Tokyo life starting with painting.

Chapter 306 Is It A Little Hasty (8000 words)
Chapter three hundred and sixth.

If you went to Japan in your previous life, and then posted a sentence on the forum for discussing Japanese dramas, "Hansawa Naoki" is a bad drama.

Then don't think about it, you will be hanged on the wall by angry Japanese people in about 5 minutes.

It is not an exaggeration to say this, because "Naoki Hansawa" had such a big influence in Japan at that time.

To use a simple adjective, that is 'phenomenal level'.

Yes.

"Hansawa Naoki" is a phenomenon-level Japanese drama.

Even if it was on the Tianchao website back then, many fans of this Japanese drama have followed it up.

What's "ten times more money back", what's "Owada Desktop Cleaning Master", or what's "Kondo Pain Mask" and other famous stalks and sentences with ridicule words have come out.

This also explains in a sense.

A good drama is a good drama, even if it is moved to other places, it can still be recognized by others.

So why is "Naoki Hansawa" very popular in Japan and China?
Higashino Division has his understanding of this.

"Hansawa Naoki" can be roughly divided into two stages.

The first stage tells the story of Naoki Hansawa, an elite employee of the bank, who was caught in a [-] million yen fraudulent loan incident. He used various methods and various means to recover the story of the [-] million yen.

And the second stage is to tell the story of Naoki Hansawa in order to keep his position in the bank, and also to avenge the executive Yamato who directly killed his father back then.

Both of these stories are workplace stories, which at first glance might not seem like a big deal.

But it was these two stories that resonated with the audience to a large extent.

The vast majority of people in society are office workers, and everyone will naturally encounter many unpleasant people and things in real life.

Criticism, boss who is difficult to deal with, work that is difficult to handle but pushed onto oneself, being suppressed, knocked down, gossiping in the workplace.
Many people have experienced these more or less.

And "Hansawa Naoki" is a plot that expresses all of these, and overthrows and defeats them all, and never admits defeat.

The evil boss was cornered by his subordinates, and finally had to kneel down to apologize. The salaryman clenched his fists and gritted his teeth, trying hard to realize his wishes, and finally swept away his previous dissatisfaction and felt proud.

This kind of deep resonance and sense of substitution is an important reason why "Naoki Hansawa" achieved excellent reputation in Japan and even in China.

Not to mention the fact that "down to the top" is what many suppressed Japanese people want to do most. (There are also rumors on the Internet that the lower gram is a Japanese tradition).

As I said before, in Japan, especially in the Tokyo area, the pressure of life is very high. Many people cannot adapt to this pressure and choose to commit suicide by jumping off the building. Why do these people choose to commit suicide by jumping off the building?

the reason is simple.

Work pressure is too much.

And where do these work pressures come from?
Nothing more than customers, bosses.

The plot of "Naoki Hansawa" is essentially a story of spreading all these things out and explaining them clearly, arousing the resonance of office workers, and then the weak Naoki Hansawa directly hits the strong and knocks the strong to the ground.

Revenge, even revenge tenfold
The vast majority of people have been framed in the workplace, or people who have been framed, more or less have this idea and mood.

But "Hansawa Naoki" directly expressed their thoughts and feelings.

The final return rating of 42.2% is enough to show that this drama can be on the list even in the history of Japanese dramas.

Well, now comes the question.

Higashino Division is thinking, or hesitating whether to draw "Naoki Hansawa".

"This is Naoki Hansawa"

Tonoji muttered.

If you want to draw it, you will definitely use the system drawing skills.

Skills such as empathy, image recognition, etc.
At the beginning of "Midnight Ring", many people smashed the TV set, and many people were so frightened that they didn't even dare to go to the toilet at night, and they trembled when they saw the TV set.

If I draw "Hansawa Naoki" again
Dong Yesi could almost imagine that when he saw the office worker in high spirits, he immediately dropped "Aversion to Chill", and called his superior with a full face of excitement——

'An eye for an eye, ten times more! '

At that time, "Hansawa Naoki" will not only be a workplace comic.

It is estimated that at that time, it will become "one quitting tip a week" to share comics.

