Withering cross talk: a piece of truth, mountains and rivers shocked

Chapter 162 The show begins

Wang Haoyue has already had a lot of acting experience.

But that doesn't affect him, he's still nervous.

When it was exactly two o'clock, Wang Haoyue opened the curtain and walked out.

A 13-year-old boy is actually a bit between a child and a teenager.

Wang Haoyue wore a custom-made double-breasted gown and water pants.

The gown was actually made a year ago, and it was purposely made bigger.

At that time, the loose gown was worn on Wang Haoyue's body now, giving him a bit of ancient charm.

Turning down the microphone, Wang Haoyue said with a smile:
"Welcome everyone to come to our Qingyun club's performance."

"My name is Wang Haoyue. I haven't officially joined the job yet. I will perform an allegro "Tongue Twister" for you all."

"This is an appetizer. It is to gather your ears and let you know that our performance is about to begin."

The boy's voice was sweet and childish.

Flipping his wrist dexterously, the Allegro looks very obedient in his hands.

The rhythm played is also clear and pleasant.

After a while, Wang Haoyue changed the rhythm and spoke at the same time:

"Say, there is a Cui thick leg in front of the mountain, and a Cui thick leg behind the mountain. The two came to compare their legs. I don't know whether Cui thick leg is thicker than Cui thick leg, or Cui thick leg is thicker than Cui thick leg. thick? "

"Say, there is Yan Yuanyan in front of the mountain, and Yan Yanyuan behind the mountain. The two came to compare eyes, but I don't know whether it is Yan Yuanyan's eye in front of the mountain, or Yan Yanyuan's eye in the back of the mountain. "

These few tongue twisters and allegro are Wang Haoyue's best skills after practicing hard.

Even the expression management is excellent.

Let the audience below can't help shouting "good".

The smile on the child's face became even brighter, and a section of "Eighteen Sorrows" was added to it.

The end is the end:
"I can't finish singing this tongue twister at a glance. I wish you all the fortune and treasures, and every day you make money."

After singing this, Wang Haoyue bowed his head, turned his head and went down.

At the same time, the door curtain was lifted, and Zhou Jiuliang came out.

There was an old audience member down there who shouted: "Jiu Liang, Jiu Liang is so handsome today."

Don't blame them for shouting.

For this day, except for Wang Haoyue, basically every pair of actors has made new coats in advance.

Zhou Jiuliang was basically the host in the past, and he was too lazy to bother, so he just wore a black coat back and forth.

Today Zhou Jiuliang changed into a royal blue coat.

This color is attractive, but it also takes advantage of others.

It makes Zhou Jiuliang extraordinarily handsome.

Hearing the shout, Zhou Jiuliang raised the microphone and waved his other hand:

"Don't make trouble, don't make trouble, the camera behind is recording."

While everyone turned their heads to look at the camera, Zhou Jiuliang continued:

"Next, please enjoy the cross talk, "Liu Hai Chops Woodcutters", performed by Ren Jun and Luan Yunping."

After stepping off the stage, Zhou Jiuliang's face turned red.

This is someone who has long been said to be shy, and has been holding on to step off the stage to reveal his secrets.

The work of "Cutting Woodcutters in Liu Hai" is actually a bit old and not new.

It was written by Ren Jun and Luan Yunping after discussing it.

The main framework is the same as the traditional cross talk "Yellow Crane Tower", except that the Beijing opera has been changed to Huagu Opera, and the final aria "Yellow Crane Tower" has been changed to "Liu Hai Chops Woodcutters".

This is to take care of Ren Jun's lack of proficiency in traditional cross talk.

Pick a material that he is good at.

Because of the special nature of this book, Ren Jun didn't introduce himself when he came on stage, but directly started the conversation:

"Why are there so many people in your Qingyun club? Everyone loves to listen to cross talk now?"

Luan Yunping glanced at him calmly: "Why, you still don't know the reputation of our Qingyun Society?"

"I know, of course I know." Ren Jun smiled, "I also like to listen to cross talk, and I always love to listen to your cross talk."

"By the way, what's your name?"

Luan Yunping feigned anger: "...I don't know who I am, you said it's so lively?"

With a cheeky face, Ren Jun shook his head and said to the audience, "I don't like dealing with these cross talk actors, each of them has a big temper."

Here is a buried point.

On the surface, it was saying that Luan Yunping was too stingy just now.

In fact, it might as well be smashing Yang Qizhi.

The crack point belongs to the crack point, the matter is over, and there is no hatred.

But it doesn't affect killing him.

Anyway, don't offend the cross talk actor if you offend anyone.

It's okay for people to smash you and your whole family on stage, and you can't do it either.

The audience below who knew the inside story were all happy.

The man of temperament even yelled hello.

Luan Yunping's flattering style was steady, and he asked Ren Jun only after the scene calmed down:

"We comedians? Oh, you're not a comedian?"

Ren Jun was proud of himself: "Of course, I am from Changsha, and I sing Huagu Opera."

Luan Yunping thought for a while, then said, "Oh, Huagu Opera actor."

Ren Jun waved his hand: "Don't dare to be an actor, call me an artist!"

——Once again, the "artists" of the Music Association were smashed.

These burdens were all written by Ren Jun, making them extraordinarily fun.

Then came the official admission, Ren Jun's identity is a self-proclaimed Huagu Opera professional actor, and Luan Yunping's identity is a Huagu Opera fanatic.

The two agreed to sing a flower drum opera for everyone on the stage.

The one chosen was "Bangs and Firewood".

But what's funny is that the self-proclaimed Huaguxi professional actors don't even know the tune, and all use the tune of popular songs.

It was Luan Yunping who couldn't stand it anymore and taught him how to sing.

The two talents finished the scene after stumbling.

Basically, it is not too different from the framework of "Yellow Crane Tower".

But because most of the audience below are from the north, few of them have heard of Huagu Opera.

It has received great reviews.

Ren Jun and Luan Yunping stepped down.

Lin Qingfeng gave him a thumbs up.

Ren Jun returned a knowing look.

What Luan Yunping proposed was to choose a performance method that Ren Jun is more familiar with.

He even prepared the mental activity that Ren Jun would propose to play the double reed.

After all, Luan Yunping has gone to know Ren Jun, and also looked for the DVDs of their performances in the past.

How about saying that Changsha people are smart.

They recorded the performance videos of Ren Jun and Yang Qizhi into discs for sale.

It is precisely because of this that in Changsha and even in Hunan, people's acceptance of cross talk and oboe is quite good.

To some extent, it also preserves the roots of cross talk.

It was Ren Jun who offered to sing Huagu opera.

It's actually very simple.

What Minister Zhang hoped the two of them would do was to promote traditional culture.

It is a good thing to be able to combine cross talk with Huagu opera.

This is also the reason why Lin Qingfeng gave Ren Jun the thumbs up.

The job he chose today was "Singing the Lyrics of Taiping Crookedly", and he continued to spread the lyrics of Taiping steadily.

But the original intention is the same as Ren Jun's original intention of choosing "Bangs and Woodcuts".

(End of this chapter)