Open Traveler: Culture Invasion Parallel Blue Star
Chapter 114 The will lasts forever, the spirit is immortal!
Chapter 114 The will lasts forever, the spirit is immortal!
In the picture, Zhang Daqian smiled: "Congratulations, you have found it again!"
"If you fail to find this treasure this time, I'm afraid Brother Beihong will have sleepless nights."
Xu Beihong is serious: "The magnificence of this volume of norms is beyond the dreams of modern people. These are all great nations. The spirit inspired by the prosperity of culture is also the expression of wisdom."
"I don't own it personally, it is the treasure of all Chinese painting painters and the people of Long Kingdom!"
Zhang Daqian shook his head: "Nowadays the world is full of wars, and it hasn't ended until now. If Brother Beihong really wants to preserve this Scroll of Transforming Gods and Immortals, he will have to live for a few more years and make plans when the situation stabilizes."
Qi Baishi nodded: "That makes sense."
Xu Beihong smiled and put some pastries on the table: "Brother Baishi, try it."
"Shu-style pastries recommended by Brother Daqian."
"This is peach cake."
"This is pepper candy."
"This is longan cake, and these are the three cannons."
Qi Baishi cheerfully picked up a slice of peach cake and put it in his mouth: "Not bad."
The 84-year-old Qi Baishi is still in good health.
Xu Beihong smiled: "The last time we met together, we met again, it was 17 years ago."
"This time we meet again, it will be another ten years."
"next time……"
Qi Baishi ate a three big cannon made of glutinous rice, his teeth were very good, he chewed and swallowed it in two or three bites: "Don't look at me, I can still live."
The three looked at each other and laughed.
Qi Baishi will never be polite when it comes to eating.
And it can be said to cherish food very much.
Xu Beihong still remembers going to Qi Baishi's house ten years ago, Qi Baishi entertained him with stewed chicken, Qi Baishi's youngest son wanted to run away after eating, and Qi Baishi dragged him to drink a bowl of chicken soup, saying it was a treasure and a rare drink.
Zhang Daqian: "Hey, the old pot of Baishi was going to have another son, but it's a pity that the war was chaotic..."
When Qi Baishi was 80 years old, his concubine had a miscarriage, and Qi Baishi was heartbroken. At that time, there was war and there was nothing he could do.
Qi Baishi shook his head: "Now that the war is about to subside, I don't know if the Dragon Kingdom has a chance to return to the prosperous Tang Dynasty."
At this point in the conversation, Zhang Daqian rubbed his hands: "Speaking of the flourishing Tang Dynasty, painting the Holy Immortal Scroll... Last time I glanced at it in a hurry, but lost it. This time I have to study it carefully."
In the shot, the "87 Immortal Scroll" is slowly opening.
Lin Xuan narrated: ""87 Immortals Volume" takes Taoist figures as the theme, and depicts the grand scene of the court meeting in heaven."
"This painting is the mural on the right side. In the picture are the Eastern and Southern Immortals."
In the picture, there are three main gods, Donghua Emperor, Nanji Emperor, and Fusang Emperor, ten generals, seven male immortals, and 67 golden boys and jade girls.
The work absorbs the essence of the composition rules of traditional painting to be natural and not limited by time and space, and adopts the technique of "scattered perspective". The gods are arranged in parallel on the same eye level.
The three main gods stand in the three most visible positions in the picture, walking forward surrounded by the gods.
Clothes are fluttering, although a large number of people stand together, but the overall feeling is that all the gods and gods are filing forward, exchanging a peaceful feeling on the way.
The characters in the picture have a clear sense of spatial positioning, and the clothes and skirts cover each other, so it is easy to distinguish the distance and distance in depth.
Every character is arranged in a well-proportioned manner, there is no image independent from the crowd, and the picture has a full sense of space and rhythm.
Connect the heads of each character to form an undulating curve, forming a rhythmic picture effect.
The picture is unified but changing, regular but not rigid.
Lin Xuan continued: "The painter has fully expanded the space of his imagination. Auspicious clouds, lotus flowers, trees and other things have completely escaped the shackles of nature and appear in the same parallel picture."
"This is also the reason why in the myth of the Dragon Kingdom, the immortals fly straight while the heroes, gods and demons in other parts of the world fly sideways."
"In this composition, there is no obvious concept of heaven and earth, and all objects can also float in space."
