Hyperdimensional Warlock
Chapter 3360 Secrets in the Book
Chapter 3360 Secrets in the Book
As Angel entered the painting, the door slowly began to close.
Seeing that the door in the painting was about to disappear, Mo Lian suddenly stood up from her seat and walked towards the door.
Ea: "Morian?"
Jasmine settled down, then turned her head and said indifferently: "You can discuss the deployment details yourself. Anyway, these details will have to be revised after all the people from all ethnic groups have gathered. It is useless to listen to the draft version of the deployment plan."
"As for me, Shishen is with Shishen. I haven't seen Fan for a long time. I still miss him."
After Jasmine finished speaking, she walked into the door.
And the moment she entered the door, Eya murmured in her ear: "I didn't hear that you and Fan had any communication...just tell me if you want to drink Berman's blood wine."
Mo Lian paused for a moment. She wanted to refute, but the door in the painting was about to disappear. In the end, she didn't say anything, and walked into the door before it closed.
With the closing of the door, the rippling oil painting slowly returned to normal.
In the original oil painting, there was only an empty dining table and Steward Fan; but in the current oil painting, there are three figures sitting in front of the dining table.
These three were Angel, Laplace, and Molly Ann.
Steward Fan was also in the painting, but instead of staying at the table, he slowly walked closer.
When Butler Fan came to the edge of the screen, he slowly drew the curtains. The red curtains covered the dining room and at the same time, covered the entire screen.
In the oil painting, everyone has disappeared, leaving only a curtain.
As the "curtain" of the oil painting covered, the attention of everyone in the cloud cave was slowly drawn back, but no one spoke.
After a long time, Prophet Jota took the lead to break the silence: "Mr. Angel...is the refiner of the logger?"
Previously, in the conversation between Eya and Angel, although there was no question about naming names, everyone understood the implied meaning.
Even if Angel is not a refiner, he is still a core figure related to the refinement of the logger.
Facing Jota's inquiry, Gleipnir frowned slightly and remained silent.
Jota: "I see, I was abrupt."
Jota took back her words, but everyone present was not stupid. Although Gleipnir didn't answer anything, her silence was actually a kind of tacit consent.
Angel is most likely the maker of the logger... No wonder, he will become one of the founders of Dream Mirror.
If you continue to think about it, will the refiner be the creator of the Dream Crystal?This is not impossible, after all, it is absolutely impossible to refine the logger without understanding the Dream Crystal.
If Angel is really the creator of Dream Crystal...
Everyone's thoughts began to float.
However, before their thoughts settled down, Eya brought them back to reality: "It doesn't matter who is the refiner now. You just need to know that the refiner comes from the 'Dream Mirror', it is me The dream mirror where the teacher is."
Eya deliberately pointed out "teacher", and his words of respect are not only to express his attitude, but also to warn Jota and others not to engage in some small actions.
"The more important thing now is how to deal with the doomed puppets. The Dream Mirror Clan has provided a very good plan. What we have to do now is to refine this plan and solve the problems that may be encountered in it."
Eya brought everyone's thoughts back on track.
Jota didn't dare to think about anything at this time, and the little Jiujiu in his heart was intimidated by Eya's eyes until he disappeared.Abandoning unnecessary thoughts, Jota finally began to exert the wisdom of the "prophet" and seriously perfected the control plan.
……
On the other side, among the oil paintings.
After everyone sat down, Steward Fan drew the curtains, returned to the dining table, bowed and said, "Everyone wait a moment, I'll go upstairs and invite Avicator down."
After finishing speaking, Steward Fan walked into the side passage.
After Steward Fan left, Angel slowly looked around.
It's not the first time he has come to the painting space, but this painting space is still a little different from Feng's magic painting space before.
The space of Feng's magic painting is almost indistinguishable from reality. The sun, moon and stars hang high in the sky, the lonely trees in the fields, and all creatures and creatures are real. Even the wind and rain are no different from the outside world.
Even if Angel used the Eye of Narda to observe, he still couldn't realize that this place was in the painting.
To sum it up in one word, Feng's magic painting space is the real "world in the painting".
