Hyperdimensional Warlock

Chapter 1890
What she meant, presumably, was that she hoped that Flafell would continue to sing "Praying for the Sea".

And this rose is a gift in exchange.

Facing the little girl's flattery and sending flowers, Flafell smiled slightly in his heart.It's not impossible to continue singing, just to get Jon's nod.

After all, it was Jon who played the accompaniment.

Thinking of this, Flafell turned to look at Jon, wanting to ask what Jon meant.

Before Flafell could speak, Jon nodded slightly: "I understand, let's continue singing. It just so happens that Shanny is going to learn this aria later, so let her get acquainted with it first."

A grateful smile appeared on Flafell's face.

In the next second, the melody of the second aria of "Praying for the Sea" played by Jon sounded, and in just a few seconds, it changed from a gentle drizzle to a torrential rain.

For beginners in singing like Shanny, it is very difficult to get into the mood of the music so quickly.But for Flafell, it was very simple.

I saw Flafer closed her eyes and pondered for two seconds. When she opened her eyes again, her eyes suddenly changed, their sharpness was restrained, and their edges and corners were smoothed. A fisherwoman waiting for her husband to return.

The music entered the aria, and the poignant voice instantly pulled everyone into another time and space.

Fairy Mengzhi was afraid at first that Flafell would not understand what she meant, but now she felt Flafele's full-on aura performance, and the tightened core of life was beating again.

The second aria of "Praying for the Sea" is also named "To Hear the Bad News".It tells the story of a fellow villager returning from the sea after a night of hurricane and storm, telling the fisherwoman who has been worried all day that her husband is missing.They found the canoe capsized at sea, which belonged to her husband.

After hearing the bad news of her lover, the fisherwoman felt her whole world collapsed.

Therefore, the second aria is the saddest among the five arias of "Praying for the Sea".And this kind of sad emotion has different levels.At the beginning, the storm was full of apprehension and worry; later, when I heard the bad news, it was a bolt from the blue; and then I had no choice but to accept the reality, which was depression and hopelessness.

Although the piano accompaniment can play a role in setting off the atmosphere, this is an opera after all, and the greatest emotional expression still needs to be completed by Flafer.

This is not a simple aria. It is a test of the actor's skill to sing multiple sad emotions and make the listeners empathize.

As far as Jon knows, the only person in Chuxin City who can fully interpret this aria is Flafell.

It was the same this time, Fleurfel still perfectly interpreted "Hearing the Bad News", and everyone was immersed in her libretto.Even Yada and Sunny originally wanted to focus on the little girl and guard against her petty tricks, but they were also attracted by Flafell's performance, and were firmly grasped by the music atmosphere created. , A little extra attention can't be separated.

It wasn't until the second aria slowly ended that everyone recovered a little bit.At this time, Yada was also thinking, and focused on the outsider.

Perhaps it was because there was a gap between the second verse and the third verse at this time, and the pocket-sized little girl also calmed down a little, but her eyes were red with tears, and she was obviously still immersed in the atmosphere of the song.

Looking at this scene, Yada finally understood what Jon's mentor once said: good music is a heart-to-heart communication, and it is the only language that will not cause barriers.

This is indeed the case, even though the little girl of the foreign race did not understand the libretto of Flafell, but she felt the meaning conveyed by the song, and this was the only way to infect her emotions without relying on the lyrics.

When the third verse of "Praying for the Sea" was about to start, Yada noticed that the little girl made a strange movement.

She stretched out her hand, and a green light surrounded her hand. After a while, a tree suddenly appeared in her palm.

To be precise, it is the projection of a tree.

When Yada was wondering what the projection of the big tree was, he saw the little girl move her mouth, as if she was talking to the tree.

When Yada turned her head to look again, she had already put away the projector, and looked at Flafell again in a daze.

At the same time, the accompaniment of the third aria "Song of the Siren" officially started!
As soon as the siren song started, the accompaniment reached a climax, as if it had come to the sea that was invaded by a hurricane.Just a few surging notes pulled everyone into the time and space of music again.

Yada didn't pay attention to the little girl at this time, because the little girl, like him, was addicted to the world of praying for the sea.

The third chorus is written from the perspective of the husband of the fisherwoman, telling what happened to the fisherman on that hurricane night.From being unyielding and unyielding, to fighting the sea, and finally being constrained by reality, being overturned by the waves and sinking to the bottom of the sea, and finally being captured by the sea monster and becoming a prisoner...

This section is the climax of "Praying for the Sea", which not only shows the strength and tenacity of a man, but also has the charm and terror of a sea monster.Coupled with the silence of falling into the deep sea, it can be said that the mood of the entire aria is constantly fluctuating.This aria is also a test of the singer's ability. If the singer is not strong, it is easy for the audience to lose the time and space of the music in the rapid emotional ups and downs, resulting in imperfect performance.

It is naturally impossible for Flafell to make such a low-level mistake. Even when she sings to the silent deep sea, she can firmly grasp the hearts of the audience.

The whole aria is like an epic scroll, even if Yada has listened to it many times, she will still be impressed by this aria.

At the end of the third chorus, Yada once again set his sights on the girl of the foreign race, which surprised him.

One, two, three... twelve? !
There was only one girl from another race before, but now, beside that girl from another race, a total of twelve other races with different shapes gathered!
There are men and women, the big ones are more than one meter high, and the small ones are as big as a palm.All alien races are beautiful, just like the legendary elves.

However, Yada is not concerned about their appearance, but...

Why are there so many alien races here?
Yada couldn't help but want to see what other people had to say, but Flafer was immersed in the song, and Jon was also playing. Only Shanni looked at him with the same doubts.

What the hell is going on with these aliens?

While Yada was still in doubt, the fourth aria also started.

The fourth stanza, "Sorrowful Encounter", tells the story of a fisherwoman who goes to sea alone, experiences many hardships, and finally meets her husband.

Although the plot is single, it is also one of the climax of "Praying for the Sea".

After Flafell finished singing, Yada looked at the group of aliens. Their expressions were the same as those of the first pocket girls, and they were all placed on Flafele in a daze.

That fascinated expression is almost like looking at a goddess.

As for the fifth aria, which is also the last aria, what Flafell just sang is "Goddess Blessing".The goddess of the sea was moved by their love, so that the dying fishermen's couple became healthy again and bestowed blessings on them.

In the end, "Praying for the Sea" ended with a perfect ending.

(End of this chapter)