Law Enforcer's Handbook

Chapter 223 The Villain's Destination

After careful consideration, the crew of Keluo Film and Television Media decided to make a change.

After solving the characters and the general direction of the plot, the only test for Song Lan is acting. Chai Ke's image is different from that of a clown. In this drama, he is more like a calm and cold-blooded madman.

No matter what kind of situation you face, you will remain calm and calm, but what you do is in an extremely sharp contrast with your expression.

After establishing the general direction, he does not need to pay more attention to the specific scene design. This is the field that directors and screenwriters are best at. In terms of special effects and scene stimulation, 2166 is much better than 2020. As an industry Benchmark, even movies with few plot twists and characters lacking motivation, they can often captivate audiences with thrilling scenes.

After personally participating, Song Lan also learned the difference in the shooting method in 2166.

Almost all the scenes are synthesized by technology. You don’t need to travel around for the scene. Just stay in the studio of Keluo Film and Television Media Branch to complete almost all the shooting. The flexible use of holographic technology can make actors Immerse yourself in the scenes designed in the script.

Song Lan felt that being an actor in this era should be much easier than in the past. In the past, limited by technology, actors in many scenes had to perform without real objects. Therefore, for an excellent actor, it is necessary to substitute oneself into the role and the environment. Both are skills that must be practiced.

In 2166, advanced technology can directly omit this process, allowing actors to be in real scenes.

In addition to the main characters involved in the movie, the unimportant supporting characters and passers-by are all synthesized through technology. The crew does not need to hire a large number of extras, and only needs a few buttons to simulate the reactions of passers-by when facing different scenes. .

Song Lan feels that the shooting process is like being in another real world. The ground, sky, buildings and even the pedestrians in this world seem to be real.

Put the actors in such a world, and then directly record their lives through shooting.

The director spoke highly of Song Lan's acting skills.

Even knowing that the content of the filming is false, they still shudder at certain scenes.

They have seen many actors with superb acting skills, but they have never seen anyone similar to Song Lan. The way he conveys horror and fear does not need to go through bloody and violent scenes, but the contrast between behavior and expression.

The strong sense of contrast made them feel that they were facing two people.

This kind of horror often goes beyond the scope of the movie camera and hits their hearts directly. After several shootings, when Song Lan greeted them, they couldn't quickly distinguish whether it was Song Lan or Chai Ke in the play, so that they I have to worry about whether Song Lan will suddenly be like the villain in the play, and suddenly chug the entire crew.

This made them wonder for a while whether Song Lan was a monster in human skin, or some kind of super AI.

Thanks to holographic imaging technology, the shooting period has been greatly shortened.

In less than a week, the version about Chai Ke in the movie was shot.

"Thanks for your hard work."

On the last day of filming, the director shook hands with the actors one by one. When it came to Song Lan, he pulled each other aside and asked, "I don't know if you have any idea of ​​becoming an actor in the future? Our company really needs someone like you." people."

Who doesn't like an actor who can perform well while actively participating in script discussions?
He believed that this film could set off a wave in the current film environment. After witnessing Song Lan's acting skills, he believed that the company would definitely be willing to make him the protagonist of a certain series.

Although the entire production crew knew nothing about Song Lan's details until the end of the filming, this did not prevent him from extending an invitation to the other party.

"You can go to the core area and get better development."

"No, this time it's just because I have some friendship with Su Li."

Song Lan was conflicted.

If it weren't for Lu Xiang's strong request, he wouldn't want to get involved in this matter at all, but in their view, Chai Ke has ushered in the final ending at the end of the film.

After the explosions and the waves of fire that soar into the sky are gradually engulfed, death is the best destination for an excellent villain.

This also means that there will be no more sequels about Chai Ke.

So he strongly opposed the director and screenwriter's idea of ​​an open ending, and firmly put an end to Chai Ke's magnificent but short life in the film, and at the same time cut off the possibility of him making a comeback in the next film.

Regarding this, even though the director and screenwriter strongly objected, after witnessing Song Lan's performance, they were afraid that Song Lan would be like Chai Ke in the play, who would directly end them if they didn't agree with each other, and they had to reluctantly design the final scene.

As film and television practitioners, they never want a dignified role to die.

Especially for "enthusiastic citizens", Chai Ke, apart from being an enemy, has also brought him a great change, allowing him to no longer be in a high position and examine the crimes of this city with self-righteous eyes.

But they ended up holding back.

They dealt with Chai Ke's death in a heroic and romantic way.

In this movie, Chai Ke probably did die. However, there is a saying in the industry that death is not real death if the audience does not see the dead body with their own eyes. Even seeing a dead body sometimes may not be real. die.

They are professional in handling these issues.

Because in the huge project of a series, what they have to deal with is not only the film itself, but they often have to make certain audience favorite characters suddenly because of the schedule of some important characters or sudden personal accidents. Get lunch.

However, they often leave a way out for these lunch-bearers.

This not only allows those actors to return to the film without conflicting schedules, but also uses it as a gimmick to earn a wave of box office.

In many cases, the audience doesn't really care about the reason and method of the character's resurrection. As long as they give a reasonable reason, the audience will love it.

Song Lan didn't intend to actively participate in the post-production process. Today is a good day for him - he can finally go home.

In order to avoid being spotted by the crew, he thought of the relationship between him and the law enforcement department. During the filming, he lived in the high-end apartment next to Su Li, and tried to avoid contact with the law enforcement officers and communicate with Lu Xiang. Communication is also limited to phone calls and messages.

And today, this temporary identity created in reality to play Chai Ke is finally able to retire.

After today, even if the crew wanted to find him, it would be impossible to find him again.

Because, you can't find a person whose number has been deleted in reality.

(End of this chapter)