And now the space in the painting they are in looks extremely real, but once you carefully observe the surrounding things, all kinds of strange information will emerge from those things.
For example, when he looked at the candlestick on the dining table, a row of text information appeared in his mind unconsciously: "Twig Candlestick: Candlestick made of waste copper, because it has been burned by the high temperature of the candle for a long time, the waste Irregular patina spots appear on the copper. The pattern carved on the candlestick is a vine pattern, and the patina spots are soaked in the vine pattern, as if a long branch has sprouted new leaves."
Not only the candlesticks, but also the tableware next to it: "Telou tableware: the tableware made of fine white porcelain is the favorite of the Turu nobles; especially the teapot full of curves, like the head of a Telou girl, is loved by the Turu nobles. Cherish it. Even the gold pattern outlined on it looks like a girl's innocent smile, which makes people happy."
Similarly, the dining table also has a detailed description, including the specific wood used, the length, width and height, and so on...
If you carefully observe the surroundings, any item, as long as you stare at it for a long time, a similar text message will definitely appear.
These textual information describe in detail the shape, material, and function of this item...
This feeling is indistinguishable from the magic painting space.
However, as Angel observed the food around him, he also discovered that only the objects in the painting would be prompted with text information; and the objects brought in by their group of outsiders, staring carefully, would not produce any text.
For example, Angor's robe, he stared at it for a long time, but there was no information.
While Angel was staring at the robe, a voice rang in his ears: "Foreign things, whether they are living or dead, words will not appear in the mind."
Angel looked up, and it was Molly Ann who was sitting opposite.
Angel was a little surprised when Jasmine followed her before. However, this is the Dragon Banquet hosted by Secretary Long, after all, and it is his freedom to invite whoever he wants to eat.
In addition, after Jasmine came in, she just sat on the sidelines and meditated without disturbing them, so Angel didn't pay much attention.
It wasn't until Jasmine spoke that Angel turned his attention to her.
Perhaps seeing that there was doubt in Angel's eyes, or because he stayed here foolishly and had nothing else to do, Jasmine simply explained Angel's doubts: "Everything here is actually made up of words."
"Including the oil paintings we see outside, in fact, they look like pictures, but when Eya created it, it was a written text."
In other words, the words written by Eya turned into physical pictures, and what appeared outside was "oil painting".
In fact, here is essentially a space created by words.
Because of this, all the things Angor sees here will appear text information, in fact, because their original form is "a piece of text", but with the special ability of the secret secretary dragon, the text is concretized to become real.
That's why, as soon as Angel entered here, he felt different from the magic painting space.
Because one is the space in the painting, and the other is the text space.
It is impossible to evaluate which of the two wins and loses; but I have to say that this text space is quite interesting.
"So, these "favorite tableware of the Turu nobles" did not appear out of thin air, but were described by Eya word by word when he wrote this text? " Angor pointed to the tableware in front of him and asked curiously.
Molly Ann nodded, then shook her head again: "It is true that these tableware are described word by word, but it is not necessarily what Eya described."
"Ea just constructed this space, he set up a skeleton; and the work of filling the skeleton with flesh and blood was partly done by himself, but also with the help of others."
Mo Lian stood up at this moment, and walked towards a cabinet next to her in a curvaceous posture.
Opening the cabinet door, Molly Ann took out a stack of papers and a pen from inside; these papers and pens did not have any written descriptions, presumably they were brought in from the outside world.
After picking up the pen and paper, Molly Ann sat back at the dining table again: "It's like this."
In front of Angel and Laplace, Jasmine picked up a pen and wrote a line of words on the white paper: "A pair of pure white silk gloves for women, embroidered on the silk surface with a special embroidery method. The pattern of crow feathers, the entrance of the glove, the fluffy lace with wood shavings."
With the writing of Molly Ann's pen, the white paper disappeared in front of everyone's eyes, replaced by a pair of white lace gloves.
Mo Lian looked at the glove, put it on her hand with satisfaction, and then looked up at Angel: "That's how it works."
"The items here may not all be described by Eya, but may also be supplemented by others, for example... Steward Fan."
