Reborn Japan for entertainment

Chapter 175
On the third day after Kiyoshi Sakamoto's scene was completed, AKB48's second-phase qualified member list was also freshly released.

However, for Kiyoshi Sakamoto, this is none of his business.

Because, after finishing the filming, he buried his head in the bed at home, turned off his mobile phone, and fell asleep soundly.

During the five-month filming, Kiyoshi Sakamoto was under a lot of mental pressure.

As the most important protagonist in the whole movie, Kiyoshi Sakamoto has devoted himself to the most serious and rigorous attitude in history during the period when the supervisor has high demands on himself and himself. , to treat the filming of this film.

Finally, without hearing supervisor Shusuke Kaneko's "chattering", Kiyoshi Sakamoto instantly felt that the whole world was quiet.

Although it is a good thing for the supervisor to talk to himself, but you can imagine that every scene, even if Kiyoshi Sakamoto has performed well after filming, he will still be pulled to his side by the nagging Shusuke Kaneko. Chat a few words.

It was like this every day, which made Kiyoshi Sakamoto unacceptable.

Therefore, in the later stage, in order to avoid the "nagging" of the supervisor, Kiyoshi Sakamoto often found various reasons immediately after filming a scene, such as "stomach pain" and "need to go to the bathroom" and other lame reasons, and left quickly. Within the supervisor's line of sight, don't let him catch himself.

However, these tricks were easy to use at the beginning, but after a while, Shusuke Kaneko also figured out his routine, and after shouting "OK", he immediately shouted "Sakamoto-kun!" He comes over.

In this way, before Kiyoshi Sakamoto had time to find a reason, he was caught aside and continued to be attacked by the supervisor. . .

Not only that, while Kiyoshi Sakamoto was fighting wits and courage with the supervisor, he also made waves on the crew.

If you want to say who is the most promiscuous in the entire "Death Note" crew, it is none other than Kiyoshi Sakamoto.

As the youngest one, it is normal for her to be taken care of by her brothers and sisters.

For example, when eating together, the three flowers of the crew would put vegetables in Kiyoshi Sakamoto's lunch box.

Ms. Hikari Mandao is Kiyoshi Sakamoto's younger sister in the play; however, outside of the play, she is like a big sister, taking care of him.

But yes, Sister Mitsushima, who was born in 85, besides Matsuyama Kenichi, is the oldest one in front of Sakamoto Kiyoshi, Toda, and Kashii Yuu.

However, speaking of it, it is also interesting.

The youngest members of the entire "Death Note" crew are only 20 years old, and the youngest is only 15 years old.

The two oldest, Kenichi Matsuyama and Hikari Manshima, were both born in 85.

In the play, Kiyoshi Sakamoto, a 15-year-old boy, actually wants to play the brother of Hikari, a 20-year-old girl. This is also one of the topics that Sakamoto Kiyoshi and Hikari Manshima have been ridiculed by Toda and Matsuyama.

However, it may be because everyone is young, and they are still newcomers. During the fight, the relationship between the few people is also deepening with time.

After being together for five months, Kiyoshi Sakamoto and the others have long since become good friends.

As for Hikari Mandao, who was five years older than him, Kiyoshi Sakamoto gave her a nickname, "Sister Guang"!
The meaning of this nickname, on the one hand, is because in the play, Yagami Shouyu, played by Hikari Manshima, is the younger sister of Yagami Yue played by Kiyoshi Sakamoto; on the other hand, it is because of Hikari Manshima's face.

No matter how you look at it, it looks like a girly little face with big watery eyes. No matter how you look at it, it looks like a high school student, not a 20-year-old adult.

When Sakamoto Kiyoshi called this nickname, Matsuyama, Toda, and Kashii all thought it was very appropriate. Although Mitsushima Hikari was somewhat uncomfortable being called "Guangmei" by a boy younger than himself, but look It turned out that everyone liked this nickname very much, and I thought it was pretty good, so in the end, this nickname was settled.

Later, this nickname was also passed on, and the nickname that Sakamoto Kiyoshi gave Mandao Hikari was also recognized by Mandao Hikari's fans.

Therefore, when "Guangmei" was on the show, the host would ask about this naming stalk. Later, Mandao Hikari often called Sakamoto Kiyoshi and complained about him. Why did she give her such a nickname? No wonder Excuse me.

Of course, these are all for later.

The current Mitsushima Hikari, because of this nickname, is also a lot closer to Sakamoto Kiyoshi, the "brother".

And Toda, since the last "Elevator Cry", has become good friends with Sakamoto Kiyoshi; and Kashii Yuu, because of the kiss scene in the play, seems to have a good impression of Sakamoto Kiyoshi.

This is how Sanduohua, in the crew, often takes care of Kiyoshi Sakamoto.

Although Kiyoshi Sakamoto said that he didn't need to add vegetables for himself, it was enough to eat, but they still opened their eyes wide and looked at Kiyoshi Sakamoto, as if saying, "If you don't eat, you hate me?", so , There is no way, every time Sakamoto Kiyoshi eats at noon when the crew eats, his stomach is almost full. . .

