world number one pianist

Chapter 100 Dismantling the music to the extreme
The whole concert hall was full, and all the seats were filled with people, all of them were waiting for Dan Yi's lecture.

There were even some people standing on the edge of the aisle, just standing there and listening.

Not only people from Jiangzhou Art Institute, but also many people from other universities in Jiangzhou came to join in the fun.

After all, there are music majors, not only Jiangzhou University of Arts and Jiangzhou Normal University, some other schools also have music majors, but it is not the mainstream direction.

Many people came here from a long distance just to listen to Professor Danyi's class. It was completely obvious that Professor Danyi was very popular in everyone's hearts.

But Yi just sat there, and no one in the concert hall dared to speak out. They quickly turned on the recording equipment in their hands, then took out a notebook, and prepared to record something.

He Shen looked at Dan Yi on the stage, and saw that his hair was already gray. Although he looked smiling, this smile was a little tired.

Obviously, because of Li Diyun's affairs, a group of reporters kept harassing him.

After all, Li Diyun hasn't had a class with him for a long time, and he has already been regarded as a teacher. Although he will pay attention to his recent situation, he will not put all his energy on it.

And Dan Yi, the first sentence he spoke, was to complain to everyone.

"Okay, don't be so serious, it's like a trial meeting, we don't talk about other things today, we only talk about music today, just talk about music."

After hearing Danyi's words, everyone couldn't help laughing, and they instantly understood what Danyi meant.

Just don't talk about the entertainment industry, the classical music circle, just belong to the classical music circle.

Professor Dan Yi chatted casually with everyone, and from time to time he would pick up some people to chat with them about their thoughts on music.

Just as He Shen and the others gradually relaxed, Professor Dan Yi suddenly spoke.

"...However, our research on Chopin, or other composers, is often a bit too superficial, superficial, or too focused on form."

"Take Chopin's Ballade No. [-] that we have seen before as an example. Everyone has heard this work. If you haven't heard it... then you haven't heard it. First of all, we can see the first paragraph at the beginning. What is this in one sentence? Many people will say that the first sentence is Napoli sixth chord, ascending, and then I will tell you something about Napoli sixth chord, tell you what it means and what you need The way it feels."

"However, what we know is Chopin? What we know is the Naples six chords. You need to deepen your thinking and think about the inner things of this piece. It is still the first piano narrative of Chopin Song, what is the beginning of the first Napoli sixth chord? It starts with C, and it doesn’t have a complete directivity, that is to say, you don’t know what Chopin wants to play at all.”

"However, what is the key of this work? It is in the key of G. At this time, we began to wonder why there is no clear key at the beginning of a work in the key of G? Oh yes! The Neapolitan Sixth Chord , This is our idea of ​​explaining the Napoli sixth chord, instead of simply telling students that this place is just a Napoli sixth chord.”

"At this place, we can continue to look at the content behind, and continue to think about the things contained in this work..."

"For example, the overall direction of this work..."

Dan Yi was speaking on the podium with a smile, but he didn't talk about the story behind this work, or what Chopin thought of when he wrote this work.

He is very simple. He dissects this work, puts it in front of all of you, and tells you why you need to think like this.

Chopin wrote everything on the piano score. You need to look very carefully at every stroke of Chopin's writing. Two identical tones may be completely different!
For example, the first eight and the last sixteen according to the sixteenth, and 46, so, if you just look at the duration of each note, it is basically the same.

But if you look at the feeling of this sound, it is completely different.

For example, 46 is four sixteenth notes, which need to be flat and even.

But if you are sixteenth in the first eighth and last sixteenth, what you need is a tendency, and you need to make the music as a whole lean towards the second note.

This subtle gap appears in many works.

These are some relatively crude knowledge, basically everyone here can understand it, it's really simple.

Even those who don't have much in-depth study of Chopin can easily follow the logic of Danyi's lectures.

But soon, the content of the lecture became more and more profound.

"... Regarding the performance methods of Chopin's various works, what we need to think about is whether we can perfectly interpret the feeling of Chopin if we use this method to interpret the works."

"Take Chopin's Nocturne Op32No1 as an example. We all know that this work is a reproduction of a second work. If we analyze it, it should be..."

“A[a3（K46D7）+b4（DT）+c5（D-DD7）+a4（K46D7）+b3（DT）]+B[d5（Dt）+e6（Dt）+c11（D-DD）]+B’[d5（Dt）+e6（Dt）+c'14（D-DD7）]”

"In Part A, we can see the progress of this place. Take the progress from K46 to D7 as an example, we should pay attention to our performance in this place..."

Many people were deceived when they saw the works that were continuously decomposed and disassembled to the extreme in Dan Yikou, and they were almost split down to a small note.

who I am?where am I?What is he saying?
Isn't this Professor Danyi a master of performance teaching?Why did all kinds of symbols used in mathematics keep coming out of his mouth?

What the hell?
However, this is limited to ordinary passers-by. People in the university like He Shen and Qu Shi are very interested in these things.

Especially Qu Shi, her eyes were so hot that she wished she could stand up and throw herself at Dan Yi's feet.

Her main direction of progress is also the direction of theory, dismantling music through theory, and throwing out personal emotions as much as possible. This method of interpretation literally touches her heart.

He Shen didn't feel anything. Although the direction was different, what Professor Yi said was very easy to understand, and what he listened to was very interesting.

But... when the time passed for an hour and a half and the concert was about to end, Dan Yi suddenly spoke.

"Having said so much, why don't I recommend something to you, in my opinion, the one that came out recently, and it's an excellent recording."

"You can find the recordings of the previous rounds of the Golden Piano Awards, and you can listen to a contestant named He Shen. His Chopin Ballade is perfect."

　Update after an hour
　　
　
(End of this chapter)