Open Traveler: Culture Invasion Parallel Blue Star

Chapter 120 A Thousand Miles of Rivers and Mountains, Capping Paintings!

A line of words appeared on the screen, this word is extremely wonderful.

The strokes of the characters are extremely thin, but agile and quick, and the handwriting is thin and strong, so thin without losing its flesh.

Its strokes are relatively thin and hard, so the brushwork is exposed, and traces of brushwork such as running Teton can be clearly seen. It is a font with a unique style.

Zhang Pei'en couldn't help sighing: "Good words, not inferior to Kai Sheng Cheng Qiantang in the history of Blue Star."

Calligraphy and painting, calligraphy and painting family, Zhang Peien himself is also a master of calligraphy.

Naturally you can see the good and the bad.

The thin gold body is so special, and it is easy to find its whereabouts, so it is easy to see the strong style, combined with the overall beauty, of course it is a top-level calligraphy.

The screen is switching, and a painting appears.

The painting is a silk painting with flower and bird pavilions on it.

Lin Xuan: "The characters are in thin gold style, and the paintings are in courtyard style."

"Both of these two things were invented by an ancient emperor of the Dragon Kingdom."

"He is the strongest emperor in calligraphy and painting in the history of the Dragon Kingdom, Song Huizong."

"Although he can be said to be the lowest rank among historical emperors in terms of being an emperor, but in terms of drawing and writing, he is a positive rank among historical artists."

"Song Huizong used imperial power to promote the promotion of painting art in the Song Dynasty, and painting art ushered in a peak period."

There are so many talented people in the world. There was one painter for every thousand literati in the previous dynasty, and there are two hundred painters for every thousand literati in the present.

This substantial improvement has brought about a leap in the painting art of the entire era.

Zhang Peien calmed down and nodded: "Being an emperor is first and foremost about being a good emperor, not painting. Let alone painting, being a human being is not as important as being an emperor."

After becoming an emperor, the requirements of various aspects have changed.

It is not a good thing for a great painter to emerge from the emperor.

Of course, the founding of the country is another matter.

When an artist becomes an emperor, it is easy to subjugate the country.

Lin Xuan nodded: "Song Huizong raised the social status of court painters, and personally taught talented young talents to paint and write."

"The painter of "Surfing the River During the Qingming Festival" can only be counted as half of his disciples."

"And the painter of "A Thousand Miles of Rivers and Mountains" is a serious court painter."

"That year, Wang Ximeng was 17 years old."

[Another terrific genius, 17 years old, created a masterpiece, and it must be amazing later. 】

"Wang Ximeng wanted to paint mountains and rivers, but Song Huizong allowed him to paint mountains and rivers."

"Wang Ximeng wanted the best painting silk in the world, and Song Huizong gave him the best painting silk."

"Wang Ximeng wants the best pen and ink in the world, Song Huizong and his best pen and ink."

"Wang Ximeng asked for a pigment that had never appeared in the world, and Song Huizong agreed with all the power of the country."

"Wang Ximeng returned it to Song Huizong."

Following Lin Xuan's introduction, the volume of "A Thousand Miles of Rivers and Mountains" unfolded on the long screen.

This is also the reason why this long screen is specially made today.

Thousands of miles of rivers and mountains are vivid on paper.

The picture scroll of "A Thousand Miles of Rivers and Mountains" not only represents the mileage of the development of green landscapes;

Although "A Thousand Miles of Rivers and Mountains" is a freehand work, it is not lacking in exquisite workmanship, which shows the rigorous life attitude of the young painter.

Although many paints in "A Thousand Miles of Rivers and Mountains" have been damaged and peeled off after thousands of years, the painting method is still clearly visible, and the rich effect of the mineral stone color is very prominent.

The method of painting mountains and rocks is to first outline the outline with thick and light lines, and then add soft and smooth lines of different lengths (in cun painting, first outline the outline, and then draw with light dry ink strokes). Like a lotus leaf, the lines are neither rigid nor hard, and then it is rendered with light ink and ocher or flower blue. It is dyed with azurite or stone green, and the lower part of the rocks retains the ocher color.

The top of the first volume of the mountain goes straight into the sky and comes into view.

After following, there are continuous hills and lofty mountains, and the creation of nature is reproduced by a wonderful pen.

The mountains and villages rise and fall in the foreground, the mountains across the river are beautiful, the green mountains and rivers extend towards the sides, and the Yu mountains echo each other.

The cross-river bridge connects this exquisite place with the next set of scenery.

In the mountains, there is a big hermit in white clothes, who seems to be reciting poems and shaking his head, and seems to be thinking about the mysteries of heaven and earth.

Further forward is another bridge, but the pavilion on the bridge has brought popularity to Jiangshan.

In the distance, there are vast mist and mountains, like a cave in a fairy mountain, floating and sinking in the clouds.

