Treasure hunt begins in England
Chapter 663 Interesting Cards
Chapter 663 Interesting Cards
The construction of the museum will take a certain amount of time, so Liang En and the others can take advantage of this opportunity to make various preparations, such as training personnel.
Fortunately, professionals can be found to be responsible for this type of work, so what Liang En has to do next is to make as much money as possible, and then quickly repay all the money he borrowed.
Although it is okay to borrow this amount of money for three to five years, Liang En feels that it is better to borrow less of this type of debt because of the spending habits of ordinary people in China.
For Liang En, apart from obtaining a large number of treasures and finding an almost permanent new source of income for Joan of Arc's manor, his biggest gain this time is a series of new cards.
So after finishing this series of trivial matters, Liang En returned to his room immediately, and then checked the cards he had obtained this time.
The number of cards this time is not too much. After all, the Sutton Hoo cemetery is not particularly famous now. Fortunately, the quality of the cards can make up for the lack of quantity.
There are a total of five cards this time, which are less than the cards issued by such ruins of the same level. Three of them are common cards, and the other two are a skill card and a strengthening card.
The common cards this time were actually three [Legendary Power (N)] cards, which was the most number of [Legendary Power (N)] cards drawn at the same time.
According to Liang En's guess, the reason for this situation is probably related to the fact that the number of cards drawn this time is too small, so it is acceptable that the quality of the cards that appear is better.
"This is the legend that blessings and misfortunes depend on each other." Liang En sighed and said to himself. Compared with more cards, Liang En naturally prefers this view that is more meaningful to him.
After all, the power of legend is equivalent to his blue bar, and for Liang En, who is now closer to the blue bar mage, the upper limit of his legendary power points is naturally the higher the better.
As for the other two cards, they are more interesting. Among them, the strengthening card is more practical for Liang En, and the skill card is a rare card that can use extraordinary power.
[Jewelry Master (R): The earliest jewelry was handmade by humans, and with the progress of the times, the ratio of machine intervention is getting higher and higher, and it has even reached the level of computer-aided design and fully automatic production.
Of course, this kind of large-scale industrial production of jewelry is naturally impossible to be high-quality goods, most of which appear in mass-produced cheap jewelry, while the truly high-end jewelry is still hand-made by those high-level craftsmen.
Strengthening card (one-time), consume this card, you can strengthen your own small metal products and gem processing level to the master level, and under certain circumstances, you can create the top art. 】
After seeing the content on the card, Liang En quickly used the card, only to find that a lot of content related to jewelry making appeared in his mind, and his hands became more flexible.
After simply experimenting with a few movements, he found that he had mastered more knowledge in jewelry making, especially some small details can improve his jewelry making level as a whole.
This card can be used in conjunction with the classical jewelry making card that Liang En got before, and it can bring his jewelry making level to a higher level.The only problem is that producing top-notch artwork is still a matter of chance.
Of course, this is just Liang En's exclamation of Versailles, because for most artists in history, creating a famous and eternal artwork is a rare thing.
To give the simplest example, everyone knows that Da Vinci is definitely one of the top artists in history, but there are more discarded drafts than products, and not every work can become a boutique.
The same is true of other great artists in history, except that those who can travel through a long time are all high-quality goods, so there is an illusion that the master's shots must be high-quality goods.
In fact, Liang En also had personal experience of this matter. For example, after he obtained the artistic level of the master Mucha, he did not create a work that could truly be called a masterpiece handed down from generation to generation.
That's right, his level can reach the master level. In the eyes of the public, whether it is the pictures he draws or the jewelry he designs, every piece can be called a masterpiece of art.But Liang En knew that he did not create a real masterpiece.
On the one hand, this happened because it would take some time for Liang En to completely integrate and convert these things into his own after he suddenly got them, and he couldn't grasp them immediately.
On the other hand, to create high-quality works of art requires the right time, the right place, and the harmony of people.However, Liang En has not found a suitable opportunity since he obtained the card.
