People are in Hogwarts, and werewolves block the door at the beginning.

Chapter 27: One week of classes

【Transformation Spell】

[Level: Level 1]

[Lock on the enemy in advance, clearly outline the image to be transformed in your mind, release a colorless light, and change the shape or appearance of the enemy being hit. The larger the mass of the object or creature to be transformed, the more complex the structure and the stronger the magic magnetic field, the more magic power is consumed. Under the same conditions, inanimate objects are more likely to be changed in shape]

[Magic consumption: 2~∞]

[Transformation Library: Needle (Unlimited)]

[Damage: 2~∞]

[Note: Regular transformation will not cause damage, and the overflow damage will only prolong the time the enemy unit is transformed. More dangerous transformations, such as the Vanishing Spell, will turn the enemy unit into nothingness, causing damage equal to the enemy unit's mana plus health.]

[Effective distance: 20m. After 20m, the spell damage will be attenuated. Every 1m, the damage will be attenuated by 1 point.]

[Note: Damage is equal to the mana consumption value. Example: Without considering the mass and structure of the enemy unit, an enemy unit with a mana of 3 needs a Transfiguration spell with a mana consumption greater than 3 to transform it. If the damage of the Transfiguration spell is 4 and the enemy is 21m away, the enemy unit cannot be transformed.]

[Magic Book Level: Level 2 (1000/500)]

This is the spell card for the Transfiguration Spell. The Vanishing Spell and the Conversion Spell are all Transfiguration Spells. One card can have multiple uses.

It can be compared with the magical card [Boggart].

In class, Basil also used the spell card to turn the match into a needle before Hermione.

Received praise and a pat on the head from Professor Cat.

Unfortunately, the happy time of head patting came to an end due to an explosion suddenly created by Simo.

However, this is not without its benefits.

No longer obsessed with patting the head, when recalling the details of the spell, Bagir discovered the difference.

He had discovered before that casting a spell is like swinging a fist. The magic fist will not be consumed, but physical strength will be consumed in the process of swinging the fist.

But the Transfiguration Spell, the ethereal spiritual power replaced part of the physical strength.

Maybe rational spells are mental strength and emotional spells are physical strength?

Before casting the spell, the clear image of the needle that was outlined in the mind disappeared the moment the spell was fired.

As if they were filled with ammunition.

Subsequent casting will require re-outlining.

Although the speed of outlining will be faster because it has already been outlined once.

When you think of the concept of needle, the corresponding image will automatically emerge.

But this is too troublesome.

Unless you use a [magic book] to cast a spell, it won't work if you just "consume" magic power.

But, this is just an idea before other courses start.

The next class that afternoon was Charms.

The short Flitwick first shocked Bagel with his appearance.

He doesn't have white hair like in the first few movies, but like in the later ones, he wears a tuxedo and has black hair that is neatly combed.

The content of the following courses surprised Bagir, who had taught himself several spells.

Some key points are not mentioned in the book at all.

Professor Flitwick talked about the concept of charm: changing the intrinsic properties of the object of the charm.

All spells involve injecting one's own feelings into the spell, so that the nature of the object of the spell will change.

For example, the levitation spell.

When casting a spell, in addition to pronouncing the spell correctly and casting the spell with accurate trajectory, it is also best to create a floating feeling in your mind.

To put it in the words of martial arts novels, in order to make sword moves accurately, one must not only shout out the name of the move but also have the corresponding sword intent.

Take the illumination spell that we actually learned in this class.

The key to casting the spell is actually to imagine a little fluorescence in your mind and let it be emitted along with the spell.

When chanting the spell [fluorescent flashing], you should know which part should be light and which part should be heavy, which part should be slow and which part should be fast.

The shaking of the wand when it is swung is actually not important.

If these two are achieved, the spell can actually be cast successfully.

But only when you find the corresponding meaning, it is the real spell.

The perfect swordsmanship that combines both form and spirit.

Harry and the others were not touched by Professor Flitwick's words.

Hermione just wrote it down in her notes, because Professor Flitwick only mentioned it briefly.

In the following courses, Professor Flitwick focused on the accuracy of the speech and the trajectory of the wand swinging.

Speaking of the importance of spells, they are psychological hints and limiters that constrain the power of spells.

This is also why some young wizards who are born with great powers will not use the Illumination Spell as the Flash Spell.

Harry and his friends also relied on the last two points to easily master the illumination spell.

But Bagel is different.

Although he had the [Spell Book], he did not make the Illumination Spell into a spell card.

But during pre-production, some of the spell's data will also appear.

[Magic Book]: The mana cost of this spell is 2.

However, he tried to use another more intuitive and less 'magic' method to cast the spell, imagining a little fluorescence in his mind when casting the spell.

The 'mana' consumed is 1.

So, whether it is a rational or emotional spell, it actually requires the participation of spiritual power?

For wizards without 'magic'.

Their magic power consists of magic power and magic resistance, which is an indivisible whole.

If a beginner's magic power is too high, a stun spell can kill people.

Only when you have high proficiency, that is, high magical skills, can you control the strength when using physical or mental strength to wield the fist of magic.

This is why the first lesson taught in the Charms class is the Illumination Spell.

It allowed the little wizard with weak magic power to cast spells successfully and gain confidence.

Let the little wizards with strong magic power learn to adjust their output unconsciously.

In class, Basil actually noticed that Harry's pronunciation and wand-waving trajectory were not standard.

He seemed to rely on his superior magic power to force the spell to succeed.

Bagir suspects that he initially learned to read on his own in this way.

This is the benefit of pure-blood wizards that has been passed down for a long time.

Other young wizards with low magic power need to work hard to correct their accents and the trajectory of their wands before they can successfully cast spells.

A little wizard with high magic power can achieve success simply by chanting a spell and waving his wand.

However, this is only the early stages.

Even young wizards with high magic power need to master the basics of spells learned in senior grades.

By that time, the little wizard with low magic power had improved his magic power as he practiced many times and grew older.

With a solid foundation, they can take advanced courses with ease.

However, young wizards who rely on their natural talents for high magic power need to correct the bad habits they developed in the lower grades in order to make progress.

Just like the scene in the early part of The Lotus Lantern where Chenxiang fought against Erlang Shen, he was lacking in everything a little bit, and when the time came, he was lacking in everything.

Wait, could this be another reason why Slytherins are stronger?
They are born with high magic power.

He is used to using physical strength to wield the fist of magic, and doesn't even pay attention to the basics.

They have been able to exercise their physical strength all the time, and due to their genetics, they have always maintained a strong and sturdy figure.

When he reached senior year, he suddenly found himself weaker than the Muggle and half-blood wizards, and he couldn't help feeling disappointed.

In addition, almost everyone has the talent of [Dark Magic Mastery], so they can only gain confidence in the dark magic that can be performed with malice.

Also because black magic can make people’s character dark and evil.

So this is also the reason why there are more dark wizards in Slytherin?

Among wizards who are good at Transfiguration, there are relatively few dark wizards.

Is it because it requires the wizard to use spiritual power from the beginning.

A young wizard with high magic power and bad habits can completely rely on the addition of spiritual power in the upper grades without correcting bad habits and not falling behind in progress.

So as not to fall into the arms of black magic.

Outrageous. Really outrageous.

These are things that cannot be experienced without actually traveling to this world, becoming a little wizard, and receiving education.

(End of this chapter)