Chasing dreams Deyun started from the car accident Fenhewan

Chapter 520

Tears flowed from the corners of Shen Changle's moved eyes, he was really flattered.

There is a saying in Jianghu that it is better to give up a piece of gold than to spread a word of spring.

What you have to learn is the cooking skills of other people in this life, the difficulty of which can be imagined.

Even if some old artists in the past were willing to pass on their art, they would pass it on to their own disciples, sons and daughters when they were old and could no longer talk about it. Why?

Firstly, after many years of tempering, take a good look at this person's character and quality, and secondly, I can't say anything now, you have learned how to suppress me now, and you have to take care of me.

And like the young master Ma Zhiming, he really completely abandoned the restrictions of family status and master-student relationship. From ancient times to the present, few people have this courage. As old as Tian, ​​he really regards his wholeheartedness as the future support of cross talk.

At noon, Shen Changle had a sumptuous meal at Master Shao Ma's house. The dishes were not necessarily high-end, and they were average in terms of appearance, but they were full of home-style flavors, real and delicious.

Especially the stewed fish in one pot is unique. The taste is different from the stewed fish made by his master Wang Hui, but they are all so delicious. For a time, Shen Changle wondered whether the common people in Jindu have an exclusive set. Boil fish recipe.

Just like my hometown in Mongolia, every family has an exclusive and secret stewed lamb and beef recipe.

After the meal, Malacca helped the grandma clean up the dishes and chopsticks.

As for Shen Changle, he followed Young Master Ma to the study.

In fact, the learning of cross talk has never been a process of searching for clues. There are not a few words and one sentence taught. A long cross talk is like a big bodyguard, but there must be thousands of words, and one sentence cannot be understood after half a month.

The real teaching of cross talk is actually to listen more. The apprentices who have been with me for a while are like this. The two gentlemen are performing on the stage. You should listen carefully at the corner of the stage. After the performance is over, I will test you when you come down. How to say, you tell me again like this.

If there is any mistake, the teacher will point it out to you, and then don’t worry about where it is written down. Go back and make up your own mind, and take the test again in a few days to see your progress.

The apprentices who really took the pig's brains, usually they will be driven away during this period of time, and the remaining ones are not bad, and they will learn the next paragraph when they almost have a shape.

In the study, the young master Ma Zhiming also adopted the same method, but of course it was more serious than what was said before.

And because Shen Changle has heard the cross talk of Master Shao Ma countless times before, naturally the previous demonstration was also avoided.

………………

Shen Changle said: "When I touched my back, I was happy again. I still have two knives on my back."

"What's the use of that?" Ma Zhiming answered Shen Changle.

Shen Changle: "My little bit of skill is all about double knives."

Ma Zhiming: "Yes?"

Shen Changle said: "I only heard two swishing sounds, and the two knives were unsheathed."

"It's used this time." Ma Zhiming said at the right time.

Shen Changle: "I knocked the thief's stick away with my left hand, and made a sea fishing with my right hand, and then I heard a bang, a red light appeared, blood flowed, and the big thief's head rolled around on the ground.

Ma Zhiming: "Did you kill the thief?"

Shen Changle said: "I slaughtered the cow."

After listening to Ma Zhiming, he nodded and said: "Well, it's not bad. If you look at your age and the time you have learned cross talk, it's very good. Don't worry about your body or expression, but..."

Shen Changle nodded without the slightest pride, he knew it was impossible to have a but, as we all know but is the meat of the drama.

Ma Zhiming smiled and said, "However, because you are Shen Changle, this period of work is very ordinary. First of all, the most critical rhythm is a bit procrastinated, and there is no crispness. There are too many function words and pad words in the mouth, and people who listen to it are easy to play .”

"Also, you should know where your strengths are, and learn. Your learning is also one of the characteristics that distinguish you from other cross talk actors. You should still improve it."

Ma Zhiming waited for Shen Changle to think for a while, then continued:

"Okay, then I'll find fault with the specific words for you, first of all, in the first sentence..."

………………

As Ma Zhiming began to explain in simple terms, Shen Changle seemed to have returned to the time when he had just become a student of Deyun Club and listened to his master Yu Qian for the first time.

Although three years have passed, although he has become a very famous cross talk actor.

But there is no slight difference in that feeling. Shen Changle also felt for the first time through Shao Ma Ye's error correction that after throwing away the new and good burdens of his cross talk, the remaining language skills are so great. The problem.

Just how to make the burden in the cross talk, Mr. Ma talked in detail for an afternoon, including the most basic flat laying, three times and four shakes. The burden in the work was shaken too early, and it was not enough. Foreshadowing, this piece is too shaken, and the audience's laughter has passed.

Shen Changle listened very carefully, because he knew that this piece seemed to be the most basic and simple little piece of equipment, but in fact it was the key to keeping people alive. All the skills in it were the essence of Ma Shi's cross talk .

There is a saying in the cross talk world called "no school, no horse". The artistic characteristics of Pai Xiangsheng:

Paraphrase Yang Guo's state of using the sword in Jin Yong's martial arts novels, it means that the epee has no edge, and it is ingenious and unworkable. A master can crush a rookie with a burden as good as a knife with a burden as ordinary as a branch. .

When it comes to cross talk on stage, it’s tepid, neither salty nor bland, neither meat nor vegetable, any plain language, and small jokes that can be seen everywhere can be so vivid and interesting after processing.

But although Young Ma Ye inherited his father's horse-style cross talk, the interpretation of it is quite different.

Old man Ma Sanli said it was strange, he was tall and thin, his voice was rough and low, he looked simple and honest, but in fact he was listless.

Talking about cross talk on the stage, it’s like a funny old man in the neighborhood, occasionally watching, dragging you who are still a child to talk about some funny and fun things about parents, and when you laugh, say Maybe it has already quietly stole your lollipop into Han's mouth.

As for the cross talk of Young Master Ma Zhiming, on the one hand, he is an image of a highly educated literati with a poetic and literary spirit, and on the other hand, he is a trendy man who keeps up with current events, is funny and fun, just like a very down-to-earth university internet celebrity professor .

Using the most popular, easy-to-understand, funny, and joking perspective, it teaches you how to face the cola and sad things in the world optimistically and positively, and chuckle from time to time.

There is no doubt that this realm is already the ceiling of the cross talk world.

(End of this chapter)