His idea is not without basis.

After all, "Midnight Ring" was like this at the beginning, it scared people enough.

The work "Hansawa Naoki" also has the same appeal as "Midnight Ring"
but--

"I still have to draw."

Higashino Division shook his head and directly made a decision.

If there are office workers excitedly calling the boss after watching "Hansawa Naoki", they will say 'return ten times'.
That can only show that this office worker is usually suppressed enough, and he needs to vent it out in this way.

If a person is holding a breath in their hearts all the time, it will be bad for their health. Maybe one day they will not be able to bear the humiliation and go directly to the roof and jump off the building.

Drawing "Naoki Hansawa" by myself can be regarded as indirectly 'helping' them to vent their pressure.

This is definitely not a bad thing!

There is a small risk of 'a little bit' of departure though.

But compared to life, resignation must be much safer.

Higashino Division began to try to convince himself.

Of course the most important thing is-

"This is another good way to torture Japanese friends."

Tonoji muttered.

He no longer hesitated now, and decided to do it.

And not just for the little bucks.

The most important thing is for those Japanese office workers who have been backlogged for a long time.

This "Naoki Hansawa", which uses painting skills, will definitely resonate with them spiritually!

bring it on!The era of "ten times repayment" for the whole people!
With this in mind, he took out his cell phone and wanted to call his editor-in-charge, Hosokawa Koharu, to inform her.

At this time, Urashima Publishing House.

"Leader Hosokawa, congratulations, all the tasks of "Unnatural Death" have been handed over, and you have achieved such great achievements this year, maybe you will be promoted to deputy editor-in-chief at the next selection. "

Editor Oshima looked at Hosokawa Koharu who just came out of the editor's office and raised his hand in congratulations.

"No way. You think highly of me, Editor Oshima."

Hosokawa Koharu said embarrassingly.

She had just been promoted to editorial team leader this year, and she was in charge of a group of editors. How could she be promoted to deputy editor-in-chief so quickly?

But as editor Oshima said, she does have a chance.

After all, the position of deputy editor-in-chief of Urashima Publishing House has been vacant for a long time since the previous editor-in-chief resigned.

Because most of the people in Urashima's editorial department haven't had any real achievements in recent years, even if they want to fill this vacancy, it's a bit overwhelming.

But now, Higashinoji's "Unnatural Death" has cut so many cakes from the comics industry, and she has enough achievements to show.

If you only look at performance, the position of deputy editor-in-chief is likely to be hers.

But what Hosokawa Koharu is short of is not performance, but seniority in the editorial department.

Seniority is a very magical thing in the Japanese workplace.

Even if you can't make any achievements, as long as you have enough qualifications, you can win the respect of others.

If Hosokawa Koharu is a senior editor who has been in the job for four or five years, no one will object to her being the deputy editor.

But now Hosokawa Koharu is just a newcomer who has just joined the company for two years, and she is still a woman. Many editors present have joined the company earlier than her and climbed too fast, so naturally some people will be dissatisfied with her.

Even with actual performance support, some people will question her ability.

However, even with the combination of the above factors, Hosokawa Koharu still has a chance.

After all, this year, she and Higashinoji, the golden pair, have made too much profit for Urashima Publishing House.

"Let's not talk about this, Team Leader Hosokawa, is Mr. Higashino ready for a new work?"

Editor Oshima started the daily gossip session.

He was in charge of Higashino Division some time ago, but failed, so there was a sense of 'since I can't take charge of you, then I will ask you to edit about your situation'.

And his words made Hosokawa Koharu smile: "How come. No matter how good Mr. Higashino is, it's impossible for him to come up with a new work so quickly."

It's only been a week, and the conclusion of "Unnatural Death" is still in the final stage. Can Higashino come up with new works?

That would be too exaggerated.

Even for "Unnatural Death", the official draft was drawn a full month after the end of "Victor Is Justice".

The editor Oshima next to him couldn't help nodding: "That's right."

He thought about it and said: "A top manga author like Mr. Higashino will definitely continue to polish the quality of his work, and when the quality of his work can completely surpass the previous work, he will come out and shock others."

but
Editor Oshima glanced at Koharu Hosokawa, and said softly, "It's too difficult to surpass "Unnatural Death".