As soon as Mo Li'an finished speaking, Fan Steward's voice came over: "Yes, Your Excellency Mo Li'an is right, the tableware was indeed written by me. The main body is only a skeleton, and the details of the flesh and blood are naturally left to us. Take over."
Butler Fan walked in from the passage on the side.
Mo Lian looked over, and specifically looked behind Fan Butler, it was empty and there was no one there.
"Where's Avicator?" Morian asked puzzled.
Butler Fan: "Avicato went to the backyard to pick some fruit, come here right away."
After a pause, Steward Fan turned his head and explained to Angel and Laplace: "Avicato is the chef of the Dragon Banquet."
Angel nodded. Originally, he thought that the space in the painting was so large, not only the second floor, but also other residents; but now, knowing that this is a text space, it is normal for the space to be huge .Beginning with the sentence "This is a huge castle", you can build a huge space.
"Avicato won't be here in a while." Fan Butler: "While waiting, if guests are interested in text props, they can also try to create text."
Angel was really curious about this kind of text "prop", and when Steward Fan mentioned it, he agreed without hesitation.
Laplace, on the other hand, has no interest in it.
Because, the ability of this kind of text space was actually developed by Laplace to help Eya.
According to Laplace's narration in the psychic belt, this ability is a derivative ability of the "Book of Time" talent of the mysterious dragon, and it was also developed by Laplace to help Eya. It is called "Secret of the Book". ".
At that time, when Eya first developed "Secrets in the Book", it took a long essay to construct some gadgets, and they were still illusory gadgets.
But now, Eya directly created the "painting", constructed the skeleton, and filled it with flesh and blood. It can be written in one sentence, which is enough to explain the progress of his ability.
However, no matter how advanced the ability is, the essence is still a "secret treasure in the book". Laplace had already seen it before, so he was naturally much less interested.
"Having said that, back then, Eya planned to develop the ability of 'Secrets in the Book' to a level where he could create extraordinary props and creatures with just one word. I don't know if he has reached this level now." Plath sighed in the psyche.
Angel: "Just ask."
Angor raised his head, taking advantage of Fan Butler's interlude to get the pen and paper, and asked about the limit of writing.
"Extraordinary props can be created, but there are strict requirements." Fan Steward was not surprised by Angel's question. When creating props with words, one would definitely think of creating extraordinary props. This is human nature.
Angel: "What request?"
Fan Steward: "First, you need to use the special paper made by Master Eya to write. Only special paper can carry extraordinary power. The current white paper can only write on ordinary things."
"Second, you can't directly describe extraordinary props, you have to be detailed enough to describe each material."
In other words, only if you have an understanding of supernatural materials, and you need enough alchemy knowledge, through the matching of materials, you can finally create supernatural props.It sounds troublesome, but in fact... it is indeed troublesome.
This is equivalent to using words to describe various materials, and then using the written materials to make gold.If you have the skill, you can just use materials to make gold directly...
Moreover, the products of text alchemy cannot last long, because it is made of text and paper, which is very fragile, and will turn into paper ashes after the power attached to it is exhausted.
These restrictions made the text creation of extraordinary props very harsh.
Of course, text alchemy props also have their unique features, but the restrictions are too large, and various troublesome operations are too discouraging.
"As for, is it possible to create living things?" Steward Fan shook his head: "Not here. The creation of living things involves the laws of life, as well as the refining of life, and requires the cooperation of very high-standard laboratories. There are also strict restrictions on living creatures. But here, it’s just a dragon banquet kitchen.”
Through Fan Steward’s answer, we can know that the creation of living creatures seems to have been developed by Eya, but it is also extremely limited, and the facilities here are too low-level to support the birth of living creatures.
From this point of view, so many years of study by the secret secretary Long is not in vain. Compared with the "Secret Collection of Books" initially developed by Laplace, it has indeed made great progress.
Butler Fan didn't know that Angor was asking for Laplace, and thought that Angor was interested in these special text creations, so he said: "If you are interested in the living things created by text, I can Bring a finished product and show it to Mr.
Angel nodded without hesitation: This is the creation of life, how could he not be interested?
Steward Fan nodded, and handed the pen and paper to Angel first: "Please wait a moment, I will go to the observation room and bring the writing creature over."
