Easy Tycoon
Chapter 746 Turns out to be a pair!
Chapter 746 It's actually a couple!
It's really hard to say which one is more valuable, the Yuan Qinghua Xiao Heyue chasing Han Xin's big pot or the Zhu Yuanzhang's edict.
One is the emperor's decree, which is currently only one in the world, and the other is a blue and white pot, which is also only one in the world. Which one do you think is more valuable?This is clearly a problem of Guan Gong fighting Qin Qiong.
In the Yuan Dynasty and even the Ming Dynasty, there were still a lot of large blue and white pots in the Yuan Dynasty, which can be seen from some ancient books and history books.Similarly, there were a lot of imperial edicts during the Hongwu period of the Ming Dynasty. Zhu Yuanzhang had been emperor for 31 years in his life. God knows how many imperial edicts he promulgated in his life.
But no matter whether it is the imperial decree or the large blue and white pot of Yuan Dynasty, they have almost become orphans in modern times.The value can only be described as incalculable.
Slightly cutting off this incomprehensible thought, Yang Jing continued to pick up the thatch under the big blue and white pot of Yuan Dynasty.
The height of this Yuan blue and white large jar is less than 33 centimeters, and Yang Jing estimated that the belly diameter is also more than [-] centimeters. According to the size of this big iron box, the first layer can hold at least four It's such a big pot, but there is only one big pot on this floor, and the gap between the big pot and the iron box is filled with thatch. It seems that the little devil knew the value of this big pot back then. In order to better protect this big tank, I didn't put more.
In other words, if the bottom is not all thatch, at least there must be a big pot underneath.
Sure enough, after pulling it a few times, another big blue and white pot of Yuan Dynasty was also pulled out.
This big pot is almost the same size as the first big pot, and whether it is cloud pattern, blue material or shape, they are almost like twin brothers. If it weren't for the different patterns on this big pot, Yang Jing really thought that the second big pot would be different. The pot is also a big pot under Xiao Heyue chasing Han Xin.
The pattern on this big pot is a pattern that Yang Jing has never seen, at least on other Yuan blue and white porcelain, Yang Jing has never seen this pattern.
The decoration format of this big pot is almost exactly the same as that of the first big pot, and they are all painted with imported green materials.The first layer of ornamentation on the neck is decorated with water ripples; the second layer of ornamentation on the shoulders is peony patterns; the third layer of ornamentation on the abdomen is the theme of the story; the fourth layer on the lower part is deformed lotus petals Chenbao is painted inside the pattern, commonly known as "eight big yards".
This pattern of decoration is also used in the other nine blue-and-white figure pots of the Yuan Dynasty that have been born.
The theme of the third layer is a general in armor galloping on a steed. The general is carrying a quiver with many white feather arrows in it, but the general does not hold the reins with his hands. , but the left hand holds the bow, and the right hand holds the reins of the steed. Both the man and the steed are lifelike.And not far from the general, there is a big rock. Strangely, on this big rock, a white-feathered arrow inserted into this big rock with a slight slope, halfway into it. !
Apparently, the galloping general had just shot an arrow for some reason, but unfortunately missed the target and hit a large rock
Although the whole pattern is not big, it is vividly drawn. Whether it is the general's movements, the expression of the steed horse, or the shape of the big rock, they are all exquisitely drawn.
Although Yang Jing has never seen this pattern, since seeing this pattern, Yang Jing knew which story the theme pattern of the Yuan blue and white pot was painted on.
When Yang Jing was in elementary school, he learned a poem, which was "He Zhang Pushe Saixiaqu. Part [-]" written by Tang Dynasty poet Lu Lun, also known as "Saixiaqu" for short.
The story of a general hunting a tiger written in this frontier poem is based on the "Biography of General Li" written by Sima Qian, a historian of the Western Han Dynasty, who recorded the deeds of Li Guang, a famous general at that time.The original text is: "Going out hunting, I saw a stone in the grass, thought it was a tiger, and shot it, but there was no arrowhead (arrowhead) in the stone, and I looked at it as a stone."
It means: Late at night, the mountains and forests were dark, and suddenly there was a strong wind, and the grass was brushed and shaken by Qiao De; a white tiger rushed towards the place where the frogman rose and fell.At this time, the general was galloping past the edge of the forest. With quick eyesight and quick hands, he drew his bow and shot an arrow...
In the early morning of the next day, the general remembered what happened in the forest last night, and came to the scene along the same road. He couldn't help being surprised: in the bright morning light, he clearly saw that the one he shot was not a tiger, but a huge rock.Squatting there silently in fear, the white-feathered arrow went deep into the stone edge!
This poem describes the story of General Li Guang, a famous general in the Western Han Dynasty, who galloped his horse at night, drew his bow and shot stones.