Cliffs, winding trails, majestic waterfalls, and surging rivers.

This beauty material is the first paragraph.

In the second section, carved beams and painted columns, the wooden bridge across the river is magnificent, with pavilions, terraces, pavilions and Hongqiao hanging in the air, and the mountains are uneven, with peaks and loops.

The shore is full of greenery, and the boatmen are boating in the river.

The third section of the painting has calmed down a little. There is a small island in the painting, where the fishing village is located, and the nearby scenery is connected.

The tall and beautiful mountain peaks protrude from the tail, and go up along the river, connecting with the distant mountains, as if extending endlessly.

Every mountain peak obviously does not look like a real mountain peak.

But in a trance, the mountains are misty, right in front of you.

The mist is mighty, among the white clouds, the mountains are like this.

Merelson took a deep breath: "The answer, sure enough, this is the answer!"

"Oh I see."

Lin Xuan has already told Merelson completely about Picasso's discussion on painting art on Earth and Stars.

These things, the vast majority of people who study painting on Earth and Planet do not have this level of understanding.

Some people may have had this kind of thinking, but they dare not think about it or make sure.

But as the top painter, Merelson knew that Lin Xuan was not lying.

Picasso went a long way on another road, but he failed to reach a new level.

It's just that Picasso's path was born to be the main path and the right path, so his status is still higher than that of Da Vinci and Van Gogh.

Like Picasso back then, Merelson had seen the truth, so he had his own thinking.

Fusion master Li Jun also had some insights, but he didn't know if he was the same as Merelson, so he said, "Master Merelson, what do you think? What do you see?"

Merelson was a little excited, pointing to the painting: "The painting already explains everything!!!"

"How to pursue intentions while abandoning morphological and color features, this painting fully embodies it!"

If an ancient man were to look directly at a car, he would think it was a rhinoceros.

But if this ancient man was a smart person, he first observed and understood the operation principle of bicycles and motorcycles, and then saw tractors, then it is not difficult to imagine what cars are all about.

Merelson is in this state right now:
"Picasso chose the wrong topic at the beginning!!!"

"If he had chosen how to paint a mountain without using realism and lightism, and at the same time express intention, he might have succeeded."

"But he chose the specific thing of cattle."

"Concrete things have specific images. No matter how different each cow is, more than 90.00% of the characteristics are the same. How to abandon the shape and painting intention?"

"However, there are so many abnormal things in the world!"

"Water has no normality, mountains have no normality, fire has no normality, leaves have no normality, flowers have no normality, clouds have no normality, fog have no normality..."

"There are no two identical mountains, no two identical flames, and no two identical leaves."

"It is only necessary to use a brush to express the commonality of these things, and the rest of the things only need to be imagined by those who look at the paintings."

"The atmosphere that guides others to make up their minds is the intention!!!"

Lin Xuan nodded: "That's right."

"The word is called freehand."

"The artist ignores the external verisimilitude of the artistic image, but emphasizes the artistic creation tendency and technique of the inner spiritual essence expression."

"Originally originated from painting, it arose in the Northern Song Dynasty. It is required to have some connotation and implication in the image, so that "image" has the function of expressing meaning or become a means of expressing meaning. Freehand brushwork has also become the artistic aesthetic focus of Longguo (including Earth, Star and Blue Star). A sign of a conscious turn towards subjectivity.”

Freehand brushwork is a very indescribable thing, and it is difficult for foreigners to understand it.

But as a master of Impressionism (Light School), after seeing Cubism and many ancient paintings of the Dragon Kingdom, and getting the analysis method, Merelson understood.

The pinnacle of art is freehand brushwork.

But freehand brushwork is easy to say, but difficult to do.

Freehand brushwork also needs elegance, realness, etherealness, and many, many things.

One piece after another, it is realistic anyway.

The gunman of Emperor Qianlong helped him write the line "fly into the flowers and you will not see it", a waste doggerel, which instantly became a representative poem of the freehand brushwork.

Of course, Qianlong didn't know that his shooter was also a plagiarist, plagiarizing Zheng Banqiao's "one piece, two pieces, three or four pieces...fly into the plum blossom and never disappear."

Freehand brushwork is just like this, a magical pen that turns decay into magic.

But if it's not the stroke of genius, it's decay itself.

Freehand brushwork means that you have to give up everything you are familiar with now, and go for a illusory one.

If it succeeds, it is enlightenment, enlightenment, peach blossom flying fairy in the gate of heaven.

If it fails, it fails.

At this moment, Merelson wished that there would be paper, pen and canvas on the scene, so that he could immediately practice the true knowledge he had obtained.

Li Jun shook his head: "Master Merelson, your analysis is wrong."

Lin Xuan stared at him on stage, but luckily the broadcast camera was on Li Jun, and no one saw this scene.