From Liang En's personal experience, it can be seen that even if there is only a 1% chance of being able to create top-level art, it is very, very valuable to artists.
It's a pity that without a golden finger like Liang En's, for most people, even a certain low probability does not exist, and it is purely luck to create a real boutique.
"A card that doesn't look very cool, but is actually very useful." Liang En was quite satisfied with this card, and the next card was an extraordinary power card that was completely different from this card. Card.
[Wind of Odin (SR): The ancient Vikings can also be regarded as a kind of nomadic people, but the tools they used were ships instead of horses. At their peak, the Vikings were distributed throughout northern Europe.
Britain also had a long Viking age, and the Viking civilization has penetrated into this land. For example, the ship tomb form of the Sutton Hoo cemetery and the cultural relics unearthed in it all show that the kingdom and the Vikings Beijing lineage.
For the Vikings, the secret of their extensive territory lies in their long ships. Their ships can not only cross the ocean, but also travel upstream along the river.
When navigating in rivers or shallow sea areas with complex hydrology, these ships may choose to paddle manually, but when sailing in the ocean, they can only rely on sails, so the wind direction is very important to them.
The emphasis on wind direction is reflected in many places in Viking culture. For example, in Viking culture, it is their main god Odin who is in charge of wind.
Skill card (permanent) (active), when the card is used, it can change the wind direction of an area and the climate related to the wind by consuming the power of legend.
The initial range is a first-level wind within a quarter of an hour of the upper limit of the 1km radius of the caster as the core. Every point of legend points invested can increase the influence range of a 1000-meter radius, or increase a level of wind for a quarter of an hour.
Both the casting range and the wind strength can be finely adjusted, but any part that exceeds the standard needs to pay an extra Fate Point as a price. 】
"A skill that looks cool, but it may not be useful." Liang En thought after carefully studying the purpose of this skill card, because he really couldn't figure out how useful this skill is in daily life.
"However, if it is on the sea or in the desert, being able to control the wind direction should bring some advantages, but I hope that there will be no emergency situations where this card is used."
(End of this chapter)
The construction of the museum will take a certain amount of time, so Liang En and the others can take advantage of this opportunity to make various preparations, such as training personnel.
Fortunately, professionals can be found to be responsible for this type of work, so what Liang En has to do next is to make as much money as possible, and then quickly repay all the money he borrowed.
Although it is okay to borrow this amount of money for three to five years, Liang En feels that it is better to borrow less of this type of debt because of the spending habits of ordinary people in China.
For Liang En, apart from obtaining a large number of treasures and finding an almost permanent new source of income for Joan of Arc's manor, his biggest gain this time is a series of new cards.
So after finishing this series of trivial matters, Liang En returned to his room immediately, and then checked the cards he had obtained this time.
The number of cards this time is not too much. After all, the Sutton Hoo cemetery is not particularly famous now. Fortunately, the quality of the cards can make up for the lack of quantity.
There are a total of five cards this time, which are less than the cards issued by such ruins of the same level. Three of them are common cards, and the other two are a skill card and a strengthening card.
The common cards this time were actually three [Legendary Power (N)] cards, which was the most number of [Legendary Power (N)] cards drawn at the same time.
According to Liang En's guess, the reason for this situation is probably related to the fact that the number of cards drawn this time is too small, so it is acceptable that the quality of the cards that appear is better.
"This is the legend that blessings and misfortunes depend on each other." Liang En sighed and said to himself. Compared with more cards, Liang En naturally prefers this view that is more meaningful to him.
After all, the power of legend is equivalent to his blue bar, and for Liang En, who is now closer to the blue bar mage, the upper limit of his legendary power points is naturally the higher the better.
As for the other two cards, they are more interesting. Among them, the strengthening card is more practical for Liang En, and the skill card is a rare card that can use extraordinary power.
[Jewelry Master (R): The earliest jewelry was handmade by humans, and with the progress of the times, the ratio of machine intervention is getting higher and higher, and it has even reached the level of computer-aided design and fully automatic production.
