Tokyo life starting with painting.

Chapter 377 So Angry! (8000 words)
There is no need to describe it with clever and profound adjectives.

Higashino Tsukasa's "Winter and Spring" gives Kijima Nakahiro and Kageyama Bunta the feeling that it is very simple and beautiful.

Whether it's the composition or the use of paint, the two of them feel very comfortable at first glance.

Yes.

Just very comfortable.

Don't think that getting to this point is easy.

You must know that although Kijima Nakahiro and Kageyama Bunta are not very good oil painters.

But as a viewer who appreciates oil paintings, he is still very qualified.

After all, one of them is the president of the New Century Art Association, and the other is the vice president.

I see a lot of works of professional painters, and I can feel any incongruity immediately.

For example, if you use a deeper color tone, it feels a bit bloated, and if you use a higher color purity, the overall tone is not coordinated
Both of them can directly feel this kind of subtlety.

It's like admiring beautiful women on the street.

Looking at it, I already have my own set of standards in my heart.

On the other hand, Nakahiro Kijima and Bunta Kageyama are the kind of beauties who have seen too many beauties and already have their own scoring mechanism.

Ordinary items certainly do not attract their attention.

This "Winter and Spring" gave the two of them a very good intuitive feeling for the first time, and it can be regarded as the kind of work that was given a high score of nine points when they saw it for the first time.

So Kageyama Bunta and Kijima Nakahiro put away the regret they thought Higashino Tsukasa painted was a landscape painting just now, and looked at it seriously.

At this level, if it is really a landscape painting, it is also very good.

not to mention.
"Ms. Higashino's paintings are not landscape paintings."

Looking at the pair of old palms painted by Higashino, the blue veins appeared on them, and they trembled slightly while holding the paintbrush.
Nakahiro Kijima was stunned.

The work was called "Winter and Spring", and they thought it was a landscape painting.

As a result, after a closer look, I discovered the theme of Higashinoji.
It's actually somewhat similar to Onuma Kakuei.

It also expresses the feeling of a person's life cycle through the change of seasons.

But
Kageyama Fumta next to him couldn't help but wiped his eyes, and his voice was a little unbelievable: "Why do I think Mr. Higashino's painting is better than Kakuei Onuma's?"

Yes.

Kageyama Bunta felt that this painting was much better than Onuma Kakuei's.

This is a very inexplicable feeling.

Obviously, he hasn't looked at it himself, he just took a rough look at the outline, and he has this feeling in his heart.

He couldn't help shaking his head, feeling that he was thinking too much.

Indeed, it was beyond his expectation that Higashinoji could draw such excellent works, and there is no problem in saying 'Higanoji is indeed a genius'.

Just relying on his painting and his reputation as a cartoonist among the younger generation, it might be possible to change the situation of the Four Seasons Exhibition of the New Century Art Association.

But it is a bit of an exaggeration to draw better than Kakuei Onuma.

Kakue Onuma is a famous painter in recent years.

It is a bit too difficult for Higashinoji's works to compare with him.

"But Mr. Dongye's ability to do this is actually enough."

Kageyama Bunta muttered to himself.

That's right, relying on this painting, he can be regarded as affirmed that Higashinoji is indeed good enough, he is really a genius.

With a correct attitude, he looked at the canvas seriously.

The cool background color like mist envelops the whole canvas.

It's like the white mist in the woods in the morning. It seems to have a slight blue chill.

Gives a 'cold' impression.

It's like red will give people a warm, warm and hot impression.

But at the same time, the color that Higashinoji adjusted is not the same as it.

Obviously it should give people a cold feeling, but it is not the same.

There is a touch of warm color hidden under the cool tone.

cold and warm.

This should have been two incompatible colors.

But with the purity of color and proper matching, the two are incomparably harmonious on the canvas.

"This color foundation"

Kageyama Bunta was a little surprised.

Isn't Higashinoji the manga author?Although I know that oil painting has some foundation, but this technique is too sophisticated.

I feel that I can't get my skills in 20 years.

He also didn't know that Higashino had practiced oil painting for 20 years in his previous life.

He even took on quite a few other jobs at the time.

Regardless of the background color, look at it as a whole.

This painting probably depicts a scene of a painter painting in winter in his studio.

It was the awe-inspiring winter outside, and everything was wrapped in a vast and lifeless white.