(End of this chapter)
As Angel entered the painting, the door slowly began to close.
Seeing that the door in the painting was about to disappear, Mo Lian suddenly stood up from her seat and walked towards the door.
Ea: "Morian?"
Jasmine settled down, then turned her head and said indifferently: "You can discuss the deployment details yourself. Anyway, these details will have to be revised after all the people from all ethnic groups have gathered. It is useless to listen to the draft version of the deployment plan."
"As for me, Shishen is with Shishen. I haven't seen Fan for a long time. I still miss him."
After Jasmine finished speaking, she walked into the door.
And the moment she entered the door, Eya murmured in her ear: "I didn't hear that you and Fan had any communication...just tell me if you want to drink Berman's blood wine."
Mo Lian paused for a moment. She wanted to refute, but the door in the painting was about to disappear. In the end, she didn't say anything, and walked into the door before it closed.
With the closing of the door, the rippling oil painting slowly returned to normal.
In the original oil painting, there was only an empty dining table and Steward Fan; but in the current oil painting, there are three figures sitting in front of the dining table.
These three were Angel, Laplace, and Molly Ann.
Steward Fan was also in the painting, but instead of staying at the table, he slowly walked closer.
When Butler Fan came to the edge of the screen, he slowly drew the curtains. The red curtains covered the dining room and at the same time, covered the entire screen.
In the oil painting, everyone has disappeared, leaving only a curtain.
As the "curtain" of the oil painting covered, the attention of everyone in the cloud cave was slowly drawn back, but no one spoke.
After a long time, Prophet Jota took the lead to break the silence: "Mr. Angel...is the refiner of the logger?"
Previously, in the conversation between Eya and Angel, although there was no question about naming names, everyone understood the implied meaning.
Even if Angel is not a refiner, he is still a core figure related to the refinement of the logger.
Facing Jota's inquiry, Gleipnir frowned slightly and remained silent.
Jota: "I see, I was abrupt."
Jota took back her words, but everyone present was not stupid. Although Gleipnir didn't answer anything, her silence was actually a kind of tacit consent.
Angel is most likely the maker of the logger... No wonder, he will become one of the founders of Dream Mirror.
If you continue to think about it, will the refiner be the creator of the Dream Crystal?This is not impossible, after all, it is absolutely impossible to refine the logger without understanding the Dream Crystal.
If Angel is really the creator of Dream Crystal...
Everyone's thoughts began to float.
However, before their thoughts settled down, Eya brought them back to reality: "It doesn't matter who is the refiner now. You just need to know that the refiner comes from the 'Dream Mirror', it is me The dream mirror where the teacher is."
Eya deliberately pointed out "teacher", and his words of respect are not only to express his attitude, but also to warn Jota and others not to engage in some small actions.
"The more important thing now is how to deal with the doomed puppets. The Dream Mirror Clan has provided a very good plan. What we have to do now is to refine this plan and solve the problems that may be encountered in it."
Eya brought everyone's thoughts back on track.
Jota didn't dare to think about anything at this time, and the little Jiujiu in his heart was intimidated by Eya's eyes until he disappeared.Abandoning unnecessary thoughts, Jota finally began to exert the wisdom of the "prophet" and seriously perfected the control plan.
……
On the other side, among the oil paintings.
After everyone sat down, Steward Fan drew the curtains, returned to the dining table, bowed and said, "Everyone wait a moment, I'll go upstairs and invite Avicator down."
After finishing speaking, Steward Fan walked into the side passage.
After Steward Fan left, Angel slowly looked around.
It's not the first time he has come to the painting space, but this painting space is still a little different from Feng's magic painting space before.
The space of Feng's magic painting is almost indistinguishable from reality. The sun, moon and stars hang high in the sky, the lonely trees in the fields, and all creatures and creatures are real. Even the wind and rain are no different from the outside world.
Even if Angel used the Eye of Narda to observe, he still couldn't realize that this place was in the painting.
To sum it up in one word, Feng's magic painting space is the real "world in the painting".
And now the space in the painting they are in looks extremely real, but once you carefully observe the surrounding things, all kinds of strange information will emerge from those things.
