Hyperdimensional Warlock

Chapter 1857 Room Distribution
Angel carefully looked at it for a long time, but he didn't understand what these irrelevant and incomplete magic patterns were trying to express.

Also, why is it engraved on such a piece of armor?

Angor didn't understand the significance of the existence of this armor for a while. After thinking about it, he decided to put it aside for the time being and find the laboratory first.

As for the abnormality of this strange armor, if you still can't figure it out later, you can ask the tree spirit.

Thinking of this, Angel took a deep look at the armor blocking the road, then bypassed it and continued walking.

Because of the appearance of the armor, Angel has determined that this road is different from the one that made him "circle" before, and he will definitely not let him walk for more than ten minutes without finding the end.

This was indeed the case, Angel walked about twenty steps forward, and saw a downward staircase.

This is a staircase winding down like a entangled snake. When Angel went down to the first bend, he saw a door.

When approaching the door, the candlesticks on both sides of the door were immediately lit.

Angor was worried about another linkage mechanism, so he checked the candlesticks, and found that the two candlesticks were not filled with lamp oil, but a metal ball, which looked very rough, like a semi-finished product of alchemy.

After using the Eye of Narda to identify it, Angel confirmed that the metal lump was indeed a product of alchemy, and it was made of dead phosphorite.

The characteristic of dead phosphorite is that when it senses the breath of a living person, it will emit a faint light like phosphorous fire.

Similar to the situation of this candlestick, the metal round probably sensed the breath of life from Angel's body, and then began to emit light.

Unlike the previous candlesticks, this one is not a mechanism.

After confirming that it was not an institution, Angel took a look at the door.Although decorated with various patterns, this door is just an ordinary iron door.

There is a brass door plate on the door, which reads in official letters: drawing room.

Below the living room, there is a row of very beautiful cursive characters: "Although it is used for receiving guests, there are not many guests who are eligible for me to meet."

It can be seen from the lines that the person who left the message is definitely a proud person.

Angel guessed that this might have been left by the previous relic occupant Tizarro.

Angel used his spiritual tentacles to explore the inside of the iron door. Just like the introduction on the door plate, there is a very simple living room inside. Behind the red curtains, you can see long tables, Chinese chairs, and various It looks clean, but it is estimated that the drinking utensils have not been washed for hundreds of years.

Angel entered the living room and walked around, making sure that there was no energy feedback or traps in the room, and then walked out.

After walking out of the living room, Angel continued to walk down.On the next floor, there was still a door. After Angel arrived, the candlestick lit up again.

Through the light, it can be clearly seen that the bronze plaque on the door reads: study room.

At the same time, there is also a row of cursive characters under the study: "I don't need a bedroom, but I want a study where no one can disturb me."

"This is the study room?" Angel looked in through the door with his mental power, and there were indeed rows of tall bookshelves behind the door.

The feedback of mental power is not dangerous.So, Angel pushed open the door and walked in.

There is indeed no danger inside, the bookshelves are neatly arranged, but they are basically empty.There was a desk directly in front of it. When Angel approached, the candlestick on the desk lit up directly, presumably it was the alchemy product of Phosphorite.

There is a pen holder with ink and blank paper on the desk, all of which are neatly arranged. It seems that someone has deliberately cleaned the relic before sealing it up.

The shape of the bookshelf is a bit like the bookshelf of the library on the cloud, and there are even special magic lines to restrict people from reading books. Only those who meet the conditions can activate the magic lines.

However, now the magic pattern has no energy supply, and the mechanism has been cleared and no longer takes effect.Moreover, there are no important books on the bookshelves, only a few mortal works.

Angel walked around, confirmed that there was nothing abnormal in the study, and continued to walk down the stairs.

To Angel's surprise, when he reached the third basement level of the stairs, it came to an end.

This third basement floor is also different from before. There are two opposite doors here.There is a door on the left, and the bronze plate on the door reads: material library.

The lower row of cursive characters reads: "The material library is so large, it is better to expand the laboratory."

Angel looked at the writing and basically confirmed that the person who left the writing must be Tizarro, because according to the tree spirit, there are only two people who occupy this ruins and live there for a long time, and regard themselves as their masters.

One is the original builder of the ruins, and the other is Tizarro.

The swashbuckling characters on the bronze medal are obviously a complaint against the people who built the ruins.This also shows that the cursive characters must have been left by Tizarro.

Angel did not check the situation of the material library immediately, but turned his head and looked at the door directly opposite the material library.According to Tizarlo's complaints, Angel has basically determined that this door should be the laboratory.

Sure enough, there was a bronze plaque hanging on the iron gate, which read: Laboratory.

Below the laboratory, there is also Tizarlo's cursive characters, but this time it is not a complaint, but a very short line of words: "Please do not enter!"

The bright red font shows Tizarro's attitude towards the laboratory, which is obviously different from other rooms.

This is probably what Tizarro attaches the most importance to.

Angor looked at the laboratory, then at the material library, and finally decided to go to the material library first.After all, Tizarro attaches so much importance to the laboratory, which means that there may be traps in it.

Pushing away the material library, what comes into view is not a room, but a huge space.

As Tizarlo complained, this material library is surprisingly large.

It is like a huge cave, no matter in height or width, it is several times larger than other rooms, comparable to a medium-sized square.

In front of Angel is a staircase going down, which can reach the bottom of this space.

When he reached the bottom, Angel confirmed that this might really be a natural underground cave.Because he saw a lot of stalactites, but the tops of these stalactites that emerged from the ground were cut off and transformed into tables and display stands.

Angel casually took a closer look, and found that there was writing on the side of the display stand near him.

Not swashbuckling, but very formal characters: secret financial gold.

Secret financial gold is a special magic material.

This display stand is written with secret financial gold, which means... this was once the place where secret financial gold was placed?

Angel took another look at the other display stands, and sure enough, the names of various materials were written on them, presumably it used to be the place where magic materials were placed.However, it is now empty.

Angor walked around the material library and understood why the material library is so large, because there is a miniature woodland here for placing magic plants; there is also a thermal melting zone that simulates a volcanic environment, where various fire system Materials... Vacuum areas, frozen areas, desertified areas, artificial lakes, etc., divide the material library into countless parts.

It can be said that this is a very comprehensive miniature ecological material library.

(End of this chapter)