Those old hands also seemed to indicate that the painter's life was coming to an end.
A feeling of dilapidation and decline emerged spontaneously in Kageyama Bunta's heart.

But this feeling is quickly overtaken by

The light in the studio glowed yellowish, which was tempered a lot, and the whole picture gradually became warmer.

At the same time, the old palm stretched forward
This No. 1 viewing angle made Bunta Kageyama feel inexplicably.

It's as if everything in the oil painting has become three-dimensional.

And he is the old painter holding the brush in the oil painting.

This feeling is amazing.

It made Kageyama Bunta feel a sense of confusion.

The world in the painting. Mountain-like age is sweeping.

Wrinkles seem to have appeared on his face, and his palms seem to have become the same as the old painter in the painting.

This startled Fumta Kageyama, he jumped up directly, and couldn't help touching his face at the same time.

Fortunately, no wrinkles.

He is still his middle-aged and promising Kageyama Bunta.

Fumita Kageyama let out a sigh of relief, and at the same time couldn't help but glance at Higashinoji's painting
Just look at the painting, why do you still feel hallucinations when you look at it?

It is no coincidence.

Kageyama Fumta was taken aback, and Kijima Nakahiro next to him was similar.

The old helplessness in the oil painting also made his heart beat.

When he realized it, he couldn't help but praise Dong Yesi again.

sharp!Really great!
This is so well drawn!
It was beyond his expectation!

He and Fumta Kageyama really misjudged.

Higashino Division is really a genius of both manga and oil painting!

Unexpectedly, this No.1 perspective substitution method is indeed very innovative.

And the old painter in this oil painting is also painting in the winter studio.

This creates a sense of chaos in a picture-in-picture.

It makes people feel that the space seems to be upside down.

It's as if the oil paintings of Higashinoji are real.
It is also this technique that further strengthens people's sense of substitution from the first perspective of this oil painting.

And what the painter left on the canvas in the oil painting is also very simple.

He seemed to feel that he was old and weak, so he left an oil painting of severe winter and everything withered.

Everything was wrapped in lifeless white and the snow covered everything.
An indescribable sense of decay, silence, and ethereal pervades the entire oil painting.

This strong sadness seems to have infected both Kijima and Nakahiro.

The two of them felt their hearts skip a beat as they watched, with an inexplicable sadness lingering in their hearts.

Because no matter who you are, you will gradually age.

The body becomes weak.

The spirit becomes sluggish.

Birth, old age, sickness and death. Everyone will have experiences.

And these were captured by Higashinoji with extremely sensitive brushstrokes and left on the canvas.

But it is at this time that No. 1 claims that the sense of perspective substitution is the strongest, and the sadness is rendered to the extreme.

A green streak appeared in the middle of the screen.

And it was this green mark that seemed to wipe away all the sense of depression just now.

Bring a touch of life to the whole picture.

This makes the layout of this oil painting suddenly raised.

It wasn't until this time that Nakahiro Kijima and the others knew why Higashinoji named this oil painting "Winter and Spring" with almost no spring-related factors.

"Winter and Spring", this is when the two seasons alternate.

Seasons can be rotated.

But life cannot be alternated.

This oil painting by Higashino uses large brushstrokes to depict the chilling winter and the skinny posture of all things, in order to highlight the helplessness that "life cannot be repeated like the four seasons".

But although life cannot be rotated like the four seasons, it can maintain a young mentality that is not surprised.
Yes.

Although time cannot be reversed.

People will feel regretful, powerless, and even lament for birth, old age and illness.

But it can also get rid of the decaying body and obtain spiritual satisfaction.

In "Winter and Spring", these two extreme seasons are so closely connected through the natural landscape and the psychological activities of the old hands in the oil painting.

There is an indescribably strong sense of contrast.

"President Kijima, Mr. Higashino this"

Kageyama Fumta couldn't help opening his mouth, and turned to look at Nakahiro Kijima, who was also staring in a daze.

This is no longer the level of picking up treasures.

The two of them simply dug up a treasure mountain!
To put it bluntly, the two of them even felt that Higashino Tsukasa's painting would definitely beat Kakuei Onuma's work if it was put in the exhibition area.

Because after watching for a long time, the two of them can also see it.

