Treasure hunt begins in England

Chapter 888 Painting
Since the level of the historical explorer rose to the current level, Liang En has obtained more and more cards with extraordinary power, and this time is no exception.

For example, the highest-level SR card obtained this time is a card that contains extraordinary power, and the extraordinary power in it is also beyond Liang En's previous guess.

[Enchanting (SR): Metal casting technology is always a very important technology in the development of early human civilization, and this technology is naturally deified.

In many ancient civilizations, ironware has the effect of warding off evil spirits. For example, if someone in the family is sick, putting the weapon at the door of the house can solve the disease caused by the invasion of evil spirits.

In addition, some famous metal weapons have also obtained their own legends, such as the famous Chinese go-getter Mo Xie, and the boy Qie Angang from the Devil's side.

This is not a world with extraordinary power, so those weapons are only the top weapons of that era, and most of them were destroyed in the long history, but their legends have been preserved to this day.

So from a certain point of view, these weapons have become legends beyond themselves. If they were replaced by a world with extraordinary power, they might have become something like fairy swords or magic weapons.

Even the criss in Southeast Asia are not just a sword. People here firmly believe that every criss has "spirituality" and has magical powers.This magic is infused by the "Bangtai" who made it, that is, the expert at the time of forging.

At the same time, they also believe that only the owner of the sword can make this magic work.Legend has it that one finger of the Krystal sword can kill people, and some people believe that piercing the shadow or footprints of people with the Krystal sword can also kill people.

Even when the owner is in danger, the Cres sword will make a "click" sound in the sheath as a warning, and fly out of the sheath by itself to fight for the owner.

And this kind of legend about weapons is also found in many famous legends in China and Japan, so it can also be said that these ideas may be the common expectation of mankind for weapons.

It's a pity that in the real world, these legends are just legends, but the power of historical explorers can turn part of the legends into reality and produce real enchanted products.

Skill Card (Permanent) (Active), by consuming legendary power, now we have something that can enchant various items with supernatural power.

This kind of skill requires the user to prepare all the tools, raw materials and consumables, and then by consuming legendary points, attach some kind of extraordinary ability to the item that the user wants to give a certain performance.

When the skill is activated, the user needs to think about the details of the enchantment, especially the effects of those things after the enchantment, and at the same time consume the legendary power to use the skill.

Note that the skills can only be used on inanimate objects, manufactured products processed by humans, any living objects and naturally formed things cannot be used as objects of enchantment.

There is no need for direct contact when using skills. As long as the target is within the field of vision, it can directly take effect. If it is invisible, it cannot be activated.

In addition, the premise of using this skill is that you have a full understanding of the target you want to enchant, and have all the items required for enchanting in the previous prompt. When you finish using this skill, you will consume all consumables.

The legendary power consumed when enchanting is closely related to the consumable materials prepared, as well as the difference between this enchanting effect and the rules of the real world. The more materials consumed, the smaller the gap with the real world, the more legendary power consumed. few.

At the same time, the enchanting effect is also reversible. It only needs to consume half of the legendary power spent on enchanting, but the previously consumed items cannot be restored.

The enchantment duration of this extraordinary power enchanted product is linked to its carrier, and the effect will change with the change of the carrier.

All in all, it's a powerful force, but not all the time.So please let your imagination fly, the boundary of the user's imagination determines the boundary of this power. 】

"It is indeed an incredible card." Joan of Arc commented after learning about the specific effect of Liang En's card. "I think you can try the effects of these two powerful cards now."

"Of course, of course I will try." Liang En said with a smile, "Please help me reject other guests these few days, I think I need a certain amount of time to experiment with artistic creation and enchantment."

"No problem, just leave these things to me." Joan of Arc nodded and said, "You can do your own thing at ease, and I promise that nothing will disturb you."

In the next half a month, Liang En devoted himself to the specific use of these two cards, including the creation of art and the production of enchantments.

The first job is art creation, and the content of creation is one of the famous oil paintings "Sunflower" series that was completely destroyed in the war.

Sunflowers can be regarded as a master of Van Gogh's artistic level. He has painted sunflower-themed still lifes many times, and he loves to use sunflowers to decorate his room in Arles.

He once said: "I want to paint half a dozen "Sunflowers" to decorate my studio, let pure or tempered chrome yellow, on various backgrounds, on various degrees of blue base.

Glittering from the palest Veronese blue to the highest blue; and I shall give these pictures the most delicate frames painted orange, like the stained-glass windows in Gothic cathedrals . "

Perhaps the sunflower is the culmination of Van Gogh's art, so the first inspiration Liang En got was about sunflowers.

The creation of this work is completely different from before. Liang En sat in the studio for a whole day and slowly adjusted his emotions, so that his emotions gradually coincided with those created by Van Gogh back then.

This is actually a very dangerous approach, because if one's emotions are excessively introduced into the emotions of others, it can easily lead to schizophrenia.

In particular, Van Gogh's emotions are indeed morbid. If you immerse yourself in it, it is easy to have various sequelae.

Fortunately, Liang En has a special soul connection with his historical entourage, so he has enough confidence to use the historical entourage as his anchor, and then pull his soul back on track.

As he meditated, Liang En could feel the gushing enthusiasm from the depths of his soul. Unlike Mucha whose most of his works were commercial works, Van Gogh's inspiration was extremely enthusiastic.

This is a kind of wild impulsion, chasing violent improvisation, and Liang En can feel that when he created "Sunflower" under his pen, he felt as if he was in the sunny and bright south of France.

Under this kind of resonance, Liang En felt the raging flames in Van Gogh's eyes at that time, and at the same time the painting was so gorgeous, gorgeous, harmonious, elegant and even delicate.

Also in this state of resistance, Liang En's dynamic and non-stop rotating brushstrokes become thick and powerful, and the color contrast in the gradually formed oil paintings is also pure and strong, full of aura.

(End of this chapter)