"Unnatural Death" is currently recognized by the comics industry as a work that has squeezed into the ceiling of comic sales.

Why is the ceiling called a ceiling?

It is because it is difficult to touch that it is called the ceiling.

Wanting to touch the ceiling and go beyond it is a little difficult no matter how you think about it.

In other words, the current starting point of Higashino Division is too high.

It is likely that the sales of "Unnatural Death" will already be the end of his life-this is no exaggeration.

Take a very simple example.

Kishimoto, the manga author of "Naruto", has also released new works after finishing "Naruto".

However, the new works could not be accepted by the public, and were even directly cut in half.

Another example of the same style is Kubo Taketo, the author of "Reaper". His new work is not as popular as the previous popular work "Reaper".

A person's creativity and ideas are limited. Similarly, some people also have peak periods.

It's normal for some authors to end a popular manga and then disappear from the crowd.

Of course, the editor Oshima didn't think Higashinoji was the type who was lost in the crowd.

Just compare it with "Unnatural Death".
This is a bit difficult.

Editor Oshima was thinking about it, while Koharu Hosokawa on the other side had already smiled and said, "Editor Oshima, don't worry."

"It's not the first time Mr. Higashino has caught fire. He never lets us down every time. Naturally, it's the same this time."

Of course, Hosokawa Koharu has also heard rumors that "Unnatural Death" is Higashinoji's peak period, and his subsequent works will never be able to surpass "Unnatural Death".

But she didn't pay much attention to these words.

Because Hosokawa Koharu knew Higashino Division.

He must be busy polishing the weapon in his hand now, waiting to continue serializing on "Aversion to Chill".

Then it is similar to "Unnatural Death", squeezed into the comic ceiling again.

"Then, according to Team Leader Hosokawa's understanding of Higashino-sensei, how long do you think he will prepare before restarting the serialization?"

Editor Oshima asked curiously from the side.

He had never partnered with Higashino Division, so he didn't know each other well, so he simply asked Hosokawa Koharu for his opinion.

"According to the rhythm of preparing for "Unnatural Death" last time for one month, I think it is understandable for Mr. Dongye to prepare for half a year this time."

Hosokawa Koharu said.

"Half a year...? Isn't this time too short?" Editor Oshima frowned: "Of course I understand that Mr. Higashino is very good, but it's only half a year that I want to figure out a work that surpasses "Unnatural Death""

"Isn't this a bit difficult anyway?"

After all, Higashino's current enemy is his past self.

Half a year doesn't really feel like enough time.

Hosokawa Koharu just smiled and waved his hands: "Editor Oshima, you don't know Mr. Higashino. I know his temper well. And I just talked about it for half a year. Maybe Mr. Higashino will come up with a new version in just two or three months. What about the work?"

Two or three months?

This is too exaggerated.

Editor Oshima felt that Hosokawa Koharu was too confident in Higashino Tsukasa, that's why he said this.

He wanted to say something more, but before he could speak, Hosokawa Koharu's cell phone rang.

"It's Teacher Dongye's call." Hosokawa Koharu glanced at the phone, and analyzed rationally: "It is estimated that Teacher Dongye came to ask me about the ending of "Unnatural Death"."

No matter how you think about it, it is unlikely to be a new work.

Because time is too short.

"Then I won't bother Team Leader Hosokawa with his affairs."

Editor Oshima nodded and dragged the office chair back.

"I'm sorry." Hosokawa Koharu also smiled politely, and connected the phone instead.

then
"What? Teacher Dongye, can you say it again?"

Hosokawa Koharu stood up straight away, with a puzzled expression on his face: "You mean, you've already prepared a draft of the storyboard for the new manga?"

After listening to her.

Not only the editor Oshima, but even the editors on the other side who were busy contacting the manga authors all turned their heads.

what?
Tono Division.
Are you ready for the draft storyboard of the new comic?

What half a year, two months, three months. Higashino Division is about to take out the manuscript now.

only.
Is this a little too hasty?

(End of this chapter)