Of course, this kind of large-scale industrial production of jewelry is naturally impossible to be high-quality goods, most of which appear in mass-produced cheap jewelry, while the truly high-end jewelry is still hand-made by those high-level craftsmen.
Strengthening card (one-time), consume this card, you can strengthen your own small metal products and gem processing level to the master level, and under certain circumstances, you can create the top art. 】
After seeing the content on the card, Liang En quickly used the card, only to find that a lot of content related to jewelry making appeared in his mind, and his hands became more flexible.
After simply experimenting with a few movements, he found that he had mastered more knowledge in jewelry making, especially some small details can improve his jewelry making level as a whole.
This card can be used in conjunction with the classical jewelry making card that Liang En got before, and it can bring his jewelry making level to a higher level.The only problem is that producing top-notch artwork is still a matter of chance.
Of course, this is just Liang En's exclamation of Versailles, because for most artists in history, creating a famous and eternal artwork is a rare thing.
To give the simplest example, everyone knows that Da Vinci is definitely one of the top artists in history, but there are more discarded drafts than products, and not every work can become a boutique.
The same is true of other great artists in history, except that those who can travel through a long time are all high-quality goods, so there is an illusion that the master's shots must be high-quality goods.
In fact, Liang En also had personal experience of this matter. For example, after he obtained the artistic level of the master Mucha, he did not create a work that could truly be called a masterpiece handed down from generation to generation.
That's right, his level can reach the master level. In the eyes of the public, whether it is the pictures he draws or the jewelry he designs, every piece can be called a masterpiece of art.But Liang En knew that he did not create a real masterpiece.
On the one hand, this happened because it would take some time for Liang En to completely integrate and convert these things into his own after he suddenly got them, and he couldn't grasp them immediately.
On the other hand, to create high-quality works of art requires the right time, the right place, and the harmony of people.However, Liang En has not found a suitable opportunity since he obtained the card.
From Liang En's personal experience, it can be seen that even if there is only a 1% chance of being able to create top-level art, it is very, very valuable to artists.
It's a pity that without a golden finger like Liang En's, for most people, even a certain low probability does not exist, and it is purely luck to create a real boutique.
"A card that doesn't look very cool, but is actually very useful." Liang En was quite satisfied with this card, and the next card was an extraordinary power card that was completely different from this card. Card.
[Wind of Odin (SR): The ancient Vikings can also be regarded as a kind of nomadic people, but the tools they used were ships instead of horses. At their peak, the Vikings were distributed throughout northern Europe.
Britain also had a long Viking age, and the Viking civilization has penetrated into this land. For example, the ship tomb form of the Sutton Hoo cemetery and the cultural relics unearthed in it all show that the kingdom and the Vikings Beijing lineage.
For the Vikings, the secret of their extensive territory lies in their long ships. Their ships can not only cross the ocean, but also travel upstream along the river.
When navigating in rivers or shallow sea areas with complex hydrology, these ships may choose to paddle manually, but when sailing in the ocean, they can only rely on sails, so the wind direction is very important to them.
The emphasis on wind direction is reflected in many places in Viking culture. For example, in Viking culture, it is their main god Odin who is in charge of wind.
Skill card (permanent) (active), when the card is used, it can change the wind direction of an area and the climate related to the wind by consuming the power of legend.
The initial range is a first-level wind within a quarter of an hour of the upper limit of the 1km radius of the caster as the core. Every point of legend points invested can increase the influence range of a 1000-meter radius, or increase a level of wind for a quarter of an hour.
Both the casting range and the wind strength can be finely adjusted, but any part that exceeds the standard needs to pay an extra Fate Point as a price. 】
"A skill that looks cool, but it may not be useful." Liang En thought after carefully studying the purpose of this skill card, because he really couldn't figure out how useful this skill is in daily life.
"However, if it is on the sea or in the desert, being able to control the wind direction should bring some advantages, but I hope that there will be no emergency situations where this card is used."
(End of this chapter)
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