Omniscient and Almighty

Chapter 140

Originally, normally speaking, Xu Guangling would be able to play "Scorching Blossoms", which is also the piece he planned to record later today, but at this time, due to a small accident, his memories suddenly flooded and his feelings changed. , what flowed from his fingers was another song that was born at the same time as this song that night.

"Ran Ke"!

At the beginning of the song, there is the background, there are peach blossoms and streams, and the series of overtones just now are petals of peach blossoms, leisurely and not at all urgent, in the spring sunshine, in the breeze , sprinkled in the creek.

Then, after the overtones, there is a series of soft and shallow strokes.

And in this stroke, the creek, the slowly flowing stream, is presented.The next short paragraph is the accompaniment of overtones and flicking strings. The two go hand in hand, the stream flows, and the peach blossoms fall occasionally. With the different landing points and interlacing, the element of wind is also presented.

Afterwards, with the slight change of the string, the flowing stream, illuminated by the sun, and the slightly shimmering feeling are also presented.

At this point, the background is laid out.

Peach blossoms, brooks, gentle breezes, and beautiful days.

This is also the first section of the song, and in the middle of the first section, the second section is naturally cut. The angle of view, or the center of the song's description, is moved to the bank, from the scene falling into the stream. The petals moved to the peach blossom tree on the bank.

The peach blossom tree that is blooming brilliantly.

Tao is pear blossoms or not, Tao is apricot blossoms or not, white and red.The trees are full of tenderness, and the ten thousand dandelions are shining brightly in the spring!

Xu Guangling's hands, on the zither strings, changed from flicking to clicking, and following the series of extremely fast and dazzling clicking, it seemed to be "white and red" one after another, Just like that, it "blooms" from the strings of the zither, vying for beauty, enthusiastically, and joyously.

Peach blossoms, brooks, gentle breezes, and beautiful days.

It is still the four elements, but at this time, the atmosphere of the piece is completely different from just now. Just now, it is just laying out, but now, it is the theme and the thick ink. This is not a brush, but there is something called "synaesthesia".

Synaesthesia can be beneficial, allowing people to see text from the screen, to hear the sound from the text, and to see the picture from the sound...

In fact, at this time, even Xu Guangling himself was a little intoxicated and a little shocked.

Intoxication is of course, he is a player, but he is also an appreciator, he is a composer, but when composing, no matter what, it is impossible to present a real sound in his mind, so in a certain sense In other words, this song was not really completed until this time, um, or it was in the process of being completed.

The shock was that Xu Guangling discovered that his current playing level was not just the so-called difference from what it used to be?Even the 1 selves in the past add up, and they are not the single-handed enemy of the present self.

Whether it was the overtones just now, or the flicking of the strings later, or the current tap, Xu Guangling felt that his hands were on the strings, but in fact there was no structure, but when the melody unfolded in his mind, all the techniques needed , and it is freely presented between the fingers.

In other words, his fingers can move completely according to his will, and freely present the effect he needs on the zither strings.

Moreover, the effect far exceeded his own expectations!

In the intoxication, the transition to the second section of this song was completed very quickly. Yes, the background of the first section just now was laying out, and the richness of this second section is also a transition, not the real theme of this song.

The real theme is still to come.

what's nextThat is a person, standing with his hands behind his back, standing on the shore, standing in the beautiful sun, standing in the gentle wind, standing under the peach blossom tree, looking up slightly, looking at the splendid tree, smiling, indifferent, and in love , appreciating.

Then, he leaned against the peach blossom tree and sat on the ground.

As the angle of view moves down, the sunshine changes from warm to warm, from warm to warm, from warm to shade with spots of light, and the peach blossom tree also changes from the warm and brilliant just now to the one at the beginning. , Occasionally, some petals fall down.

Floating in the stream, on the grass, on the man's hair, on his shoulders, and on the scroll in front of him, and what's more, it just floats on the ground in the breeze, like a coat.

This section is also the section that tests the performance skills of the whole piece the most.

Xu Guangling himself is the composer, but when he composed the music that night, he actually only completed the general melody of this part, and the specific arrangement, because this is not a commercial composition or a composition for others, he is planning to play it himself in the future, so in the There is no specific setting for difficulty.

Everything can be played according to his playing level, just like playing some games, you can choose easy difficulty, you can choose medium difficulty, of course, you can also choose advanced or even the so-called hell-level difficulty.

And at this time, unconsciously, Xu Guangling did not have the mentality of showing off his skills, and it is impossible for him to have the mentality of showing off his skills, but the fact is that the extremely frequent, fancy, and extremely difficult skills are here. At that time, between his hands, it was just like the peach blossoms on the blooming flower tree in this song, blooming wantonly and presenting.

In terms of melody, this section of the piece can only be described as melodious, but not at all high-spirited.

The real "brilliance" of this song has actually passed in the second stanza just now, but now, when entering the third stanza, not only does it never feel sad at all, on the contrary, it looks like It is like mountains and rivers returning, like the willows are dark and the flowers are bright, like the spring breeze blowing a peerless picture.

In this picture scroll, there are still peach blossoms, streams, gentle breeze, and beautiful sun, but they are both the same and different from the previous two paragraphs. The most important thing is that they have given up the center of the picture scroll and no longer serve as The main character, and the main character, was taken by one person.

And it's not so much a person, it's more an atmosphere.

Of course, people are presented by atmosphere.How to express a person in the song?It's not difficult.When it cannot be expressed directly, it can be done indirectly.Just like a painting, if you draw an umbrella, an open umbrella in the rain, you don’t need to draw the bottom of it, but the viewer will naturally add that there is a person under the umbrella.

And if you draw the hand holding the umbrella, you don’t even need to draw all five fingers but only one finger, whether it is vigorous, old, or thin and green, then next, well, people who look at the painting Not only does he know that there is a person under the umbrella, but the image of that person is almost ready to emerge in his mind.

But this kind of ready to come out, and the person directly drawn on the painting are two different things.

Draw it out, be specific, but because of "concrete", there is not much space. - space for imagination.

And many times, beauty is born from imagination.

At this moment, even Xu Guangling himself was slightly fascinated by the person and the image presented in the song.Because what is depicted in the song is pure.It is because of the virtual that all the chaos in the world can be removed, and only pure and beautiful can be shown.

And that kind of purity and beauty cannot be found or is difficult to find in the world.

This is a melodious and even slow rhythm, but on the contrary, when playing here, Xu Guangling's two-hand movements present the most complicated and fastest, and many kinds of subtle images are intertwined and parallel At the same time, let the presentation of this section of the song be completely three-dimensional.

Then, after this paragraph passes, it is the end.

The end came unknowingly. When Xu Guangling's two-hand movements changed from extremely fast and complex to simple and slow down, the song gradually progressed to the end, until the end, a series of fast and slow After a slight overtone, the song officially ends.

At the end of the song, everything is silent in the piano shop.

It's clearly in a busy city, it's clearly on the street, but at this moment, this piano store of more than [-] square meters seems to have become an independent small world.

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Thank you for the recommendation vote support of "Houbing Bingling".

Thanks to "iv Xiaoxi" for the monthly ticket.

(End of this chapter)