"So, in the painter's conception, the fairyland is not above the head, but exists in a world with different rules from the ordinary world."
At this time, Zhang Daqian started to speak, Lin Xuan stopped talking immediately, and let the audience listen to Zhang Daqian's words.
Zhang Daqian: "This line drawing is of a high standard, completely and accurately embodying the four characters 'vigorous and vivid'."
"Every line is as thick as it should be, and as thin as it should be, without any mistakes."
"Strict lines correspond to the bright light, and weak lines correspond to the backlight."
"And from entering to far, the lines in the distance are more virtual, and the lines in the near are more solid."
"This kind of technique that appeared in landscape painting many years later, including the painting technique that is popular in the West now, was mastered by the master of painting more than 1000 years ago."
"Sure enough, it's worthy of being a painting saint."
"This painting can't be made by non-Tang people!"
Lin Xuan smiled: "As for the conversation against this kind of thinking, I won't show it to everyone. I will only talk about the results of their discussions."
"Painters and collectors headed by Zhang Daqian and Xu Beihong think."
"Wu Daozi absorbed folk and foreign painting styles as well as the style of Dunhuang Taoist and Buddhist paintings, and established a new national style, which is called "Wu Family Style" by the world. Under this background, Wu Daozi created many Taoist paintings. The 87 Immortal Volume may also have been born under such conditions."
"The "Song School" represented by Huang Miaozi, Yang Renkai, Xu Bangda and others believed that the painting was created in the Song Dynasty, and believed that it was a copy of "Chaoyuan Xianzhang Tu"."
"On Earth and Star, the Tang Dynasty was a war-torn dynasty earlier than the Song Dynasty, and there was a gap of several decades between the two dynasties."
"Late Tang is 200 years away from early Song."
In the video, a new scroll is fully opened.
The audience stared at the screen, and several experts on the scene also stared at the screen.
Zhang Peien shook his head: "This "Chaoyuan Immortal Battle Picture" is very similar to "87 Immortal Picture Volume", but the level is at least three grades lower."
"I guess I know what's going on."
Lin Xuan had already figured out how to explain the reason to the audience who didn't understand the painting. Hearing what Master Zhang Peien said, he said, "Then please ask Master Zhang Peien to explain it to us."
Zhang Peien: "Several of the 'Song School' you mentioned are probably just big collectors or ordinary painters whose painting skills have not reached perfection?"
Lin Xuan nodded: "Indeed."
"Then there is no problem." Zhang Pei'en: "Looking at this painting from the perspective of several historical painters, what they see is the painting skills in it. They know very well that the artist's own skills are not weaker than their own."
"More than 1000 years ago, his painting skills were not inferior to those of later generations. At that time, he must have been a well-known figure who reached the pinnacle."
"So they combined Wu Daozi's painting style and determined that this is Wu Daozi's painting."
"As for the other representatives of the Song School, they should think like this."
Zhang Peien sorted out his thoughts, and said, "They may think that because "Chaoyuan Xianzhang Tu" is a draft of a mural, the Yuanyuan painter did not draw it in the best state, but sketched it randomly."
"In this case, if someone copies, he will add his own mind when copying, refine the details by the way, and add a lot of things that are not expressed in the copying outline."
"In this way, the standard of "87 Immortals Picture Scroll" is higher than that of "Chaoyuan Immortal Battle Picture"."
"But they didn't take into account that the difference in realm between the two paintings is too far, at least three levels."
"It's like a calligrapher who didn't deliberately write calligraphy, but when he wrote letters, his level would not be three levels worse than writing calligraphy after bathing and burning incense."
"It's unlikely to be half a realm away."
Zhang Peien: "From an artist's point of view, I, like Zhang Daqian, Xu Beihong, and Qi Baishi of your earth stars, think that this is a painting of a superb figure."
"Since Wu Daozi is the only one who has this ability in the corresponding era, then this person must be Wu Daozi."
"Without any research, it is easy to determine this."
This involves a boundary problem.
In the eyes of ordinary people, Zhang Peien's traditional Chinese paintings may be the same as those painted by Li Jun, a master of Fusionism.
But if you let Li Jun see it for himself, Li Jun knows that he is far behind Zhang Peien.
And if you let Zhang Peien go to see the traditional Chinese paintings of Li Jun, a "half-practice family", you will see at a glance that this is the level of his own underage, and the gap is huge.