That is to say, this big jar of blue and white characters in Yuan Dynasty should be called "big jar of blue and white Li Guangye leading the bow in Yuan Dynasty".
This is a very famous story, which has been circulated among the people for thousands of years. I did not expect this story to be painted on the large blue and white pots in Yuan Dynasty.
This big pot is also a big pot of character stories that has never appeared before, and its value is also inestimable.
Obviously, these two large pots should be a pair of large pots. Regardless of the shape, pattern, or green material, the two large blue and white pots should be fired in the same kiln, especially the theme of the story. One is the story of Xiao He and Han Xin in the early Western Han Dynasty, and the other is the story of Li Guang, a famous general of the Western Han Dynasty.
Whether it is the story of Xiao Heyue chasing Han Xin or Li Guangye leading the bow, they are both stories that have been passed down for thousands of years, and these two Yuan blue and white pots are decorated with these two stories as the theme, obviously they are a pair!
What is the concept of a pair of almost identical Yuan blue and white character story big pots?
Anyway, the nine Yuan blue and white pots that have been born have different sizes. Even the two Yuan blue and white pots with the same theme decoration, Yuchi Gong riding the savior alone, have different specifications. The nine Yuan blue-and-white figure tanks were produced in different years, and even the kiln workers may not be the same batch.
And these two big cans are obviously a pair!
If it is a single big jar of Yuan blue and white characters, its value may be measured by money, but this pair, the value is really hard to say!
Some things are better if they are unique, and the more unique they are, the more valuable they are, such as the Jade Seal of the Kingdom, such as "The Preface to the Lanting Collection"; Said Qin Twelve Jinren.
If there were two Chuanguo Yuxi in the history of China, I am afraid that the emperors of all dynasties in China would not be so persistent in pursuing the Chuanguo Yuxi. If Wang Xizhi wrote two or more "Prefaces to the Lanting Collection", then this calligraphy would also It will not become "the first running script in China".
Similarly, if one of Dayu's nine tripods is missing, what's the matter?Also, there are obviously twelve golden men, but suddenly there are still ten left. I am afraid that everyone will try their best to find the two lost golden men, and try to make the twelve golden men into one. complete set.
This principle also applies to these two big pots with blue and white figures in Yuan Dynasty.
This kind of porcelain was a kind of decoration in ancient times. Naturally, it is beautiful in a set. These two large pots are obviously made according to a set. Therefore, if there is no other one, just take out one of them. It will also cause a sensation, but it will definitely not have the shock of these two big cans being born together!
Yang Jing is absolutely satisfied with these two unexpected big pots of Yuan blue and white figures.In the previous treasure hunting process, the least thing Yang Jing got was porcelain. Whether it was the earliest treasure of Mu Guogong, the treasure of Gaddafi, or the treasure of the last tsar and the following treasure hunts, almost all of those treasures were There is no ancient Chinese porcelain.Except for some extremely cherished Tang Sancai in Wu Zetian's Mausoleum, Yang Jing never bought other Chinese ancient porcelains, which made Yang Jing very disappointed.
Although there are so many treasures in the treasures I searched for before, any one can be called a national treasure, but as the most representative antique in China, if there are not a few pieces of porcelain that can be sold, it is really a little Pity.
However, Yang Jing somewhat understands this situation. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially ancient official kiln porcelain, is invaluable in modern times, but it is nothing in ancient times. For the ancient royal family , Porcelain is a kind of daily necessities and decorations, and its practicality is far lower than some other important materials, such as gold.
Therefore, among the treasures left over from ancient times, it is inevitable that the number of porcelains is very small or even almost none.
But what Yang Jing didn't expect was that during this trip to the Philippines, he found such two extremely precious Yuan blue and white jars under a church in a city. This finally made up for not finding the precious Chinese ancient porcelain before sorry.
Although there are only two of these two large pots of blue and white characters from the Yuan Dynasty, even if they are put in the Palace Museum, they will be a proper treasure of the town hall.If these two large cans are displayed in their own museum, their weight will be absolutely heavyweight.
Satisfied, he carefully placed the two large cans in a corner of the space, and Yang Jing started to deal with the next big iron box.
As a result, when the fourth box was opened, Yang Jing's heart was shocked again by the rotten thatch that caught his eye!
"Could it be that there is still porcelain in this box?" Yang Jing wished he could raise his head and laugh twice.It would be great if there were still porcelain in this big iron box.
I was worried that I didn't have any heavyweight porcelain in my collection, but I didn't expect to find two boxes of porcelain here at once. Is this considered sleepy and someone gave me a pillow?
Yang Jing carefully pulled away the rotten thatch on the upper layer. Sure enough, under the protection of the thatch, lay one after another porcelain wrapped in oil paper.
PS: Bow and thank "Very Lazy Fish" for the 100 tip.
