Reborn Japan for entertainment

Chapter 143 Differences (Daily Subscription and Tickets!!!)

In the live-action version of "Death Note" that I have seen in the previous life, Yagamitsu is played by Tatsuya Fujiwara.

When it comes to Fujiwara Tatsuya, one cannot fail to mention a neon master - Yukio Ninagawa.

Yukio Ninagawa, a well-known Japanese theater director and film director, is one of the representative figures of Japanese contemporary drama.

He likes to recruit and cultivate new actors, and Tatsuya Fujiwara is the brightest star he has unearthed.

Fujiwara Tatsuya is also known as "the rare stage genius in Japan in 30 years".

In 1997, Director Ninagawa conducted a selection for the starring role of "Shinbumaru" in Japan. The 15-year-old Fujiwara Ryu also stood out from 5537 candidates and became the second generation of Shinbumaru.

Fujiwara made her stage debut at London's Barbican Centre.

His outstanding concentration and passionate acting skills attracted attention, and was praised by major London newspapers as "a talented newcomer who appeared on the stage at the age of 15 with an unexpected sense of presence".

When it was performed in London at that time, it was praised by British drama critics that "his performance on stage has the charm of Shakespeare".

When performing on stage for the first time, you can be so respected by the proud British who owns Shakespeare.

It is conceivable how eye-catching Fujiwara's acting talent is.

And now such an acting genius is Sakamoto Kiyoshi's most powerful enemy when he gets the role of "Yakami Moon"!
His pressure was not normal, but after these days of planning and preparation in advance, Kiyoshi Sakamoto had great confidence in suppressing Fujiwara in the audition.

The biggest reason, of course, is that Kiyoshi Sakamoto is a person who has seen movies in his previous life.

Having seen the movie, it means that he has also seen Fujiwara's version of "Yakamizuki".

In Kiyoshi Sakamoto's view, Fujiwara is worthy of being a rare stage genius in 30 years. The tension and rich expressions of the performance, coupled with perfect body language, all made him attracted by Fujiwara's "Yakamizuki".

However, such a powerful acting genius has an obvious shortcoming, and that is the word "stage".

That's right, Ryu Fujiwara is also a genius, a genius in acting, but it may be because his first performance was in a stage play, so his acting style was limited to drama from the beginning.

Drama is different from movies, but at the same time it is the same goal through different routes.

The significance of both drama and film is to present a story to the audience in the form of performance.

This is the biggest similarity between the two, the starting point and the ending.

The difference between the two, as far as drama is concerned, the essential element is the stage.

For movies, the essential element is the lens.

The attribute of the stage is the sense of presence, symbolism, and communication; the attribute of the lens is the sliding, moving, framing and lighting, and the montage.

This creates a difference that even laymen know, the difference between the two.

That is, dramas are more exaggerated, while movies are more restrained.

Generally, dramas are performed on the spot, and the voice of singing or speaking lines is also relatively loud, and the body language is also the most authentic expression in front of the audience.

Because the stage is very large, the audience cannot see the small parts, so the performers must exaggerate their movements, and the voice must be as loud as possible.

Movies are different from dramas. Physical performance is more important than speaking lines. There are some things that actors don't need to say at all, and they can be expressed directly with the camera, which is more empathetic.

Sometimes, just a look in the eyes, or a small and subtle movement, will convey to the audience some feelings, some things that can only be understood but not expressed in words.

And getting used to the drama, the slightly exaggerated body language and performance attitude will only make Fujiwara somewhat disadvantaged when performing the role of "Yakami".

Because, the role of "Ye Shenyue" can be said to be such a genius with high IQ who restrains the madness and paranoia in his heart and does not express it easily.

Kiyoshi Sakamoto, who has read all the "Death Note" comics,
"Ye Shenyue" is a human being, not a god. He has the shortcomings of being a human being, but he has the ability to surpass human beings. He has powerful abilities, but he can't use them correctly, and he will naturally go crazy.

However, in the original version, Tatsuya Fujiwara only expressed more of the madness and high IQ of "Yakamizuki" through stage performances. However, "Yakamizuki" always yearns for justice, Now that he is trying to become the god of the new world, the change in his heart has not been well expressed.

After all, when "Yeshenyue" picked up the Death Note and after defeating L, they were completely different people.

Maybe it is because it is difficult to express the change of "Night God Moon", so I chose to adapt the plot in the comics to a small extent.

After all, the adapted plot is more refined, which also makes the whole movie look more compact and fascinating.

However, this time, Kiyoshi Sakamoto just wanted to show a different version of "Yokamizuki" from Fujiwara Tatsuya's version.

A restrained "Night God Moon"!
. . . . . .

September 2005, [-].

