Kiyoshi's lips, but his cheek, so Sakamoto Kiyoshi felt that that time couldn't be counted.

Well, without mouth to mouth, it's not a kiss, it's just a BOBO.

. . .

And today, May 2007, 5.

After 3 years, Sakamoto Kiyoshi once again ushered in the opportunity to relive those lips!
The shooting location was at "Hiroki"'s home.

In a small room, Kiyoshi Sakamoto and Yui Aragaki were sitting in front of the bed by the window, leaning against the bed, the blue sky outside the window was clearly visible, and warm sunlight could also be seen coming in from the window.

The warm sunlight shone on Aragaki Yui's face, and the warm breath made her sigh comfortably like a stretching kitten.

"Well... so comfortable."

At this time, Kiyoshi Sakamoto, who was sitting next to her, happened to see this scene.

The sun shines through the window and hits Yui Aragaki's well-proportioned body. Looking at it from Kiyoshi Sakamoto's perspective, he looks like an angel who just woke up, stretching his waist in the sun. The lazy beauty makes Kiyoshi Sakamoto Can't look away.

And Aragaki Yui seemed to feel it too, the scorching gaze from Kiyoshi Sakamoto, his face blushed slightly, he quietly moved his face away, and smiled secretly in a corner where no one could see.

For her sweetheart Kiyoshi Sakamoto, although she felt shy looking at herself like that, she was still very happy in her heart.

After all, girls always like the person they like, staring at themselves, even staring blankly.

Because everyone in the crew knew that Sakamoto Kiyoshi and Aragaki Yui had known each other for a long time, and they were also well-known relatives and friends in the circle, so there was no running-in period when there was a perfect understanding.

Therefore, after the supervisor Imai Natsuki asked the scholar bureaucrats to fiddle with the lights and scenes, he went directly to talk to the two leading actors.

"Sakamoto-kun, Yui-chan, next, we will do this..."

"So and so..."

Kiyoshi Sakamoto with white hair and Yui Aragaki with long straight black hair are both wearing high school uniforms, standing beside Natsuki Imai, listening to her talk about the next scene and how to shoot it, nodding their heads from time to time .

"Well, that's it, I trust you, you are an Oita couple who have a perfect understanding, goddammit!"

In the end, Natsuki Imai joked about their intimate relationship.

This made Yui Aragaki who heard the ridicule shyly pat Kiyoshi Sakamoto next to him, and said in a low voice, "It's all your fault..."

"Eh?" Sakamoto Kiyoshi who was beaten was stunned. . .

But having said that, after Kiyoshi Sakamoto entered the crew of "Love in the Sky", he felt completely different from when he was in "Hot-Blooded High School".

Especially the atmosphere inside the crew.

When he was on the set of "Hot Blood High School", Kiyoshi Sakamoto felt that he was the younger brother of Takashi Miike's subordinates, and his daily task was to fight, fight, and fight.

Miike Takashi's attitude towards the actors and the crew's scholar-bureaucrats is much tougher than that of Imai Natsuki.

This may also have a lot to do with the status of the two. . .

Takashi Miike is the famous "King of Cult Movies" in Japan known as the "Ghost Supervisor". His status in the entertainment industry can be said to be at the same level as Shunji Iwai and others.

However, in the film industry, Natsuki Imai is just a newcomer who has just directed her debut work. Even if she has supervised several TV dramas before, it cannot conceal her lack of qualifications in the film industry.

Moreover, Miike Takashi is a man, Imai Natsuki is a woman, for Imai Natsuki.This is undoubtedly an obvious disadvantage.

However, their directing styles are completely different.

Kiyoshi Sakamoto, who participated in the filming of the two directors' films in a short period of time, has the most say in the direction of the two directors.

In Kiyoshi Sakamoto's view, Takashi Miike is a tyrant on the set and a supervisor with strong control.

When he was on the set, he would ask about everything about the shooting, whether it was the lighting, the camera angle, or the expressions of the actors, he would make sure that it was exactly the same as the picture in his mind, and only then would he shout "OK ".

When dealing with actors, his tone is serious and passionate, scolding is common, even Kiyoshi Sakamoto has been scolded many times by him.

Takashi Miike, who has a strong control, will bring the entire crew into his own rhythm, and let the entire crew follow his own ideas.

However, Natsuki Imai is different.

In the crew, she will not ask about everything, she will not ask the lighting engineer's lighting, nor will she interfere with the cameraman's angle, she will just tell them what the effect she wants, and then Yes, leave it to them.

When treating actors, she is just like an ordinary middle-aged woman, so gentle, she doesn't speak loudly, and she doesn't scold others. Even when talking to actors, she speaks softly, like a As an elder taught me, she exudes a gentle atmosphere all the time.

Imai Natsuki is using her own way of moistening things silently to influence the entire crew, making the whole crew work in an orderly manner with clear division of labor.

The two are like Zhuge Liang, who cares about everything and devotes himself to everything; Liu Bang, who does what he is good at and makes the best of his talents.

However, there is no difference between the two, just the difference in style and method. . .

After all, not every film needs to be shot in an atmosphere where everyone is fighting like "Hot Blood High School". . .

Sometimes it is necessary to calm down and tell a story with a touch of emotion and emotion.

And the way Imai Natsuki filmed "Love in the Sky" is like this.

And Kiyoshi Sakamoto, after experiencing the intense and passionate crew atmosphere of "Hot Blooded High School", also enjoys the light and warm atmosphere in the crew of "Love in the Sky" today.

Mainly, when filming "Hot-Blooded High School", Kiyoshi Sakamoto was surrounded by male actors whom he knew not long ago, and there was only one actress, and Meisa Kuroki was a more boyish young lady, so Kiyoshi Sakamoto didn't feel a trace of femininity at all. The breath is all rigid, without a soft feeling. . .

But now, after entering the crew of "Love in the Sky", there are girls like Yui Aragaki sitting beside her, and girls like Haru and Karina are also acting in the opposite roles. It was a lot of fun.

Moreover, you can also take a kiss scene with Kara-chan!
This made him, who was sitting on the ground, laugh out loud. . .

(End of this chapter)