(End of this chapter)
It's really hard to say which one is more valuable, the Yuan Qinghua Xiao Heyue chasing Han Xin's big pot or the Zhu Yuanzhang's edict.
One is the emperor's decree, which is currently only one in the world, and the other is a blue and white pot, which is also only one in the world. Which one do you think is more valuable?This is clearly a problem of Guan Gong fighting Qin Qiong.
In the Yuan Dynasty and even the Ming Dynasty, there were still a lot of large blue and white pots in the Yuan Dynasty, which can be seen from some ancient books and history books.Similarly, there were a lot of imperial edicts during the Hongwu period of the Ming Dynasty. Zhu Yuanzhang had been emperor for 31 years in his life. God knows how many imperial edicts he promulgated in his life.
But no matter whether it is the imperial decree or the large blue and white pot of Yuan Dynasty, they have almost become orphans in modern times.The value can only be described as incalculable.
Slightly cutting off this incomprehensible thought, Yang Jing continued to pick up the thatch under the big blue and white pot of Yuan Dynasty.
The height of this Yuan blue and white large jar is less than 33 centimeters, and Yang Jing estimated that the belly diameter is also more than [-] centimeters. According to the size of this big iron box, the first layer can hold at least four It's such a big pot, but there is only one big pot on this floor, and the gap between the big pot and the iron box is filled with thatch. It seems that the little devil knew the value of this big pot back then. In order to better protect this big tank, I didn't put more.
In other words, if the bottom is not all thatch, at least there must be a big pot underneath.
Sure enough, after pulling it a few times, another big blue and white pot of Yuan Dynasty was also pulled out.
This big pot is almost the same size as the first big pot, and whether it is cloud pattern, blue material or shape, they are almost like twin brothers. If it weren't for the different patterns on this big pot, Yang Jing really thought that the second big pot would be different. The pot is also a big pot under Xiao Heyue chasing Han Xin.
The pattern on this big pot is a pattern that Yang Jing has never seen, at least on other Yuan blue and white porcelain, Yang Jing has never seen this pattern.
The decoration format of this big pot is almost exactly the same as that of the first big pot, and they are all painted with imported green materials.The first layer of ornamentation on the neck is decorated with water ripples; the second layer of ornamentation on the shoulders is peony patterns; the third layer of ornamentation on the abdomen is the theme of the story; the fourth layer on the lower part is deformed lotus petals Chenbao is painted inside the pattern, commonly known as "eight big yards".
This pattern of decoration is also used in the other nine blue-and-white figure pots of the Yuan Dynasty that have been born.
The theme of the third layer is a general in armor galloping on a steed. The general is carrying a quiver with many white feather arrows in it, but the general does not hold the reins with his hands. , but the left hand holds the bow, and the right hand holds the reins of the steed. Both the man and the steed are lifelike.And not far from the general, there is a big rock. Strangely, on this big rock, a white-feathered arrow inserted into this big rock with a slight slope, halfway into it. !
Apparently, the galloping general had just shot an arrow for some reason, but unfortunately missed the target and hit a large rock
Although the whole pattern is not big, it is vividly drawn. Whether it is the general's movements, the expression of the steed horse, or the shape of the big rock, they are all exquisitely drawn.
Although Yang Jing has never seen this pattern, since seeing this pattern, Yang Jing knew which story the theme pattern of the Yuan blue and white pot was painted on.
When Yang Jing was in elementary school, he learned a poem, which was "He Zhang Pushe Saixiaqu. Part [-]" written by Tang Dynasty poet Lu Lun, also known as "Saixiaqu" for short.
The story of a general hunting a tiger written in this frontier poem is based on the "Biography of General Li" written by Sima Qian, a historian of the Western Han Dynasty, who recorded the deeds of Li Guang, a famous general at that time.The original text is: "Going out hunting, I saw a stone in the grass, thought it was a tiger, and shot it, but there was no arrowhead (arrowhead) in the stone, and I looked at it as a stone."
It means: Late at night, the mountains and forests were dark, and suddenly there was a strong wind, and the grass was brushed and shaken by Qiao De; a white tiger rushed towards the place where the frogman rose and fell.At this time, the general was galloping past the edge of the forest. With quick eyesight and quick hands, he drew his bow and shot an arrow...
In the early morning of the next day, the general remembered what happened in the forest last night, and came to the scene along the same road. He couldn't help being surprised: in the bright morning light, he clearly saw that the one he shot was not a tiger, but a huge rock.Squatting there silently in fear, the white-feathered arrow went deep into the stone edge!
This poem describes the story of General Li Guang, a famous general in the Western Han Dynasty, who galloped his horse at night, drew his bow and shot stones.