Standing at the foot of the mountain and looking up, Mount Hua is terrifyingly high, Mount Tai is also terrifyingly high, and even the unnamed wild mountain is very, very high.
And standing on the top of Mount Everest and looking down, I'm sorry everyone is not tall at all, everyone is a 'pit', which is sinking.
This is, vision.
Lin Xuan nodded: "It is also for this reason that the scholars of the Earth Star Dragon Kingdom generally agree with Zhang Daqian and Xu Beihong's views."
On the screen, the difference between the two paintings is still being compared.
The head crown of the fairy, "Chaoyuan Fairy Battle Picture" is just a random drawing, a straight line plus five small circles, it is the pearl head crown.
However, "87 Immortal Volume" can clearly see the relationship between distance and near, and the pearls are patchwork, very agile and elegant, not rigid at all.
For example, the bun makeup and hair of a fairy girl in music, "Chaoyuan Xianzhang Tu" is pitch black, densely packed and directly completed with arranging wires.
In "87 Immortal Volume", you can see the relationship between the front and back of the hair, it has a three-dimensional effect, and the hairstyle also has details.
As for the jade tablet on the emperor's head, "Chaoyuan Xianzhang Picture" is a rectangle, while "87 Immortal Picture Scroll" can be seen from the side and the front, and the thickness of the jade tablet can be seen.
You know, if you put all this on a [-]-centimeter-high picture scroll, each character is only a dozen centimeters in size, or even smaller.
The jade plaque on the top of the head is only two or three millimeters.
The author of one painting can only outline a square the size of a sesame seed in a square inch, but the other can draw the essence of a jade plaque in three millimeters.
The contrast between the abilities of these two is too obvious.
Moreover, no matter where you look at "87 Immortal Volume", it gives people a sense of harmony and comfort.
Any one of the characters has the feeling of drifting eastward.
Immortal spirit lingers.
All objects, as long as they are soft, will float in the same direction, showing the overall fluency.
Moreover, there are two fairies who also hold a pipa, one holds the pipa upright and the other bounces the pipa.
These are all performances that only existed in the heyday of the Tang Dynasty, and they appear to be more attentive.
Mural painting should be a very serious and time-consuming project. It is normal for a mural painting to be done for more than ten years.
When sketching, even if it is a sketch, it is impossible to scribble casually.
"Chaoyuan Immortal Battle Picture" can't see the breath of immortals at all.
The comparison of details one by one can be understood by the audience without Lin Xuan talking.
[The Emperor Donghua in "Chaoyuan Xianzhang Tu" looks like a poker face, but the Donghua Emperor in "87 Immortal Scrolls" has a kind face, the gap is too big. 】
[Look, the third woman, the one in "Chao Yuan Immortal Battle Picture" is wrinkled abruptly, I don't know why, but in "87 Immortal Picture Scroll", it can be clearly seen that the belt and the skirt are knotted together The knot tops up the clothes, the gap is huge. 】
Lin Xuan smiled: "Actually, everyone has a speculation that the origin of the two paintings is obvious."
"Looking at the end of the volume of "87 Immortals", there is one more head at the end of the volume than that of "Chao Yuan Xian Zhan Tu". There is no body, which means it is missing this place."
"And the frontispiece of Chaoyuan Xianzhang picture has one more character than "87 Immortals Volume"."
"Combined with the differences in details, there is a guess."
"That is, Wu Daozi painted the mural after he painted the "87 Immortal Scroll", and the location is in Luoyang."
"Many years later, the artist who painted "Chaoyuan Xianzhang Tu" went there and saw the murals. He was amazed by them, and then used the picture scroll to draw all the characters."
Li Jun nodded: "This inference is very reasonable."
"However, can you travel through the past?"
Lin Xuan smiled: "I will not read any history that is not clearly recorded."
"This is the study of painting, as long as you know that the painting is good, isn't it all right? There is no need to worry about other things."
Lin Xuan ended the video and introduced: "Mr. Xu Beihong passed away four years later."
"According to his last wish, his widow donated all the cultural relics he protected during the war to the newly established Xinlong Kingdom."
"This artist has devoted his whole life to protecting national treasures. He is obviously a great painter, but his family members can be said to be nothing after he leaves."
"These national treasure artworks donated to the country are now protected in the Yanjing Xu Beihong Memorial Hall."