I worked so hard to finally pass things down.

What are you going to do?

Are you sure you have invited your own people?
Han Yang is sure this is one of his own?
Merelson: "Oh? Lee, what do you think?"

Li Jun: "Actually, you started to understand halfway, and you understood the result."

"That's not actually the case."

"You only talked about how you got to Xieyi now, but you didn't talk about how you obtained the qualification to understand Xieyi."

Merelson patted his forehead: "Yes, but...it's hard to describe."

Li Jun: "It's actually very easy to understand. When I was a child, my teacher gave me a good way to study."

"Read thick books first, and then read thin books."

Merelson didn't quite understand what the translator said: "What do you mean?"

Li Jun casually took out a book he was carrying: "It's like this "Outline of Traditional Chinese Painting"... This is what I plan to ask Master Zhang Peien to sign and give to the students... I won't talk about it."

Zhang Peien stared: You obviously said it on purpose, lest I not sign it for a while, right?

Li Jun: "This book has a total of 17 words."

"If you want to read it thickly, you need to find a lot of information related to it."

"After searching, I expect at least 300 million words."

"Using it as a framework in the process of learning these 17 characters, and understanding all the relevant materials of 300 million characters, that is a thick reading."

Merelson was very interested in hearing this, and now Merelson feels that everything in Dragon Kingdom is very interesting and interested in everything:
"Interesting and interesting, how do you read the book?"

Li Jun: "After reading the content of 300 million words, go back and sort out your knowledge, and cross out the complicated and easy-to-understand things."

"Leave the important, classic, and knowledge that you don't understand, and learn it later."

"At this point, the 10,000+ characters have been completely crossed out, leaving only a few thousand characters."

"This is reading the book too thin."

Merelson suddenly realized:

"I see, you mean, I've learned almost all the painting skills I should learn, and then going directly to understand Xiyi is just overcoming difficulties."

"Ordinary painters or apprentices simply don't have the ability to get in touch with freehand brushwork. If you go directly to learn freehand brushwork, that's..."

Li Jun added: "It's a waste of time to fetch water from the bamboo basket."

Merelson nodded hastily: "This metaphor is interesting, that's it, you can't learn anything by using a fruit basket with holes to hold water."

"Therefore, one must first learn the art of painting to a certain extent, and then turn around and embark on the road of freehand brushwork."

"It's as if the painters of our light school all learned from the real school at the beginning."

"And the painters of the real school all learned sketching at the beginning."

Li Jun nodded: "This is generally the case, but something doesn't feel right..."

Lin Xuan hurriedly stopped Li Jun from continuing to talk loudly: "That's right, as for more details, it depends on one's talent and understanding."

Merelson nodded hastily: "That's right, it should be like this."

Li Jun smiled: "Yes."

Damn, Li Jun almost didn't expose Lin Xuan's conspiracy of the century.

Freehand brushwork is something that does not need to be learned in realism first, then in impressions, and then in learning.

Freehand brushwork should first learn modeling, and then learn the basic techniques of space and light, and then learn.

There is a big difference here.

Human life is limited, no one can first become a master of realism, then become a master of light, and finally become a master of freehand oil painting.

This is bullshit.

Even Picasso didn't live long enough to walk the road.

If Merelson, the master, started to bring the atmosphere of learning freehand brushwork after returning to Europe.

Everyone follows Merelson's method, and when they become qualified light painters, they will be at least six or seventy years old.

At the age of 70 or [-], the energy declines, and it will be difficult to improve to the master of freehand brushwork.

But at the same time, there are still a steady stream of freehand masters appearing in Longguo.

In this situation, what will happen?
Drawing Arts Center Moves!

No matter in essence, in terms of public opinion, or in terms of inheritance, they will all be moved to the Dragon Kingdom.

In the future, if Lan Xing learns painting, if he wants to become a master, he must come to Long Guo to learn!
During the music chapter, Lin Xuan realized this problem when he saw the attitudes of musicians living in seclusion all over the world towards concert halls.

Therefore, in the painting chapter, Lin Xuan took the initiative to guide in the same way.

If one day, you have to come to Longguo to learn music, painting, and everything.

The soft power of the Dragon Kingdom has already dominated the world.

At that time, the two levels were reversed, and the revival of the Dragon Kingdom was not a matter of course, but what everyone expected!

At that time, what kind of bullshit, fine rice, European fine cherry blossoms, 'Jinglong' should be spread all over Europe and North America.

Just imagine, a well-respected great painter travels thousands of miles to study painting in the Dragon Country. Of course he hopes that the Dragon Kingdom will be the best and the strongest in every aspect, otherwise why would he learn by himself?

Cultivating a "fine dragon" is the first goal of Lin Xuan's "I am a time traveler" program!

And Chinese painting!It was Lin Xuan's first knife!

(End of this chapter)