Whether it is the theme concept or technique, Higashino has made great progress.

Compared with Higashino Division two years ago, the current Higashino Division has simply risen two grades.

"It's also very well drawn."

Nakahiro Kijima also moved his mouth, looking a little unbelievable.

Originally, he just wanted to borrow Higashinoji's reputation among the younger generation, but he didn't really care about Higashinoji's own oil painting level.

But who would have thought that the people they randomly recruited to make up the numbers might really be able to save the situation.

Even Nakahiro Kijima couldn't help lamenting how lucky he was.

Nakahiro Kijima already has the idea of ​​long-term cooperation with Higashino Division.

But before that
"Send this painting to the exhibition area first, and I'll contact the director of the art gallery."

Bring back the current situation first, and then how to cooperate with Higashino Division.

Nakahiro Kijima quickly ordered, and then called the director of the National Museum of Western Art.

And at this moment, Nakahiro Kijima thought of the incident that Yoshihiro Asakura took the initiative to come to the door.

It was his hidden trump card that the opponent killed Higashino Si with one bite.

At that time, I was still very baffled, thinking that the other party was more paranoid.

How can there be so many trump cards?It's not a fiction TV series.

As a result, no one expected it.
It really is!
He was a little speechless.

Could this Asakura Xibo still have the ability to predict the future?
What he didn't even think of, but the other party guessed it two days in advance.

But even if the other party guessed it, it wouldn't be of much use.

Because as he said before.

There are not so many virtual and real things in art, good is good, and bad is not good.

Unless Asakura Yoshihiro can immediately find a better work than Higashinoji, otherwise he can only bow his head and be beaten.

This is similar to when he faced Kakue Onuma two days ago.

But now it's Asakura Yoshihiro's turn.

Thinking of this, Nakahiro Kijima couldn't help gloating.

I don't know what expression Asakura Kibo will have.

Yoshihiro Asakura these days has really racked his brains.

The main thing is to find out why Higashino has not moved his works into the exhibition area
But that answer suddenly had an answer today——

""Winter and Spring"? And after only two or three hours on display, it caused a lot of discussion?"

Hearing Kashiwagi Ryuhei's words, Asakura Yoshihiro couldn't help but raise his head, his heart skipped a beat.

Has Nakahiro Kijima finally made his move?

He searched the Internet for entries about Higashinoji's "Winter and Spring", and after a cursory search, he found that many art lovers were already discussing Higashinoji's oil painting "Winter and Spring".

Yoshihiro Asakura entered the link without hesitation.

Fortunately, not only the actual painting exhibition area, but also someone uploaded this oil painting image called "Winter and Spring" on the Internet.

Asakura Yoshihiro just watched and gradually froze.

finally--

He slapped it on the table.

A look of being deceived.

Damn it!Didn't that bastard Nakahiro Kijima say that Higashinoji's painting is not finished yet?
Sure enough, he still hid more than one hand? !
Higashinoji's oil painting level is too high!It's really the kind of script where a genius takes out an oil painting to rewrite the situation!
He was so depressed that he almost vomited blood.

Originally, he waited quietly for two days, but there was no movement from Dongyesi, and he also felt that he was thinking too much.

But as soon as the painting was released today, he knew that he had really been tricked by Nakahiro Kijima.

There is such an excellent work tomorrow, why not show it earlier?
Waiting for your own disadvantage to take it out and come back?
You are too wicked, right?
Asakura Yoshihiro was really choked with anger.

Even Ryuhei Kashiwagi next to him was disgusted by this behavior.

If the other party showed this oil painting earlier, they might not be so angry, after all, their skills are not as good as others.

But you only played your cards when we were about to win!

This is like when you are fighting a landlord, you keep bombing, but the landlord has not played a card until the end, you have the last little three left in your hand.

At this time, the opponent suddenly came with a big and small bomb.
How insidious!
Asakura Yoshihiro simply sent an email to the other party, and there was a burst of yin and yang strangeness-didn't it mean that he didn't hide it?Didn't you say there is no trump card?
Your New Century Art Association is really insidious!Can't we have a real fight with a sword?

The heart of playing this kind of trick outside the market is dirty!

Anyway, it's yin and yang.

no way--

So angry!
　Thank you Eternal, True and False for my reward!Thank you so much!

　　
　
(End of this chapter)