The breeze blows the embankment, and the trees are full of shade.

Yuan Yi swam in such a world, and almost forgot that this is a virtual world.

At this time, the silicon base began to fade away.

Dinka's skin was no longer smooth and white, but transformed into a normal human being.

At this point, Yuan Yi remembered.

In the setting of the plot, after being pushed by Masko to the so-called survival game area, Dingka came to the Blue Star 15 years ago from reality.

At the beginning stage, the dialogue between Masco and her is the future time and space.

About this point, she read it several times before she understood it at the beginning.

The script she received this time made Yuan Yi feel that the idol dramas she had acted in before were too simple.

Afterwards, Dingka began to collect fruits in this Yili Garden.

The bananas here are bigger than I thought, enough for her to eat.

I don't know how long it took, but the fruit in the woods became less and less.

In order to get more food, she made bows and arrows out of wood and stones in the forest.

Then, Dingka walked through the woods and came to a grassland.

After a while, a similar person appeared around.

Is a tall young man.

His name is Hua Ya, and the actor who plays the role is a professional accountant of a fantasy hero.

From Xia Guo's earliest "The First Sword", he has been the dream lover in the eyes of the public.

The starting point is much higher than those born in idol drafts like Yuan Yi.

And now, Hua Ya has been promoted to actor.

He wears a fur coat made of animals and a headdress made of leaves.

After seeing Dingka, the two did not talk much, but danced for a while.

The setting of this paragraph in the script is that early humans did not have language, but they could communicate with each other through their hearts.

And to unlock the password of Unicom's soul is dance.

The source of this idea is also the jungle people who have lived in the tropical rainforest for a long time.

They say that all living things are connected by a string of silver energy that extends from one navel to the other.

On the surface it appears that we are communicating thoughts, but in reality we are communicating emotions.

Yuan Yi thought, fortunately she had a foundation in dancing since she was a child, otherwise this part would not be easy to perform.

Director Chen Yifan asked her that in this plot, the dance style needs to be more powerful, so that it is closer to early humans.

Beyond that, come with a love for your surroundings and people.

She remembered that she and Lin Zhou were also playing on a grassland a few days ago.

Of course, the natural environment is far less than here.

But this kind of love for the surrounding environment and people is deeply felt.

She puts this emotion into the current performance.

Director Chen Yifan, standing in front of the holographic projection stage, was shocked by this scene.

He thought of the dances of the local aborigines when he traveled to the Amazon plains.

When she gave Yuan Yi a training class a few days ago, she couldn't let go.

Now, there has been a qualitative change.

What happened?
Amazing!

This segment was recorded very smoothly, and the editor on the side edited it in real time.

At the same time, another special effects artist turned this paragraph into a petroglyph.

Looks stunning on screen.

It expresses the early recording method of human beings.

In the archaeological world, there are many petroglyphs dating back tens of thousands of years, which record many scenes of human hunting and dancing.

In fact, the ancient history that people see today, the written records are often not credible.

Because words are just a string of symbols without any real meaning.

Then it is impossible to truly decipher the text that has been lost for generations.

As for the images, no matter how many years have passed, you can tell what the people were doing at that time.

Similarly, humans used telepathy to communicate before there was language.

It is more empathetic and avoids unnecessary misunderstandings and disputes.

This is also the original intention of director Chen Yifan in designing this segment.

Of course, this movie was made for modern people after all.

So, he did the narration.

"Where are you from?" the young man asked.

"I'm from Pangu's family." Dingka replied.

On the screen, neither of them opened their mouths.

"Who is Pangu?"

"He said he was the god who created the world and my father."

"Then you are a goddess?"

"Maybe, but I don't think I'm any different from you."

"That is, after all, we can communicate without barriers."

……

On the other side, in the research institute.

Previously, due to a failure of the nuclear reactor, the progress was delayed a bit.

Each group began to move faster.

And Lin Zhou sat alone in the office to refine the drawings about the warp drive.

Work hard all the time.

The manufacturing workshop was expanded a lot by Lin Zhou before, and there was another room dedicated to building mechs and cars.

Those are simpler ones, just leave them there and let the smart automated arms do the work.

The warp drive, on the other hand, is a very delicate and complex project.

It involves all aspects of modern industrial technology.

Even some unimaginable dark matter will be used.

Lin Zhou knew that in order to satisfy his longing for stars and seas, he urgently needed a model that could break away from the negative effects of acceleration.

Preferably an engine that also breaks the speed of light limit.

The principle of the warp speed engine is to realize sub-light speed or super-light speed flight by bending the space.

Physicists have been studying this seemingly magical technique for decades.

And Lin Zhou is very clear that with scientific principles and matching corresponding technologies, it can be realized.

But its need for "negative energy" once made it seem physically impossible.

At this time, Lin Zhou planned to go to the laboratory next to the manufacturing workshop.

As long as the Casimir effect produced between the two parallel plates can satisfy the negative energy requirement of the Alcuvere engine.

……

Studio Three.

During this period, the two did not deliberately ask each other's name.

After all, names are just symbols. Under the communication of mind, they soon knew what the other party called them.

The young man called himself Nock.

This is the first information vocabulary transmitted to him by his mother after he was born.

As for what it meant, his mother never told him.

Of course, he also didn't think it was important. The function of this word was to distinguish him from other brothers and sisters.

He conveyed these ideas to Dingka.

Dingka is very curious about this, she has the concept of a mother herself, but for some reason, she has never seen her mother, what is the reason?

Nock said her situation was very strange, because he never knew who his father was.

Dingka and Nok finished their dance exchange.

Then, the two went hunting together.

Nock lent her a horse that would speed her up.

Although Dingka had never learned how to ride a horse before, he climbed up like he knew nothing about it.

Soon, she was bathed in the fresh sunshine and the wind was blowing.

Follow the horse's progress, as if flying.

In this very realistic experience, Yuan Yi almost felt that everything was real.

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