Headquarters of Warner Japan, Nishi-Shimbashi, Minato-ku, Tokyo.

In a small interview room in the company building, there were four middle-aged men sitting at a long table.

One of them is Tetsuya Oishi, one of the screenwriters of "Death Note" who was introduced to Kiyoshi Sakamoto by Qin Jingdai.

There is also a middle-aged man with a thin figure and a hat, who looks a bit like Hiroyuki Sanada. . .

If you are a manga fan, you will definitely recognize this thin man.

Judging from the tone of Oishi Tetsuya talking to him, there is still a "teacher" in his mouth, and we can know that this is the original artist of "Death Note", Takeshi Obata.

As a cartoonist, if he is not as thin as Takeshi Obata, he will be fat like Eiichiro Oda or Masashi Kishimoto.

After all, as a cartoonist, if you are not at the top level, you will not be able to earn much money. Moreover, if you are sedentary for a long time and do not exercise, you will not be in good health.

Seeing these two people, you can know that this is the audition scene for "Death Note".

The other one, wearing glasses and thinning hair, looks like an uncle who can't wake up. That is the director of "Death Note", Shusuke Kaneko.

Shusuke Kaneko and Tetsuya Oishi were talking about a person Kiyoshi Sakamoto knew very well, that is himself.

"Kaneko-san, I think that Sakamoto's various conditions are better than Fujiwara's. Whether it is appearance or figure, he is also the hottest popularity king in the entertainment industry. If he becomes the leading actor, he will also be able to let our drama, Being able to gain the upper hand in terms of popularity and topicality.”

After Oishi Tetsu also met Sakamoto Kiyoshi, he went to see the only film and television work that Sakamoto Kiyoshi starred in, "Dragon Cherry".

He found that Sakamoto Qing really deserves to be the most popular and popular singer now, in terms of appearance, figure, and temperament, they are all top-notch, and as a rookie actor who is acting for the first time, his performance in "Dragon Cherry" is almost impeccable. Picky, especially in the next few episodes, when it is obvious that there are many scenes, the performance is still more than capable.

This made Dashi Zhe also feel relieved about his acting skills.

After all, Kiyoshi Sakamoto is his friend, and he was introduced by Qin Jian in the past, and familiarity is worse than familiarity. Compared with Tatsuya Fujiwara, who has never met before, Kiyoshi Sakamoto, a polite boy, suits his appetite even more.

That's why he recommended Kiyoshi Sakamoto, a boy who was only 15 years old, in front of Shusuke Kaneko.

"Well, I know that Kiyoshi Sakamoto you mentioned, in terms of appearance and figure, and a degree from Tokyo University, is also a plus. However, I am more worried about whether his acting skills can meet the requirements. After all, compared with Fujiwara , His acting qualifications are really not too bright."

Shusuke Kaneko frowned while flipping through Kiyoshi Sakamoto's materials, and said to Tetsuya Oishi who was sitting next to him.

"Well, I understand your worries, but..." Oishi Tetsu also wanted to persuade, but at this moment, Takeshi Obata, who was sitting next to him, spoke out.

"In my opinion, let them come in and show off first, and then make a decision slowly. After all, it's not about deciding who will play this role right now, right? The producer of Guchang?"

Takeshi Obata, who said this, also raised a question at the same time, and gave it to the middle-aged man who sat quietly on the side among the four.

Takeshi Obata's words also made Tetsuya Oishi and Shusuke Kaneko turn their attention to the producer sitting beside him, Furuba.

"Oh, it's up to you to decide. I'm just representing Warner. I'm just here to take a look. You don't have to pay attention to me." The producer of Guchang, who was the focus of the three, also hurriedly waved his hands and said.

Hearing the producer's words, Shusuke Kaneko and Tetsu Oishi also breathed a sigh of relief in their hearts.

After all, as the producer, Warner has a lot of power to say. As long as the Guchang producer thinks about it, his opinion is also very important when it comes to casting.

Fortunately, this producer is not one of those ignorant people who think that the producer is amazing, otherwise Shusuke Kaneko, the director, would be quite uncomfortable.

After secretly breathing a sigh of relief, Kaneko Shusuke concluded, "Then let's start the audition."

. . . . . .

The camera turns to a room next to the interview room, where the actors who came to audition today are located, the waiting room.

At this time, Kiyoshi Sakamoto just walked into the waiting room from the outside.

As soon as he opened the door, Kiyoshi Sakamoto realized that he was being watched by everyone. . .

The actors in the waiting room were waiting for the audition to start. At this time, they all looked at Kiyoshi Sakamoto with a look of surprise on their faces as they pushed the door open.

"White teeth (bad)!"

　It's all personal opinion, fans please lightly spray.

　　
　
(End of this chapter)