I am a writer in Tokyo

During this time, people at Ito Tavern discovered that there was an extra boy next to Kitajima Koma.

Kitajima doesn't look very old, but he has a little tail behind his back, which makes people look a little funny.

After several inquiries, I couldn't help but sincerely admire Bei Daoju. Saving a man who was about to die was considered a big event.

Yamaguchi Seiichi doesn't understand much about this. In his mind, he is now a lonely ghost in this world. Without Ren's company, it is no different from being in hell, so it doesn't matter whether he dies or not. Any difference.

This is a kind of indifference to life, without any plan, and it is fundamentally different from the kind of just hanging around and waiting to die.

Zi Zi came to Ito Tavern today to look for Kitajima. When she first entered the shop, the book in her arms fell all over the floor. The surprised diners around her rushed to pick it up for her.

Through the shop door that has not yet been closed, the snowflakes outside gradually begin to melt, mourning the departure of winter.

It seems that this winter has not been very peaceful, just like last year.

Recalling last winter, a huge migration triggered by someone's book even made this dying old man named Neon move a little.

But this winter has made everyone re-examine their souls.

The distance between life and ideals is huge and full of insurmountable gaps. So how to bridge this gap? Maybe Kazuki Xiaoyuan gave a good answer. Let’s learn from his two protagonists. Generally speaking, as long as they die, the relationship between them may be Thoughts and feelings are elevated to a level that is difficult to reach.

How high? There shouldn't be any building that can match the height, but unlike Snow Country, you can go there if you have time. Maybe there will be your favorite geisha there, but Lost Paradise cannot be visited by ordinary people, and it will never be crowded. Damn it if you squeeze in time.

Xiaoyuan Yishu's new book, which everyone had originally criticized, once again miraculously smeared everyone's face. Not only the readers but also the writers working for other publishing houses were suddenly amazed. It turns out that books can still be written like this. Writing the most explicit things can actually be called art.

Amidst the exclamations one after another, that man became a dark cloud hanging over all literati. Anyone who wanted to publish a book had to see if he would bump into this guy. However, according to Xinchao, there will be no works from Xiaoyuan Kazuki for at least the next six months. All their thoughts are on how to operate the neon-named "Paradise Lost".

"Zi Zi, Mr. Bei Dao should not be able to write books for the time being, but I think it is appropriate for you, as his student, to prove your academic progress." Oshima Kazuya handed Zi Zi a book and tried to A little aside. Ye Zi was a little hesitant, not sure whether to take the notebook from Teacher Oshima's hand. She had heard that there was an editor in Xinchao who would not let go of any opportunity as he urged manuscripts to be published. "Teacher Oshima, this...I..." Ye Zi hesitated for a long time, not even able to utter a complete sentence.

Oshima Kazuya was instantly discouraged, put the notebook in his hand into Ye Zi's arms, and then sat back on the bar with a melancholy look on his face. Editor-in-chief Kashiwagi has spoken to him. Since the main goal this year is to use the book "Paradise Lost", before this book does not win any awards, I hope Kitajima can get a good rest period. The things he has written in the past year are very good, but Editor-in-Chief Kashiwagi feels that good things still need to be brewed.

However, not allowing him to push for manuscripts is equivalent to completely depriving him of everything. If this is the case, then isn't it equivalent to wasting his time. Oshima Kazuya thought this way and drank the wine in the cup in one gulp. I don’t know where Mr. Matsubayashi has been recently. As for Ito Hatsudai, he is now rotating to the school review department. Bored, he had no choice but to tell Yuriko his grievances.

Ye Zi avoided Kazuya Oshima who was teasing Yuriko, pulled out a chair in front of Yamaguchi Seiichi and sat down. After taking off her scarf and exhaling a few breaths of hot air, she tried to organize her words: "I think you must be here now. It’s so sad, if you can, can you talk to me?”

Yamaguchi Zhengyi raised his head and glanced at Ye Zi, without saying anything, and lowered his head again.

Ye Zi didn't think there was anything wrong. She was in the same situation before, and her psychological defense would be very high, so high that no one would respond to her words. But with the help of the teacher, and of course, after experiencing the godfather incident, she had a new definition of life.

"Why don't we talk about the situation around us first." Ye Zi thought for a while, but didn't mean to force it. Instead, he started to tell his own story. She did not directly talk about the story of helping a child find his parents, but talked about her childhood that was pickled by suffering.

The air was full of the smell of teriyaki juice being dried by charcoal fire, and some smoke that had not been discharged in time was sent to the tip of the nose along the cattail leaf fan in Boss Ito's hand. At this time, I had a slight cough, if I was inhaling it.

It was not very cold in the room. On the contrary, the crackling sound of the charcoal fire was accompanied by the friction of the heater back and forth on the face, causing a blush on the cheeks.

Yamaguchi Seiichi never thought that the girl in front of him would have such a miserable childhood. When he wanted to say something, he didn't know where to start. It seemed that compared with her life, his own death-seeking behavior was like a The comical performance was to demonstrate the love that even Kazuki Koin denied could exist in reality.

"Ye Zi is a strong and good boy." Boss Ito handed over the chicken and oysters that had just been roasted, stood aside and smiled at Ye Zi, and then he looked at Yamaguchi Seiichi without saying anything.

In his opinion, people who are about to starve to death for a mouthful of food are still trying to survive. This boy is just seeking death because he has not seen him for the last time. love? How much is that thing worth? Even if the two of them fall in love again, they will still have conflicts over trivial things later on.

He doesn't know about the so-called high-end things, but he just knows that since he is married, two people are supporting him to live a life together. If he misses it, then it's okay, just live well. As for those things about life and death, leave it to those who write People who read books should think about it. If everyone writes books, will they starve to death? (End of chapter)