"This is the story of "87 Immortals Scroll"."
Zhang Pei'en nodded: "A good painting is better than anything else, "87 Immortals Picture Scroll" doesn't need any proof."
"Can you scan an electronic version of the "87 Immortals Scroll" and leave it to us?"
"Perhaps, under the impetus of it, Chinese painting will make great progress."
As soon as these words came out, Merelson hurriedly got up: "Please leave an electronic version of the information for the Guangguang School of Oil Painting."
"I feel that there may be some changes in the Light School, and the answer may be in this painting!"
Li Jun: "I think this painting will drive the progress of Fusionism!!!"
[No, seriously? 】
[It’s just a line drawing, it’s not Chinese ink painting, it’s not a masterpiece of the light school, or it’s not a fusion oil painting, how can it drive the progress of three completely different painting categories? 】
[He is a master, and what he researches is much higher than our upper limit. We just wait for their research to come up with results, and then follow suit and we're done. 】
[This scroll of 87 immortals, I didn't expect it to be the biggest surprise! 】
Lin Xuan on the stage looked at the time: "The live broadcast time is limited, and the electronic version of these paintings will be announced after the show."
"And now, let's turn our attention to the third exhibit today."
"He comes from a legendary painter who was very poor and died in his 30s."
"In Earth Star, the plants in the painting are bound with his name to form a unique noun - "Van Gogh's Sunflowers."
"Let's go and see the Impressionists on Earth, that is, the master of the Light School called by Blue Star——Van Gogh!"
----
To be honest, so many people have read the dao version, the starving author really expects me to continue writing?Some people even come to subscribe specifically to prevent that chapter, what to say in case you don’t read it? ? ? ? ? ?
Are you serious?
To prevent future chapters, cut subscriptions in half?
Are you serious?
Still want to see it?Do you expect the restaurant to remain open when there are more people eating Bawang Meal?
Thanks for the reward, ask for a monthly ticket, ask for a recommendation ticket!
During this push period, the title of the author’s book was too long, and it was filmed at the end of the push, and the recommendation effect was not as good as the classified recommendation, so no new readers came in.
There are so few recommended monthly tickets, please support! ! !
I hope that next week's direct APP recommendation will come soon, I'm about to cry.
(End of this chapter)
In the picture, Zhang Daqian smiled: "Congratulations, you have found it again!"
"If you fail to find this treasure this time, I'm afraid Brother Beihong will have sleepless nights."
Xu Beihong is serious: "The magnificence of this volume of norms is beyond the dreams of modern people. These are all great nations. The spirit inspired by the prosperity of culture is also the expression of wisdom."
"I don't own it personally, it is the treasure of all Chinese painting painters and the people of Long Kingdom!"
Zhang Daqian shook his head: "Nowadays the world is full of wars, and it hasn't ended until now. If Brother Beihong really wants to preserve this Scroll of Transforming Gods and Immortals, he will have to live for a few more years and make plans when the situation stabilizes."
Qi Baishi nodded: "That makes sense."
Xu Beihong smiled and put some pastries on the table: "Brother Baishi, try it."
"Shu-style pastries recommended by Brother Daqian."
"This is peach cake."
"This is pepper candy."
"This is longan cake, and these are the three cannons."
Qi Baishi cheerfully picked up a slice of peach cake and put it in his mouth: "Not bad."
The 84-year-old Qi Baishi is still in good health.
Xu Beihong smiled: "The last time we met together, we met again, it was 17 years ago."
"This time we meet again, it will be another ten years."
"next time……"
Qi Baishi ate a three big cannon made of glutinous rice, his teeth were very good, he chewed and swallowed it in two or three bites: "Don't look at me, I can still live."
The three looked at each other and laughed.
Qi Baishi will never be polite when it comes to eating.
And it can be said to cherish food very much.
Xu Beihong still remembers going to Qi Baishi's house ten years ago, Qi Baishi entertained him with stewed chicken, Qi Baishi's youngest son wanted to run away after eating, and Qi Baishi dragged him to drink a bowl of chicken soup, saying it was a treasure and a rare drink.
Zhang Daqian: "Hey, the old pot of Baishi was going to have another son, but it's a pity that the war was chaotic..."
When Qi Baishi was 80 years old, his concubine had a miscarriage, and Qi Baishi was heartbroken. At that time, there was war and there was nothing he could do.
