A lonely brave man, I become the king of music

Zhao Xiaogu, who was wearing a costume under the light, looked at Li Mushang affectionately, as if only the voice of the man in front of her could mobilize her deepest emotions.

Singing softly, spanning the vicissitudes of life eight years ago, instead of the Chinese national treasure who could not speak, he told about the long years he had seen.

Li Mushang stepped towards Zhao Xiaogu, and the two touched lightly with their fingertips.

"Your beauty drifts away. Go where I can't go."

Zhao Xiaogu suddenly stretched out his hands, and his beautiful sleeves fluttered.

Like the last two fluttering butterflies in the story, she never left and was always by "him".

As if he protected himself in his arms 800 years ago, the interaction between the two on the stage is breathtakingly beautiful.

As soon as Yan Ran came out of the misty and hazy Jiangnan ink landscape, Yi Ren's skirt with water sleeves could be vaguely seen dancing between the water and clouds.

Li Mushang spread out his left hand and stretched it naturally. During the singing, there were more complex emotions in it, such as longing, admiration, and regret!
"Sky blue is waiting for the misty rain, and I am waiting for you."

"Cooking smoke curls up, thousands of miles across the river."

"The Han Li written on the bottom of the bottle imitates the elegance of the previous dynasty."

"Just think of me as a foreshadowing for meeting you."

The audience smiled knowingly when they heard the four lines of the chorus, and the familiar four lines of Fengshen came again.

Very typical Li Mushang's Huaxia style of writing and creation.

The thoughts all over the sky were rolling like a tide, and when they turned into singing, they reached everyone's ears, but what came was not particularly strong, it was still just a clear and light singing.

This is what he has learned after a week of intensive training. Acting is only one aspect, and he is more comfortable in controlling his emotions.

In this way, we can better "tell stories" on the stage, so as to avoid the embarrassment that the audience can't understand.

An unhurried word "waiting" sang so many helplessness and sighs.

Just like the "waiting" of the red gall bottle in the glaze with peonies and twin phoenixes, the first time has been waiting for more than 800 years. He waited helplessly, waiting for the moment when it will shine again.

Just like Li Mushang and Chen Jia in the previous biographies, this kind of waiting is hopeless waiting, waiting in the next life, waiting knowingly that there is no waiting.

But when he sang it out of his mouth, he only used a light tone, which seemed to be nothing more than normal.

"Azure~~ Waiting for Misty Rain, and I'm waiting for you."

"The moonlight was salvaged and the ending fainted."

"Like the blue and white porcelain handed down from generation to generation, it is beautiful by itself."

"You have a smile in your eyes!"

When the chorus was sung, Li Mushang saluted Zhao Xiaogu not far away with a smile on his face, and the two people who traveled across time and space met at this moment.

The expression on Zhao Xiaogu's face is extremely complicated, he was stunned at first, then excited, he may find that he is not the "he" before him, and his face is a bit disappointed.

Li Mushang slowly stretched out his hand to signal for her to hold it tightly.

He wanted to use the gall bottle as a medium to show this infatuated "old friend" the peaceful and prosperous world around eight years ago.

The interlude melody uses orchestral music plus ethnic instruments, castanets, pipa, flute and other timbres.

It is majestic and at the same time has a cultural confidence of the Chinese nation.

"The secret you have hidden in the kiln for thousands of years."

"Extremely delicate like an embroidery needle falling to the ground."

"In the splash-ink landscape painting."

"You are hidden from the depths of ink."

Since Li Mushang officially entered the public eye, his two Chinese-style works have received mixed reviews on the Internet.

He has also reflected on this kind of problem in private. It is true that as a creator, the lyrics depend on his own inspiration and ideas.

As a singer, Li Mushang feels that he should think more about the audience. When he really stands at the top of the music circle, if he writes some innovative works, the response may be better.

This piece of work can be regarded as his test of the water, and it can be regarded as a look at the music works created by the audience after compromise.

Of course, there are many elements that should be there, but the arrangement is not so hardcore and more popular.

After all, experimental music is experimental music. When it has not been tested by the market, he needs to check the feedback of the audience, then make modifications and compromises, and then gradually improve it.

This is a process that requires Li Mushang and the audience to adapt together.

What makes him grateful is that most of the lovely audience are still very tolerant, and they are more merciful in their mouths.

Leaving aside some of the outrageous insults that are purely mentally ill, most of them are quite rational, and the opinions they put forward are indeed reasonable.

The second chorus entered, the surrounding lights dimmed, and Zhao Xiaogu's figure disappeared. The blue and white gall bottle in the glass cabinet disappeared.

It's like a dream!

The melody is still majestic, but there is a special instrument, the Beijing drum, added.

This kind of drum is very small, unlike the big drum, which has a thick and tense sound when struck with drumsticks.

The drumsticks of Jinggu are so small that they can make a crisp sound with just a slight movement of the wrist.

This thing has not been used in any modern music works, and most of them are used in the opening of operas.

Li Mushang opened his eyes and spoke in a playful tone.

After obtaining advanced proficiency in opera, he has always been cautious and did not use it too much. The main reason is that he is afraid that his skills will not pass, and he will inevitably be criticized by others.

Now he felt the time had come.

"Sky blue is waiting for the misty rain, and I am waiting for you."

"Cooking smoke curls up, thousands of miles across the river."

"The Han Li written on the bottom of the bottle imitates the elegance of the previous dynasty."

"Just think of me as a foreshadowing for meeting you."

The operatic singing of these four sentences made people's eyes shine, and even the two partners, Uncle Mu Yang and Lao Yang, were a little dumbfounded in the audience.

It's too strong. Directly sublimating the chorus part, singing the same words gave everyone a completely different audio-visual experience.

The scale began to climb, and the accumulated emotions burst out.

"Azure~~~ Waiting for Misty Rain, and I'm waiting for you."

"The moonlight was salvaged and the ending fainted."

"Like the blue and white porcelain handed down from generation to generation, it is beautiful by itself."

"You have a smile in your eyes~~~!"

At the end of the song, Aunt Yao in the background was shocked and kept clapping her hands.

Li Mushang is the first guest to record the program as a singer. The staff and creative team may not be particularly aware of how amazing this work is.

As a former professional singer, she was really fascinated by this song "Blue and White Porcelain" with strong Chinese classical charm.

The song perfectly combines Chinese traditional culture and modern pop music, and depicts a lingering love story with the theme of blue and white porcelain as the artistic conception.

The biggest success of the song is that it is no longer as obscure and small as the previous works. The song, melody, orchestration and singing method are perfectly integrated with Chinese classical elements, but it is not as high as the artist, so it is suitable for all ages.

The lyrics are the main body of the song to describe the plot and express emotions, and it is also an important part that can bring the most intuitive feelings to the audience.

Li Mushang has completely painted a masterpiece of ink and wash painting with rhetoric and rich rhetorical techniques with Chinese characteristics.