Tokyo life starting with painting.

Chapter 285 The key is that there is no way to punch

Chapter 285 The key is that there is no way to punch (4000 words)
Generally speaking, when the studio students are painting the walls, some students will come to watch the excitement.

This is actually normal. After all, in high school, people with good academic performance, who can play basketball, sing or draw are very popular.

but--

"I've never seen such a battle with as many as one or two hundred people, have I?"

Konoe Rinka, who was carrying a few small buckets of acrylic paint, glanced around and couldn't help sighing softly.

It is estimated that not only those high school seniors in this school, but even students from other schools came over curiously.

There may be a layer of people here who are not fans of Higashino Division. They may have heard the news and came here curiously to watch the excitement.

but
"This number is still a bit too much." Kono Airi, who was also helping Higashino Tsukasa with paint, took a look and couldn't help muttering: "If I am stared at by so many people, I must be so nervous that I can't draw anything .”

Konoe Rinka also agrees with this sentence,
There are 200 people staring at you curiously. In this case, if your hands shake or your feet are weak, it will be really embarrassing.

The most important thing is that in such a tense situation, it will become extremely difficult to exert one's own strength.

At least Rinka Konoe felt a little nervous standing next to Higashino Division with the paint in her hand.

Thinking of this, Konoe Rinka glanced at Higashinoji curiously, wanting to see what his expression is now - don't say nervous, but it shouldn't be so relaxed, right?

But she looked over and found that Higashinoji still had that cheerful and smiling expression, basically unchanged, he was even chatting with Konoe Lianghua and the others.

this psychological quality
"Rinka, give me the paint." Higashinoji reached out to take the paint in Konoe Rinka's hand, and began to scan the art wall of Aomori High School in front of him.

I have to say that Reizo Ishikawa really invested some money for his school. From a rough look, this art wall is about 30 meters long, with a flat surface and white main body. Many places have been painted by students on the wall Occupied.

Landscape paintings, figure paintings, and some people even challenged abstract paintings. Although the quality is only average in Higashinoji's opinion, compared with ordinary students, the works here can be called superior.

He looked away, trying to find a good place to paint.

After all, there are already many works on the wall, and he can't build on these works or just cover up all these students' works and then paint.

While Higashino was looking at it, Kono Airi on the side took the initiative to find a good place for Higashino: "Teacher Higashino, look here, there is a spacious enough space."

The place she was referring to was really good. It belonged to an empty wall with no traces of anyone using it, and the place was very large, so Higashinoji had plenty of room to play.

Kono Airi herself thought it was pretty good.

Just when she thought Dong Yesi would nod in agreement, Dong Yesi smiled and waved his hand: "No need, I'll just use that place."

He smiled and pointed to the end of the art wall.

There, indeed, is a blank wall.

But
"Isn't there a landscape tree blocking it?" Kono Airi opened her mouth a little incomprehensibly.

Yes, because the art wall is a bit long, we can’t just leave a bare wall here, so we planted some landscape trees around it, and there are creepers on the wall, which looks lush and very atmosphere.

As for the place Dong Yesi chose, there happened to be a landscape tree blocking it, which seemed to be very obstructive.

"It is good to have trees."

Higashino replied with a smile.

Is it better to have a tree?

Isn't it a hindrance to have a tree there?And no matter how good the painting is, if it is blocked by landscape trees, isn't it useless to paint it?

This is too strange, right?
Both Kono Airi and Konoe Rinka were a bit confused, so they curiously asked Konoe Suzuka and the others who were standing next to them: "What exactly is Higashino-sensei planning to draw? Didn't you reveal it?"

"A Si didn't say anything. He just made a sudden decision and was ready to draw. He didn't say anything else."

Konoe Lianghua and the others also looked bewildered, as if they didn't understand Higashinoji's thoughts at all.

And outside the arena, many students who came to watch the excitement also looked curious. What is Dongyeji planning to do?

Just as they were chatting curiously, Dong Yesi had already come to the landscape tree with a paint jar.

This landscape tree is not big, it is a very ordinary thin-stem landscape tree, and the height is only two or three meters at a rough look.

Higashinoji nodded in satisfaction, picked up the wall painting tools at the same time, and began to prepare for painting.