Qi Baishi shook his head: "Now that the war is about to subside, I don't know if the Dragon Kingdom has a chance to return to the prosperous Tang Dynasty."
At this point in the conversation, Zhang Daqian rubbed his hands: "Speaking of the flourishing Tang Dynasty, painting the Holy Immortal Scroll... Last time I glanced at it in a hurry, but lost it. This time I have to study it carefully."
In the shot, the "87 Immortal Scroll" is slowly opening.
Lin Xuan narrated: ""87 Immortals Volume" takes Taoist figures as the theme, and depicts the grand scene of the court meeting in heaven."
"This painting is the mural on the right side. In the picture are the Eastern and Southern Immortals."
In the picture, there are three main gods, Donghua Emperor, Nanji Emperor, and Fusang Emperor, ten generals, seven male immortals, and 67 golden boys and jade girls.
The work absorbs the essence of the composition rules of traditional painting to be natural and not limited by time and space, and adopts the technique of "scattered perspective". The gods are arranged in parallel on the same eye level.
The three main gods stand in the three most visible positions in the picture, walking forward surrounded by the gods.
Clothes are fluttering, although a large number of people stand together, but the overall feeling is that all the gods and gods are filing forward, exchanging a peaceful feeling on the way.
The characters in the picture have a clear sense of spatial positioning, and the clothes and skirts cover each other, so it is easy to distinguish the distance and distance in depth.
Every character is arranged in a well-proportioned manner, there is no image independent from the crowd, and the picture has a full sense of space and rhythm.
Connect the heads of each character to form an undulating curve, forming a rhythmic picture effect.
The picture is unified but changing, regular but not rigid.
Lin Xuan continued: "The painter has fully expanded the space of his imagination. Auspicious clouds, lotus flowers, trees and other things have completely escaped the shackles of nature and appear in the same parallel picture."
"This is also the reason why in the myth of the Dragon Kingdom, the immortals fly straight while the heroes, gods and demons in other parts of the world fly sideways."
"In this composition, there is no obvious concept of heaven and earth, and all objects can also float in space."
"So, in the painter's conception, the fairyland is not above the head, but exists in a world with different rules from the ordinary world."
At this time, Zhang Daqian started to speak, Lin Xuan stopped talking immediately, and let the audience listen to Zhang Daqian's words.
Zhang Daqian: "This line drawing is of a high standard, completely and accurately embodying the four characters 'vigorous and vivid'."
"Every line is as thick as it should be, and as thin as it should be, without any mistakes."
"Strict lines correspond to the bright light, and weak lines correspond to the backlight."
"And from entering to far, the lines in the distance are more virtual, and the lines in the near are more solid."
"This kind of technique that appeared in landscape painting many years later, including the painting technique that is popular in the West now, was mastered by the master of painting more than 1000 years ago."
"Sure enough, it's worthy of being a painting saint."
"This painting can't be made by non-Tang people!"
Lin Xuan smiled: "As for the conversation against this kind of thinking, I won't show it to everyone. I will only talk about the results of their discussions."
"Painters and collectors headed by Zhang Daqian and Xu Beihong think."
"Wu Daozi absorbed folk and foreign painting styles as well as the style of Dunhuang Taoist and Buddhist paintings, and established a new national style, which is called "Wu Family Style" by the world. Under this background, Wu Daozi created many Taoist paintings. The 87 Immortal Volume may also have been born under such conditions."
"The "Song School" represented by Huang Miaozi, Yang Renkai, Xu Bangda and others believed that the painting was created in the Song Dynasty, and believed that it was a copy of "Chaoyuan Xianzhang Tu"."
"On Earth and Star, the Tang Dynasty was a war-torn dynasty earlier than the Song Dynasty, and there was a gap of several decades between the two dynasties."
"Late Tang is 200 years away from early Song."
In the video, a new scroll is fully opened.
The audience stared at the screen, and several experts on the scene also stared at the screen.
Zhang Peien shook his head: "This "Chaoyuan Immortal Battle Picture" is very similar to "87 Immortal Picture Volume", but the level is at least three grades lower."
"I guess I know what's going on."
Lin Xuan had already figured out how to explain the reason to the audience who didn't understand the painting. Hearing what Master Zhang Peien said, he said, "Then please ask Master Zhang Peien to explain it to us."