That is to say, this big jar of blue and white characters in Yuan Dynasty should be called "big jar of blue and white Li Guangye leading the bow in Yuan Dynasty".
This is a very famous story, which has been circulated among the people for thousands of years. I did not expect this story to be painted on the large blue and white pots in Yuan Dynasty.
This big pot is also a big pot of character stories that has never appeared before, and its value is also inestimable.
Obviously, these two large pots should be a pair of large pots. Regardless of the shape, pattern, or green material, the two large blue and white pots should be fired in the same kiln, especially the theme of the story. One is the story of Xiao He and Han Xin in the early Western Han Dynasty, and the other is the story of Li Guang, a famous general of the Western Han Dynasty.
Whether it is the story of Xiao Heyue chasing Han Xin or Li Guangye leading the bow, they are both stories that have been passed down for thousands of years, and these two Yuan blue and white pots are decorated with these two stories as the theme, obviously they are a pair!
What is the concept of a pair of almost identical Yuan blue and white character story big pots?
Anyway, the nine Yuan blue and white pots that have been born have different sizes. Even the two Yuan blue and white pots with the same theme decoration, Yuchi Gong riding the savior alone, have different specifications. The nine Yuan blue-and-white figure tanks were produced in different years, and even the kiln workers may not be the same batch.
And these two big cans are obviously a pair!
If it is a single big jar of Yuan blue and white characters, its value may be measured by money, but this pair, the value is really hard to say!
Some things are better if they are unique, and the more unique they are, the more valuable they are, such as the Jade Seal of the Kingdom, such as "The Preface to the Lanting Collection"; Said Qin Twelve Jinren.
If there were two Chuanguo Yuxi in the history of China, I am afraid that the emperors of all dynasties in China would not be so persistent in pursuing the Chuanguo Yuxi. If Wang Xizhi wrote two or more "Prefaces to the Lanting Collection", then this calligraphy would also It will not become "the first running script in China".
Similarly, if one of Dayu's nine tripods is missing, what's the matter?Also, there are obviously twelve golden men, but suddenly there are still ten left. I am afraid that everyone will try their best to find the two lost golden men, and try to make the twelve golden men into one. complete set.
This principle also applies to these two big pots with blue and white figures in Yuan Dynasty.
This kind of porcelain was a kind of decoration in ancient times. Naturally, it is beautiful in a set. These two large pots are obviously made according to a set. Therefore, if there is no other one, just take out one of them. It will also cause a sensation, but it will definitely not have the shock of these two big cans being born together!
Yang Jing is absolutely satisfied with these two unexpected big pots of Yuan blue and white figures.In the previous treasure hunting process, the least thing Yang Jing got was porcelain. Whether it was the earliest treasure of Mu Guogong, the treasure of Gaddafi, or the treasure of the last tsar and the following treasure hunts, almost all of those treasures were There is no ancient Chinese porcelain.Except for some extremely cherished Tang Sancai in Wu Zetian's Mausoleum, Yang Jing never bought other Chinese ancient porcelains, which made Yang Jing very disappointed.
Although there are so many treasures in the treasures I searched for before, any one can be called a national treasure, but as the most representative antique in China, if there are not a few pieces of porcelain that can be sold, it is really a little Pity.
However, Yang Jing somewhat understands this situation. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially ancient official kiln porcelain, is invaluable in modern times, but it is nothing in ancient times. For the ancient royal family , Porcelain is a kind of daily necessities and decorations, and its practicality is far lower than some other important materials, such as gold.
Therefore, among the treasures left over from ancient times, it is inevitable that the number of porcelains is very small or even almost none.
But what Yang Jing didn't expect was that during this trip to the Philippines, he found such two extremely precious Yuan blue and white jars under a church in a city. This finally made up for not finding the precious Chinese ancient porcelain before sorry.
Although there are only two of these two large pots of blue and white characters from the Yuan Dynasty, even if they are put in the Palace Museum, they will be a proper treasure of the town hall.If these two large cans are displayed in their own museum, their weight will be absolutely heavyweight.
Satisfied, he carefully placed the two large cans in a corner of the space, and Yang Jing started to deal with the next big iron box.
As a result, when the fourth box was opened, Yang Jing's heart was shocked again by the rotten thatch that caught his eye!
"Could it be that there is still porcelain in this box?" Yang Jing wished he could raise his head and laugh twice.It would be great if there were still porcelain in this big iron box.
I was worried that I didn't have any heavyweight porcelain in my collection, but I didn't expect to find two boxes of porcelain here at once. Is this considered sleepy and someone gave me a pillow?
Yang Jing carefully pulled away the rotten thatch on the upper layer. Sure enough, under the protection of the thatch, lay one after another porcelain wrapped in oil paper.
PS: Bow and thank "Very Lazy Fish" for the 100 tip.
(End of this chapter)
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