For example, when he looked at the candlestick on the dining table, a row of text information appeared in his mind unconsciously: "Twig Candlestick: Candlestick made of waste copper, because it has been burned by the high temperature of the candle for a long time, the waste Irregular patina spots appear on the copper. The pattern carved on the candlestick is a vine pattern, and the patina spots are soaked in the vine pattern, as if a long branch has sprouted new leaves."
Not only the candlesticks, but also the tableware next to it: "Telou tableware: the tableware made of fine white porcelain is the favorite of the Turu nobles; especially the teapot full of curves, like the head of a Telou girl, is loved by the Turu nobles. Cherish it. Even the gold pattern outlined on it looks like a girl's innocent smile, which makes people happy."
Similarly, the dining table also has a detailed description, including the specific wood used, the length, width and height, and so on...
If you carefully observe the surroundings, any item, as long as you stare at it for a long time, a similar text message will definitely appear.
These textual information describe in detail the shape, material, and function of this item...
This feeling is indistinguishable from the magic painting space.
However, as Angel observed the food around him, he also discovered that only the objects in the painting would be prompted with text information; and the objects brought in by their group of outsiders, staring carefully, would not produce any text.
For example, Angor's robe, he stared at it for a long time, but there was no information.
While Angel was staring at the robe, a voice rang in his ears: "Foreign things, whether they are living or dead, words will not appear in the mind."
Angel looked up, and it was Molly Ann who was sitting opposite.
Angel was a little surprised when Jasmine followed her before. However, this is the Dragon Banquet hosted by Secretary Long, after all, and it is his freedom to invite whoever he wants to eat.
In addition, after Jasmine came in, she just sat on the sidelines and meditated without disturbing them, so Angel didn't pay much attention.
It wasn't until Jasmine spoke that Angel turned his attention to her.
Perhaps seeing that there was doubt in Angel's eyes, or because he stayed here foolishly and had nothing else to do, Jasmine simply explained Angel's doubts: "Everything here is actually made up of words."
"Including the oil paintings we see outside, in fact, they look like pictures, but when Eya created it, it was a written text."
In other words, the words written by Eya turned into physical pictures, and what appeared outside was "oil painting".
In fact, here is essentially a space created by words.
Because of this, all the things Angor sees here will appear text information, in fact, because their original form is "a piece of text", but with the special ability of the secret secretary dragon, the text is concretized to become real.
That's why, as soon as Angel entered here, he felt different from the magic painting space.
Because one is the space in the painting, and the other is the text space.
It is impossible to evaluate which of the two wins and loses; but I have to say that this text space is quite interesting.
"So, these "favorite tableware of the Turu nobles" did not appear out of thin air, but were described by Eya word by word when he wrote this text? " Angor pointed to the tableware in front of him and asked curiously.
Molly Ann nodded, then shook her head again: "It is true that these tableware are described word by word, but it is not necessarily what Eya described."
"Ea just constructed this space, he set up a skeleton; and the work of filling the skeleton with flesh and blood was partly done by himself, but also with the help of others."
Mo Lian stood up at this moment, and walked towards a cabinet next to her in a curvaceous posture.
Opening the cabinet door, Molly Ann took out a stack of papers and a pen from inside; these papers and pens did not have any written descriptions, presumably they were brought in from the outside world.
After picking up the pen and paper, Molly Ann sat back at the dining table again: "It's like this."
In front of Angel and Laplace, Jasmine picked up a pen and wrote a line of words on the white paper: "A pair of pure white silk gloves for women, embroidered on the silk surface with a special embroidery method. The pattern of crow feathers, the entrance of the glove, the fluffy lace with wood shavings."
With the writing of Molly Ann's pen, the white paper disappeared in front of everyone's eyes, replaced by a pair of white lace gloves.
Mo Lian looked at the glove, put it on her hand with satisfaction, and then looked up at Angel: "That's how it works."
"The items here may not all be described by Eya, but may also be supplemented by others, for example... Steward Fan."
As soon as Mo Li'an finished speaking, Fan Steward's voice came over: "Yes, Your Excellency Mo Li'an is right, the tableware was indeed written by me. The main body is only a skeleton, and the details of the flesh and blood are naturally left to us. Take over."