Zhang Peien: "Several of the 'Song School' you mentioned are probably just big collectors or ordinary painters whose painting skills have not reached perfection?"
Lin Xuan nodded: "Indeed."
"Then there is no problem." Zhang Pei'en: "Looking at this painting from the perspective of several historical painters, what they see is the painting skills in it. They know very well that the artist's own skills are not weaker than their own."
"More than 1000 years ago, his painting skills were not inferior to those of later generations. At that time, he must have been a well-known figure who reached the pinnacle."
"So they combined Wu Daozi's painting style and determined that this is Wu Daozi's painting."
"As for the other representatives of the Song School, they should think like this."
Zhang Peien sorted out his thoughts, and said, "They may think that because "Chaoyuan Xianzhang Tu" is a draft of a mural, the Yuanyuan painter did not draw it in the best state, but sketched it randomly."
"In this case, if someone copies, he will add his own mind when copying, refine the details by the way, and add a lot of things that are not expressed in the copying outline."
"In this way, the standard of "87 Immortals Picture Scroll" is higher than that of "Chaoyuan Immortal Battle Picture"."
"But they didn't take into account that the difference in realm between the two paintings is too far, at least three levels."
"It's like a calligrapher who didn't deliberately write calligraphy, but when he wrote letters, his level would not be three levels worse than writing calligraphy after bathing and burning incense."
"It's unlikely to be half a realm away."
Zhang Peien: "From an artist's point of view, I, like Zhang Daqian, Xu Beihong, and Qi Baishi of your earth stars, think that this is a painting of a superb figure."
"Since Wu Daozi is the only one who has this ability in the corresponding era, then this person must be Wu Daozi."
"Without any research, it is easy to determine this."
This involves a boundary problem.
In the eyes of ordinary people, Zhang Peien's traditional Chinese paintings may be the same as those painted by Li Jun, a master of Fusionism.
But if you let Li Jun see it for himself, Li Jun knows that he is far behind Zhang Peien.
And if you let Zhang Peien go to see the traditional Chinese paintings of Li Jun, a "half-practice family", you will see at a glance that this is the level of his own underage, and the gap is huge.
Standing at the foot of the mountain and looking up, Mount Hua is terrifyingly high, Mount Tai is also terrifyingly high, and even the unnamed wild mountain is very, very high.
And standing on the top of Mount Everest and looking down, I'm sorry everyone is not tall at all, everyone is a 'pit', which is sinking.
This is, vision.
Lin Xuan nodded: "It is also for this reason that the scholars of the Earth Star Dragon Kingdom generally agree with Zhang Daqian and Xu Beihong's views."
On the screen, the difference between the two paintings is still being compared.
The head crown of the fairy, "Chaoyuan Fairy Battle Picture" is just a random drawing, a straight line plus five small circles, it is the pearl head crown.
However, "87 Immortal Volume" can clearly see the relationship between distance and near, and the pearls are patchwork, very agile and elegant, not rigid at all.
For example, the bun makeup and hair of a fairy girl in music, "Chaoyuan Xianzhang Tu" is pitch black, densely packed and directly completed with arranging wires.
In "87 Immortal Volume", you can see the relationship between the front and back of the hair, it has a three-dimensional effect, and the hairstyle also has details.
As for the jade tablet on the emperor's head, "Chaoyuan Xianzhang Picture" is a rectangle, while "87 Immortal Picture Scroll" can be seen from the side and the front, and the thickness of the jade tablet can be seen.
You know, if you put all this on a [-]-centimeter-high picture scroll, each character is only a dozen centimeters in size, or even smaller.
The jade plaque on the top of the head is only two or three millimeters.
The author of one painting can only outline a square the size of a sesame seed in a square inch, but the other can draw the essence of a jade plaque in three millimeters.
The contrast between the abilities of these two is too obvious.
Moreover, no matter where you look at "87 Immortal Volume", it gives people a sense of harmony and comfort.
Any one of the characters has the feeling of drifting eastward.
Immortal spirit lingers.
All objects, as long as they are soft, will float in the same direction, showing the overall fluency.
Moreover, there are two fairies who also hold a pipa, one holds the pipa upright and the other bounces the pipa.
These are all performances that only existed in the heyday of the Tang Dynasty, and they appear to be more attentive.
Mural painting should be a very serious and time-consuming project. It is normal for a mural painting to be done for more than ten years.
