Omniscient and Almighty

Chapter 111

This chapter is specially updated, and the two chapters in the evening remain normal.

Happy birthday to book friend "iv Xiaoxi"!

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On the way back from Zhang's hometown, Xu Guangling's mood has been immersed in a rather strange state.

Trees, roads, neon lights on the street, passing pedestrians and cars, etc., etc., everything in the exterior scene seems to have become a little unreal, or in other words, at this moment, Xu Guangling felt that he was like a In a dream.

This was a feeling that Xu Guangling had never experienced even after the sudden change that night.

Undoubtedly, tonight, his view of the world was refreshed again, his eyes widened again, and the world once again opened a new window in front of him.It's just that the window seemed a little too big, so that the window suddenly opened, and the strong wind suddenly swept in, making him a little unstable.

Not to the point where the world is broken.

But indeed, at this moment, Xu Guangling felt that many things were a little blurred.

Fortunately, his footsteps are fairly steady, and very steady.Whether it's Taijiquan practice in the morning, or the four moves and one style Sanshou practice at irregular times every day, it has brought his current body balance to a considerable level.Steady, coupled with the smooth flow of qi and blood in his body, made his steps casual and revealing casualness, but under the foundation of casualness, it was a kind of solidity of "holding on to the green hills and not letting go".

This is probably the only way to prove that he is not a drunkard, not insane, nor in a daze in a dream.

So, with a firm and orderly pace, Xu Guangling approached the rented quarter little by little, and the confusion and illusion in his consciousness were gradually blown away by the gentle night wind, presenting a bright moon and clear sky like the outside world. state.

But the blur is gone, but a certain emotion is still there.

Xu Guangling now knew how to deal with similar emotional impulses. He entered the room, took out the manuscript paper, and sat down at the desk. was born under the pen.

It is said to be one song, but it is actually two songs.

Because these two songs were produced under a kind of opposite but unified mood, for Xu Guangling himself, they are inseparable.

On the top of this written song, Xu Guangling inscribed its title, "Zhuo Zhuo Qi Hua", quoting from the Book of Songs, "Peach Zhiyao, Zhuo Zhuo Qi Hua", that is to say, this sentence is taken, and the rest of it is completely different. related.

In spring, the peach blossoms bloom brilliantly, brilliant and brilliant, like clouds and brocades.

The image in it can probably be set off by the first two lines in another poem, "Peaches in the sky and dew seeds, red apricots planted against the clouds by the sun."——This is a tree that is blooming wantonly , Peach blossom trees surrounded by colorful clouds and shining in the sun.

This is also a splendid, gorgeous, and passionate life.

Xu Guangling marked a 3 after the blaze, and then removed the page of manuscript paper, and started the creation of the fourth song. In fact, in the process of writing the third song just now, most of the fourth song has been completed at the same time. At this time, it is only a formal holistic treatment.

Not long after, the fourth song was also announced, but Xu Guangling encountered a little obstacle when writing the title of this song.

real person.

This is the title that Xu Guangling wrote on the top of the page after finishing the song, but just after writing it, Xu Guangling frowned slightly, then crossed it out, and changed it to "immortal", but the next moment, Xu Guangling found that it was still inappropriate, so he crossed out these two words, and wrote "Taoist" again.

But then, looking at these two words, Xu Guangling still frowned. These two words are still inappropriate, and they are very inappropriate!

What he wrote is not true, not immortal, not Tao.

Besides, as of now, as of now, he actually doesn't know what is a real person, what is an immortal, and what is a Taoist.

After careful study, he just wrote about a person standing by the "sparkling" peach blossom tree, looking at the brilliant peach blossoms, he loved and admired them, but most of them were appreciations, and after the appreciation, he Sitting under the peach blossom tree, he took out a book and read it quietly.

The splendid peach blossom tree gradually fades into the background, and beside the peach blossom tree, there is a winding stream with long flowing water, carrying the peach blossoms, the faint mood of the scholar, and the time and time, so slowly Earth, flowing to the distance...

How to name this song?

After rejecting three names in a row, Xu Guangling studied the song itself carefully, and then planned to name it directly "Peach Blossom Flowing Water", but before the inscription was written on the manuscript paper, the name was rejected by him again.

Too straightforward.

Straightforwardness itself is not a problem, the problem is that the name does not represent the song itself, only its expression, not its meaning.

Or, "years"?

But this name is a bit too vicissitudes and too vague, and it is not only vicissitudes, but also more than vague. It is also the same as the previous naming, and it fails to accurately capture Xu Guangling's mood in creating this song.

Letting go of his thoughts on this piece of music, Xu Guangling was preoccupied for a moment. After a long time, he finally wrote again. Next to the title that had been drawn three times in a row, he slowly wrote two words: "Ran Ke."

There was a man who went up the mountain to cut firewood. When he saw someone playing chess, he stepped forward to watch. After a game of chess was over, he was reminded: "You should go back." It was found that the handle of the ax was rotten.

"Lanke", this is the title of Xu Guangling's fourth piece.

It's a title and a theme.

It is about peace, about time, about eternity, about vicissitudes of life, about the human world, and about the non-human world. It is very complicated. Even Xu Guangling himself can hardly locate the real thoughts entrusted in this song, probably the real thoughts, that is, Many kinds of expectations, assumptions and contradictions are intertwined.

But no matter what, after the creation of the two pieces, most of Xu Guangling's emotional impulse accumulated in his heart has been consumed, and there is still some left, but it has not hindered his calmness. Guangling put away the manuscript paper, walked to the middle of the room, and started the practice of the four moves and one form of Sanshou again.

No expectations, no delusions.

Some are just focused, as always.

Because of the fourth song just now, when Xu Guangling practiced the four moves and one style, he unconsciously entered a rather peaceful and profound state. When I looked at the time, it was already half past ten.

In fact, at about 09:30, he finished his last move and put away his airs.

Then just stand there, not even the independent open posture of the golden rooster, but standing there with two feet on the ground, firm and loose, allowing the blood to rush, circulate, and then a little bit Gradually transition to gentle, transition to subtle, transition to let him forget everything inside and outside the body.

Just like the second half of the song just now.

The peach blossoms and flowing water gradually fade away, but they don't flow far away, but live in the heart.

(End of this chapter)