Butler Fan walked in from the passage on the side.
Mo Lian looked over, and specifically looked behind Fan Butler, it was empty and there was no one there.
"Where's Avicator?" Morian asked puzzled.
Butler Fan: "Avicato went to the backyard to pick some fruit, come here right away."
After a pause, Steward Fan turned his head and explained to Angel and Laplace: "Avicato is the chef of the Dragon Banquet."
Angel nodded. Originally, he thought that the space in the painting was so large, not only the second floor, but also other residents; but now, knowing that this is a text space, it is normal for the space to be huge .Beginning with the sentence "This is a huge castle", you can build a huge space.
"Avicato won't be here in a while." Fan Butler: "While waiting, if guests are interested in text props, they can also try to create text."
Angel was really curious about this kind of text "prop", and when Steward Fan mentioned it, he agreed without hesitation.
Laplace, on the other hand, has no interest in it.
Because, the ability of this kind of text space was actually developed by Laplace to help Eya.
According to Laplace's narration in the psychic belt, this ability is a derivative ability of the "Book of Time" talent of the mysterious dragon, and it was also developed by Laplace to help Eya. It is called "Secret of the Book". ".
At that time, when Eya first developed "Secrets in the Book", it took a long essay to construct some gadgets, and they were still illusory gadgets.
But now, Eya directly created the "painting", constructed the skeleton, and filled it with flesh and blood. It can be written in one sentence, which is enough to explain the progress of his ability.
However, no matter how advanced the ability is, the essence is still a "secret treasure in the book". Laplace had already seen it before, so he was naturally much less interested.
"Having said that, back then, Eya planned to develop the ability of 'Secrets in the Book' to a level where he could create extraordinary props and creatures with just one word. I don't know if he has reached this level now." Plath sighed in the psyche.
Angel: "Just ask."
Angor raised his head, taking advantage of Fan Butler's interlude to get the pen and paper, and asked about the limit of writing.
"Extraordinary props can be created, but there are strict requirements." Fan Steward was not surprised by Angel's question. When creating props with words, one would definitely think of creating extraordinary props. This is human nature.
Angel: "What request?"
Fan Steward: "First, you need to use the special paper made by Master Eya to write. Only special paper can carry extraordinary power. The current white paper can only write on ordinary things."
"Second, you can't directly describe extraordinary props, you have to be detailed enough to describe each material."
In other words, only if you have an understanding of supernatural materials, and you need enough alchemy knowledge, through the matching of materials, you can finally create supernatural props.It sounds troublesome, but in fact... it is indeed troublesome.
This is equivalent to using words to describe various materials, and then using the written materials to make gold.If you have the skill, you can just use materials to make gold directly...
Moreover, the products of text alchemy cannot last long, because it is made of text and paper, which is very fragile, and will turn into paper ashes after the power attached to it is exhausted.
These restrictions made the text creation of extraordinary props very harsh.
Of course, text alchemy props also have their unique features, but the restrictions are too large, and various troublesome operations are too discouraging.
"As for, is it possible to create living things?" Steward Fan shook his head: "Not here. The creation of living things involves the laws of life, as well as the refining of life, and requires the cooperation of very high-standard laboratories. There are also strict restrictions on living creatures. But here, it’s just a dragon banquet kitchen.”
Through Fan Steward’s answer, we can know that the creation of living creatures seems to have been developed by Eya, but it is also extremely limited, and the facilities here are too low-level to support the birth of living creatures.
From this point of view, so many years of study by the secret secretary Long is not in vain. Compared with the "Secret Collection of Books" initially developed by Laplace, it has indeed made great progress.
Butler Fan didn't know that Angor was asking for Laplace, and thought that Angor was interested in these special text creations, so he said: "If you are interested in the living things created by text, I can Bring a finished product and show it to Mr.
Angel nodded without hesitation: This is the creation of life, how could he not be interested?
Steward Fan nodded, and handed the pen and paper to Angel first: "Please wait a moment, I will go to the observation room and bring the writing creature over."
(End of this chapter)
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