When sketching, even if it is a sketch, it is impossible to scribble casually.
"Chaoyuan Immortal Battle Picture" can't see the breath of immortals at all.
The comparison of details one by one can be understood by the audience without Lin Xuan talking.
[The Emperor Donghua in "Chaoyuan Xianzhang Tu" looks like a poker face, but the Donghua Emperor in "87 Immortal Scrolls" has a kind face, the gap is too big. 】
[Look, the third woman, the one in "Chao Yuan Immortal Battle Picture" is wrinkled abruptly, I don't know why, but in "87 Immortal Picture Scroll", it can be clearly seen that the belt and the skirt are knotted together The knot tops up the clothes, the gap is huge. 】
Lin Xuan smiled: "Actually, everyone has a speculation that the origin of the two paintings is obvious."
"Looking at the end of the volume of "87 Immortals", there is one more head at the end of the volume than that of "Chao Yuan Xian Zhan Tu". There is no body, which means it is missing this place."
"And the frontispiece of Chaoyuan Xianzhang picture has one more character than "87 Immortals Volume"."
"Combined with the differences in details, there is a guess."
"That is, Wu Daozi painted the mural after he painted the "87 Immortal Scroll", and the location is in Luoyang."
"Many years later, the artist who painted "Chaoyuan Xianzhang Tu" went there and saw the murals. He was amazed by them, and then used the picture scroll to draw all the characters."
Li Jun nodded: "This inference is very reasonable."
"However, can you travel through the past?"
Lin Xuan smiled: "I will not read any history that is not clearly recorded."
"This is the study of painting, as long as you know that the painting is good, isn't it all right? There is no need to worry about other things."
Lin Xuan ended the video and introduced: "Mr. Xu Beihong passed away four years later."
"According to his last wish, his widow donated all the cultural relics he protected during the war to the newly established Xinlong Kingdom."
"This artist has devoted his whole life to protecting national treasures. He is obviously a great painter, but his family members can be said to be nothing after he leaves."
"These national treasure artworks donated to the country are now protected in the Yanjing Xu Beihong Memorial Hall."
"This is the story of "87 Immortals Scroll"."
Zhang Pei'en nodded: "A good painting is better than anything else, "87 Immortals Picture Scroll" doesn't need any proof."
"Can you scan an electronic version of the "87 Immortals Scroll" and leave it to us?"
"Perhaps, under the impetus of it, Chinese painting will make great progress."
As soon as these words came out, Merelson hurriedly got up: "Please leave an electronic version of the information for the Guangguang School of Oil Painting."
"I feel that there may be some changes in the Light School, and the answer may be in this painting!"
Li Jun: "I think this painting will drive the progress of Fusionism!!!"
[No, seriously? 】
[It’s just a line drawing, it’s not Chinese ink painting, it’s not a masterpiece of the light school, or it’s not a fusion oil painting, how can it drive the progress of three completely different painting categories? 】
[He is a master, and what he researches is much higher than our upper limit. We just wait for their research to come up with results, and then follow suit and we're done. 】
[This scroll of 87 immortals, I didn't expect it to be the biggest surprise! 】
Lin Xuan on the stage looked at the time: "The live broadcast time is limited, and the electronic version of these paintings will be announced after the show."
"And now, let's turn our attention to the third exhibit today."
"He comes from a legendary painter who was very poor and died in his 30s."
"In Earth Star, the plants in the painting are bound with his name to form a unique noun - "Van Gogh's Sunflowers."
"Let's go and see the Impressionists on Earth, that is, the master of the Light School called by Blue Star——Van Gogh!"
----
To be honest, so many people have read the dao version, the starving author really expects me to continue writing?Some people even come to subscribe specifically to prevent that chapter, what to say in case you don’t read it? ? ? ? ? ?
Are you serious?
To prevent future chapters, cut subscriptions in half?
Are you serious?
Still want to see it?Do you expect the restaurant to remain open when there are more people eating Bawang Meal?
Thanks for the reward, ask for a monthly ticket, ask for a recommendation ticket!
During this push period, the title of the author’s book was too long, and it was filmed at the end of the push, and the recommendation effect was not as good as the classified recommendation, so no new readers came in.
There are so few recommended monthly tickets, please support! ! !
I hope that next week's direct APP recommendation will come soon, I'm about to cry.
(End of this chapter)
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