This kind of treatment also made Songshan, who was sitting on the side, very envious and jealous.

This small group of young people exchanged contact information with each other after the finale, and made an appointment to go out for dinner next time when they were free.

Compared with Sakamoto Kiyoshi, an all-round entertainer, they all focus on the profession of actors, so when there is no filming, they have a lot of free time.

The question is, when will Kiyoshi Sakamoto, who is so busy, be free.

Regarding this question, Sakamoto Kiyoshi was also taken aback and thought about it.

"It seems that I haven't had a long vacation since my debut..."

. . . . . .

Winter to spring.

Spring is here again, and it's time for all things to mate. . .

3 month 5 number.

"Qing, TBS TV station called us and told us that "The Passionate Continent", which was filming with you earlier, will be broadcast at eleven o'clock tonight."

"Oh, I see, I'll take a look at it tonight."

Listening to Uncle Ishida's words, Kiyoshi Sakamoto stood up from the chair at the desk while responding to him.

Stretching, Kiyoshi Sakamoto continued to hold the mobile phone next to his ear, and asked the uncle on the other end of the phone, "Uncle, what is the number of viewers for this show? Are there many?"

"Well, as far as I know, the ratings of this program are still very good, and many people watch it."

"Oh, I haven't seen it yet. Under the camera, my usual self seems very interesting." Kiyoshi Sakamoto turned on his computer at this time, searched for "Enthusiastic Continent", and found the first One is "Masaharu Fukuyama Chapter of Passionate Continent"

"Uncle, I won't tell you anymore, I found something interesting, I'll hang up first."

"Hey you..."

drop!
Uncle Ishida looked at the phone that had been hung up in his hand with a dazed expression.

Putting the phone on the table, Kiyoshi Sakamoto immediately clicked on the "Masaharu Fukuyama Chapter" with the mouse.

After 25 minutes, Kiyoshi Sakamoto finished watching this documentary about his teacher Masaharu Fukuyama.

"Professional and Amateur" This is the theme of Masaharu Fukuyama's documentary.

In just 25 minutes, Sakamoto Kiyoshi saw a completely different Fukuyama Masaharu from the Fukuyama Masaharu he knew.

Sakamoto Kiyoshi was very surprised when he heard the news that his teacher's first single when he debuted, the sales volume was only [-] copies, which could not be sold at all.

Unlike the smooth sailing of his first single, which reached [-] copies, Masaharu Fukuyama's record sales were not as big as people imagined when he first debuted.

However, it took Fukuyama two years to sell 30 copies of his single, and it took four years for his first million-dollar single to appear.

As for Kiyoshi Sakamoto, as soon as he debuted, his first single sold a million copies, and all subsequent singles and albums sold more than one million copies.

In contrast, Sakamoto Kiyoshi, a disciple, has much better grades than his teacher.

However, Kiyoshi Sakamoto was not complacent because he knew that his great success was entirely due to his own hit songs from the future, coupled with the strong support of Sony.

And the hard work I really put in is the music knowledge and theory I learned from Fukuyama Masaharu.

He often thinks that without Fukuyama Masaharu's "bole", no matter how capable his "thousand-mile horse" is, it is impossible for him to become a hit.

Therefore, Sakamoto Kiyoshi has always been deep in his heart, and is very grateful to Fukuyama for his support and training.

And after watching the "Enthusiasm Continental: Masaharu Fukuyama Chapter", Kiyoshi Sakamoto is also looking forward to the "Enthusiasm Continental: Sakamoto Kiyoshi Chapter" broadcast at [-] o'clock in the evening.

"Am I as handsome as the teacher when I look under the camera?" A narcissistic guy thought.

Everything will be known at eleven o'clock.

. . . . . .

"Damn it! My image!!!" A howl came from an apartment.

Time: eleven thirty.

Location: Inside Kiyoshi Sakamoto's apartment.

Character: Sakamoto Kiyoshi.

I saw Kiyoshi Sakamoto standing on the floor of the living room, with only one slipper on his feet, with an indignant expression on his face, his eyes staring at the TV, his hand holding the remote control, with bulging veins, all these details can be seen Come out, Sakamoto Kiyoshi's grief and indignation at this time!
The broadcast of "The Continent of Passion" on TBS has finished. Sakamoto Kiyoshi was excited at the beginning and looked at himself on TV with great interest, then he was anxious when he saw the middle of the show, and finally his face was ashen at the end.

His expression changes can form a set of emoticons.

Why was he so surprised after watching his documentary?

Because, from the documentary, what Kiyoshi Sakamoto saw was not his handsome side when he was creating, and his serious side when he was working, but he saw himself in a state of being funny and convulsed, and most importantly Yes, at the Fuji Music Festival, the video recorded by Kiyoshi Sakamoto "confessing" to Kyoko Fukada was also cut into the end of the documentary.

The reason for Kiyoshi Sakamoto's wailing was exactly this.

(End of this chapter)