He already had an idea when he was looking at the wall just now, and now he just brought out what he thought in his mind and painted it on the wall.

As for the so-called wall painting tools, they are nothing more than chalks, brushes, erasers, buckets, knives, plastic palettes and other gadgets.

Chalk is used to make rough drafts on the walls, and a knife is used to scrape off excess paint.

"I don't know what Higashino-sensei is going to draw." Kono Airi had already stepped back a long way and began to watch Higashino Tsukasa lower her head and adjust the color.

Should it be a fan filter?

Obviously Higashinoji is an ordinary color palette, she thinks it is quite handsome.

"It's pretty much the same for everything, Mr. Higashino should be good at drawing." Takahashi Yumi answered next to her.

She doesn't know much about painting, but in her opinion, Higashinoji is omnipotent, there is nothing he can't do.

"How can it be the same? There are many schools of painting." Kono Airi glanced at Takahashi Yumi, and then explained: "Just like karate, kendo, etc., there are schools, and there are various styles of painting. .”

"However, according to my understanding, there are actually two types in general. One is works that pursue the expressive skills of the screen, and the other is works that want to express a certain emotion or a certain idea of ​​creative themes."

Kono Airi explained again:
"Landscape paintings and classical paintings are works that pursue realistic expressiveness. This is the work that pursues the skills of picture expression, which is the so-called painting technique, while works such as abstract paintings are simply to test the author's deep understanding of certain things. Thinking about it."

Of course, Kono Airi said so, she actually doesn't know anything about abstract paintings, even if she is asked to look at them now, she is a little confused about what kind of feelings the authors of these abstract paintings are trying to express.

"Is that so?" Takahashi Yumi half-understood: "Then do you understand what Mr. Higashino wants to draw now?"

"Ah? Have you started drawing yet?" Airi Kono showed a surprised expression.

"Uh, have you finished the painting?" Takahashi Yumi glanced at Higashinoji, and was a little puzzled: "Did you draw so fast in your art life?"

"." Airi Kono.

Ignoring Takahashi Yumi's question, Kono Airi looked at Higashinoji over there.

She lowered her head and talked with Takahashi Yumi for a while, and Higashinoji has already drawn it?

This is too fast.

She has always been a fan of rationality. If the things drawn by Higashino Division are that kind of ordinary things, then she will probably be completely disappointed.

But it looks like it's really finished?

Kono Airi opened her mouth.

But this is too small, right?On such a large wall, the paintings drawn by Dong Yesi probably only accounted for one-tenth of the area.

Moreover, what Higashino painted on the wall is also very simple. It is probably a young man wearing a white slim shirt. At this time, the young man in the picture is leaning sideways, leaning on the wall and drawing with concentration. The object of the painting is a landscape tree. .

that's it.

The content is really simple, but the painting is extremely fine. The landscape tree in Higashinoji's work on the wall seems to jump out of the plane directly through the medium of the wall.

But nothing else.

This composition is too monotonous and looks lonely.

"It's a bit monotonous, Asi's work this time," Konoe Lianghua couldn't help but said worriedly.

But her words were heard by Kono Airi next to her, which made Kono Airi anxious all of a sudden: "Do you know what art is? This composition is actually not monotonous at all."

"Huh?" Konoe Lianghua was stunned.

She looked at the obviously impatient senior beside her, with surprise on her face.

It's not me who is Asi's girlfriend. I'm not impatient yet, why are you so impatient?Shouldn't I be more worried about this situation?

Konoe Lianghua's face was full of bewilderment, and he felt that his position had changed all of a sudden.

Kono Airi ignored this point, just like those female fans who cover for their idols, muttering in their mouths: "Those blank spaces must be meaningful, Mr. Higashino can't do meaningless things, It’s just that my level is too low now, and I still can’t see it.”

"." Konoe Lianghua and his group couldn't help but glance at each other, feeling inexplicable about this sudden madness of Kono Airi.

It wasn't until Konoe Rinka came over and whispered to them: "Actually, Kono-senpai has always been a fan of Brother Si, and she is a fan who is particularly obsessed." Konoe Lianghua and the others couldn't help but take another look at Kono Love pears.

This is too protective of the calf, right?

