Tokyo life starting with painting.

Chapter 75

"I remember that in the work of the adult group, Meisa Kuromiya, a student of Mr. Yamauchi, also successfully entered the final screening stage, right?"

Next to him was an active painter who had won several awards, and said with a smile, "Should I say that a famous teacher gave birth to a talented student? I have seen the works of Mr. Heigong before, and they are really good."

He didn't exaggerate too much, he just told the truth.

After all, there are only a few well-known students in the five major art departments in Tokyo, and the rest are planning to major in art design in the future, which is different from their painters who rely solely on painting and sculpture for a living.

As for the title 'Jun', this is quite normal, after all, the elders can also use the same address for the younger generation.

"Student Kuromiya is indeed very talented." Yamauchi first floor did not hypocritically say a lot of things like 'how come, she is not very good', he nodded frankly, and then added: "What she lacks now is experience , she should be considered as the leader of the younger generation of students."

This is still a fair assessment.

"Haha" The middle-aged active painter laughed twice, and turned to look at the [-] paintings of the adult group hung up by the staff.

He perked up a little.

After all, it is the evaluation of the paintings of the adult group, and the quality of the "Tokyo Sunset Impression" I just watched is too high. Compared with the other students below, it is in a crushing situation. Naturally, there is nothing to compare.

"Speaking of which, what is the name of the author of the painting "Tokyo Sunset Impression" just now?" The middle-aged active painter raised his head and asked casually.

It's just a random question. Of course, he couldn't remember all of the more than 20 selected paintings, let alone the gold award works of the student group, of course he didn't pay much attention to them.

"It's Higashinoji from Kita Gijuku Private High School. It's a good material for drawing." On the first floor of Yamauchi, he was already looking at the works of the adult group, but he casually mentioned Higashinoji's name.

This made the middle-aged active artist who asked the question just now stunned, and then a little embarrassed.

He just casually asked the author's name, but he didn't expect that even the school on the first floor of Yamauchi paid attention.

This is probably the gap.

The middle-aged active painter shook his head and began to appreciate the works of the adult group.

The Gold Award selection criteria for the adult group of the Tokyo Youth Painting Award are stricter than those for the student group.

Some pretty good works from the student group were brought to the adult group, and they might not even pass the audition.

That painting is really amazing. I feel that if it is in the adult group, it will definitely be regarded as a very good work. Even if it is in the adult group, it might be able to win the gold award.

But

The middle-aged active painter shook his head slightly.

This time in the adult group, there is Kuromiya Meisa, the proud student of the first floor of Yamauchi, and the level of Kuromiya Meisa who has been guided by the first floor of Yamauchi has been completely raised.

"Mr. Heigong's "Shangjing" is really interesting."

Looking at the oil painting with cool colors as the main color in front of him, someone beside him sighed.

The entire picture painted with heavy paints is mixed with various colors. At a glance, it seems that the colors are thick and messy, but if you look closely, you will find that these formed colors are actually a vortex that is pulled and deformed. And the color is very distinct, and the strokes appear patchwork.

The colorful figures are reflected in the vortex, and the erected Tokyo urban forest

In the vortex, there is a big bright red fish that has not been stained with any other color.

The fins flutter and stretch, and the fish bends and twists, as if struggling in this colorful vortex

The implication of this painting is actually not difficult to understand.

You can probably tell just by looking at the title.

"Shangjing" actually refers to a phenomenon in Japan.

Jing here refers to 'Tokyo'.

"Shangjing" is also synonymous with dream-seeking for a group of young people from all over Japan who come to Tokyo, which is known as "gold everywhere".

There are all kinds of young people in rural areas, small towns, and metropolises.

They came to Tokyo in order to get ahead in Tokyo, make a lot of money, and return home with good clothes.

This is actually the same reason as in China, people from all over the provinces are flocking to Beijing, or other big cities such as Shanghai and Guangzhou.

But Tokyo has too many temptations.

In the brightly lit Tokyo metropolis, as long as you have money, you can get everything at your fingertips

The fish in Meisa Kuromiya's "Going to Beijing" represents the image of young people who came to Tokyo from all over the world, and the vortex reflecting the figures and urban scenery refers to the temptation of filth in Tokyo.

The fish struggling in the vortex is the epitome of the struggle of the Shangjing clan in Tokyo.

"The implication and skills are enough," the middle-aged active painter couldn't help muttering.

Yes.

Heigong Mingsha's "Shangjing" is not only full of meaning, but also a test of the composition and skills of the overall picture.

First, these bright and dense colors should not overwhelm the background color, so that it will overwhelm the guests and cannot highlight the dominant position of the 'fish' in the vortex.

Second, the brush strokes should not be too messy, otherwise the colorful colors will be pasted on, and the whole picture will look very 'dirty'.

It’s no wonder that many college students I know in the five major art academies in Tokyo call Meisa Kuromiya a genius, which is indeed true.

The middle-aged active painter nodded in satisfaction, thinking that this time the Golden Award would most likely be Hei Gong Mei Sha, so he planned to turn around and congratulate Yamauchi Yirou: "Mr. Not bad, the Golden Reward is expected.”

He said something with a smile, but heard no reply.

Then he said something to the first floor of Yamauchi.

But still no reply.

This made the middle-aged active painter couldn't help but look sideways at the first floor of Yamauchi.

On the first floor of the mountain, he half raised his head, looked forward, and was in a daze.

The middle-aged active painter followed his gaze, only to realize that the first floor in the mountain was actually looking at a painting in ecstasy.

This surprised him a little.

Heomiya Meisha's "Shangjing" is so excellent, why are you still looking at other people's works on the first floor of the mountain?

Is it possible that some dark horse can be killed in the middle?

How is that possible?

The middle-aged active painter erased this idea.

It's not that he looks down on other contestants, but his experience as a professional-level active painter is there.

Heigong Mingsha's "Shangjing" is probably not a big problem even if it is used to debut as a professional painter. How else can there be a dark horse come out and shoot this professional work from the sky?

It's impossible to think about it.

Rational analysis and thinking about the past also know that it is impossible.

He thought so, but he couldn't suppress the curiosity in his heart.

What kind of work is it that can attract Yamauchi Yirou, who is known for his strictness?

Thinking of this, the middle-aged active painter curiously moved to the side of the first floor of Yamauchi, and looked up——

"Tokyo"?Use the subject directly as the title?This author is kind of interesting.

The middle-aged active painter muttered and looked intently.

Then--

Look at it, he is also in a trance

(End of this chapter)