But since they are fans of Higashino Division, they didn't say anything.

"Speaking of which, Higashino-san doesn't seem to be over yet." Fujiwara Aoi had been paying attention to Higashinoji on the other side from time to time, and reminded him when he saw that he was starting to write again.

Not over yet?

Everyone became interested again, and continued to look at Dong Yesi.

It's still the same picture, still the young man drawing a tree on the wall, but the size and angle have changed.

From the original one-tenth of the size of the wall, the second painting is now as large as one-tenth of the entire wall, and because the second painting is inserted into the first painting, there is a sense of nearness, greatness and distance. Little sense of perspective.

In particular, the ordinary landscape tree in the picture was portrayed more realistically by Higashinoji.
And if you look closely, you will find——

"Isn't the young man on the painting A Si?"

Higashino Chihaya touched her head and asked.

As soon as she mentioned it, the others reacted.

The young man who is painting the landscape tree in the wall painting is Higashinoji, and Higashinoji is painting the wall painting. This visual effect presents a sense of confusion of "picture-in-picture".

Higashinoji did not stop painting because of their discussion, he washed off the paint and started to paint the third picture.

It is still the picture of the tree painted by the young man, which is a bit bigger than the previous painting, and the previous two paintings are included.
This feeling is like the oil painting gradually becoming three-dimensional through the medium of the wall, breaking away from the 'wall' and becoming independent in reality.

Higashino Division did not hesitate, and began to draw the fourth picture
As before, the first three paintings are included in it, and the feeling of going through space and coming to reality is even stronger.

Just when Konoe Lianghua and the others thought that Higashinoji's fifth painting was going to frame the previous four paintings, Higashinoji raised the brush and put pen to paper.

The fifth painting is surprisingly simple.

It is the appearance of the young man with his face sideways and stretching out his paintbrush sideways, nothing else.

But it was this too simple picture, but Kono Airi couldn't help rubbing his eyes, with an expression of thinking that his eyes were wrong.

Because the paintbrush stretched out by the young man in this painting is exactly aimed at the real landscape tree from the perspective of the plane.

It feels as if the landscape tree in reality was drawn by the young people in the wall!
This is undoubtedly a wonderful experience, which makes people even a little dazzled.

Layer upon layer, from far to near, finally jump out of the screen and turn into reality
The fifth painting is indeed very simple, it is a young man stretching out his paintbrush.

It does not put all the previous four paintings together, but allows the overall picture to break free directly and take root in reality.

Even the crowd of students who came to join in the fun couldn't help rubbing their eyes together, as if they had misread it.

Because the person in the "painting" reached out and drew the "landscape tree in reality". Isn't this just a mistake?

What they don't know is that the human eye is actually very easy to be deceived. This kind of misalignment between reality and wall painting is actually quite common in later generations.

However, Higashinoji prefers to call this painting method "matryoshka style" painting.

He made some slight changes based on some wall paintings he had seen in later generations and applied them here.

This is pure cleverness. Higashino is not complacent. After all, this painting method is easy to learn. It is a simple matryoshka plus wall painting to deceive people's eyes.

If there is anything to brag about in the painting in front of him, it might be that he has painted about nine points of his own handsomeness.

Nothing else.

Higashinoji put down the plastic painting tray in his hand, raised his hand and began to tidy up the messy props.

But before he started, Konoe Lianghua and Takahashi Yumi excitedly came over to help.

"Teacher Higashino, this painting of yours is too...too." Takahashi Yumi said "too" and "too" several times while tidying up, and then managed to hold back a word: "It's too interesting, isn't it?"

"Interesting." Higashino Si replied cheerfully.

"Hmm! Hmm!" Takahashi Yumi nodded vigorously.

Then he took out a [-] yen note from his small wallet, with an excited expression on his face:
"Teacher Dongye, look, can you draw another picture for me?"

Uh.
Takahashi Yumi's 'punching' is really out of order.

Even Higashinoji was stunned, he didn't expect her to say that at all, and fell into a brief silence.

 Thanks to AFK for many years, Shuke Shuke, Shuke who flew the plane, Dragon Fruit Nova, book friends 20201005210548873, aseyxg for their rewards!Thank you so much!

  
 
(End of this chapter)

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