In his own mind, Guo Shixuan carefully thought about the knowledge of appraising treasures that existed in his mind.
He was looking for the reason why what he could see with the perspective mirror was an antique, but it turned out to be a fake.
While observing, he was thinking.
Looking at the inscription, no matter whether the painting is real or fake, if it is genuine, it should be the painting of Wu Daozi in the Tang Dynasty, and if it is a copy, it is also an imitation of Wu Daozi.
This painting should be about some things of Buddhism, and it is more in line with Wu Daozi's style, because that was the time when Buddhism and Taoism were rising, so most of his works were also related to this theme. He is good at landscape painting, which integrates the connotation of Buddhism and Taoism into the landscape painting at the same time.
According to Guo Shixuan's memory, this should be a picture of Wu Daozi sending his son to heaven.
By observing the characters depicted in the picture, the stories and some details in the painting are basically very consistent with Wu Daozi's picture of Sending a Son to the Heavenly King.
Looking at the brushwork of the imitation, it is also relatively close to that of Wu Daozi, but the imitation is an imitation after all, and it cannot be completely consistent.
Judging from the outside, it really looks like an imitation, because the imitator's brushwork is not as elegant and free as Wu Daozi's painting, let alone the feeling of being able to retract freely.
After all, imitations are only imitating the author's own feeling, but it is impossible to completely achieve the real feeling, the author's feeling at that time.
This is why many imitations have no soul, and they just look better.
The painting in front of Guo Shixuan is exactly like this. It lacks some of the emotion and charm of the author when he was painting at that time, and it looks a bit dull.
But Guo Shixuan was still very curious in his heart, what was the reason for identifying it as a fake, but the perspective skills looked genuine.
And according to his new understanding of the perspective skills at Wen Lao's side that day, the painting under the perspective skills showed a lavender color. If the perspective skills correspond to the age, this color should correspond to the Tang Dynasty.
And Wu Daozi was also from the Tang Dynasty.
So this is very strange!
This painting is indeed not made by Wu Daozi himself. Although the copying is better, but the age is relatively recent, and it does not look like an ancient painting. Especially in the current environment, if it is an ancient painting, it is better to preserve it. Whether it is complete or not is another matter, but this painting is obviously very new.
If he didn't have the perspective skills to use it, then he would probably make this picture look good in the Republic of China period.
The farthest is the end of the Qing Dynasty and the beginning of the Republic of China, and it will definitely not be judged to the Tang Dynasty hundreds of years ago.
That clairvoyance skill will not deceive me, nor will my knowledge of treasure appraisal, but the knowledge of treasure appraisal may make mistakes in identification.
Therefore, he should study the identification of this painting carefully to determine whether it is from the Tang Dynasty or the Republic of China.
Since Guo Shixuan found this painting in the afternoon, he has been soaking in it until after get off work.
When it was time to get off work, after everyone had left, he took the painting and walked out. A painting is not a big deal, and there is no need to pay for it.
Along the way, he carefully held the painting in his hand and rolled it up. Because it was all waste products and there was no packaging box, he could only take it home and store it before making a judgment.
However, my current level is still shallow, so I can only use theoretical knowledge and combine it with reality, including using perspective skills to judge.
As soon as he walked back to the courtyard, the people in the courtyard were moved by the sound, and became agitated again. You must know that Guo Shixuan has not been seen since Banggen was taken away by the police station at noon today.
Now that the Lord is finally back, people want to see what his reaction is.
To the great disappointment of the people, Guo Shixuan ran straight to his home with a roll of paper in his hand, with a completely expressionless face and no excitement at all, looking at that expression.
At this time, Guo Shixuan only wanted to go home and cook for Zhou Xiaomin, and study the painting carefully, and even forgot about the stick.
It's just that after Guo Shixuan entered the door, he found that there were many people enjoying the shade at the door and in the yard, but there were indeed not many people today. He just thought about it and didn't pay attention to this strange phenomenon, so he went straight to his home.
Those little things are not worth paying too much attention to. If you pay more attention, it will make you feel that your structure is small.
The uncle has been waiting for him at home for a long time, so if Qin Huai has a request, can he still wait?Of course, the premise of all this is that the aunt does not know.
After seeing Guo Shixuan came back, he walked out, but was stopped by the big mother behind him: "Where are you going?"
"I..." Yi Zhonghai was speechless.
It's fine for him to do it himself. How to explain it to his daughter-in-law is really hard to explain.
"Hmph! I guess you went to find the Guo family boy?" The big mother said to the big man with a sneer.
"I...um." The uncle hummed with his nose, and the sound was like a mosquito buzzing.
"Oh! I knew you were doing it for the widow, why? Do you still want to ask the Guo family boy to go to the police station to bail out the widow's son?" The aunt satirized him mercilessly.
"I...I just wanted to ask him why he did this, did he take me seriously? Is there anything we can't reconcile in the yard? You have to go to the police station! Only the one who lost the yard Face, you just lost my face!" Yi Zhonghai retorted to his daughter-in-law with a blushing face.
But the aunt who has been with him for so many years has long been a roundworm in his stomach. How can the aunt know what he is thinking about?
That's right, Yi Zhonghai is a face-saving person. He is only an eighth-level striker outside and has not been an official, but he finally became a big man in the yard, and he used his status as a big man to suppress others from time to time.
It can be regarded as satisfying his little vanity.
In this matter, what Yi Zhonghai said about his intentions did have such a part, but this part only accounted for a small part. The aunt knew him mainly because of Qin Huairu!
It must be this little rascal who is begging his old man again!
Otherwise, why would the uncle be so anxious to get ahead!
"Has that little widow Qin Huairu come to see you today?" The eldest mother continued to sneer.
This sentence made the old man choke to death. When did the big mother become so smart?
Why didn't he find this woman so smart before?
He was looking for the reason why what he could see with the perspective mirror was an antique, but it turned out to be a fake.
While observing, he was thinking.
Looking at the inscription, no matter whether the painting is real or fake, if it is genuine, it should be the painting of Wu Daozi in the Tang Dynasty, and if it is a copy, it is also an imitation of Wu Daozi.
This painting should be about some things of Buddhism, and it is more in line with Wu Daozi's style, because that was the time when Buddhism and Taoism were rising, so most of his works were also related to this theme. He is good at landscape painting, which integrates the connotation of Buddhism and Taoism into the landscape painting at the same time.
According to Guo Shixuan's memory, this should be a picture of Wu Daozi sending his son to heaven.
By observing the characters depicted in the picture, the stories and some details in the painting are basically very consistent with Wu Daozi's picture of Sending a Son to the Heavenly King.
Looking at the brushwork of the imitation, it is also relatively close to that of Wu Daozi, but the imitation is an imitation after all, and it cannot be completely consistent.
Judging from the outside, it really looks like an imitation, because the imitator's brushwork is not as elegant and free as Wu Daozi's painting, let alone the feeling of being able to retract freely.
After all, imitations are only imitating the author's own feeling, but it is impossible to completely achieve the real feeling, the author's feeling at that time.
This is why many imitations have no soul, and they just look better.
The painting in front of Guo Shixuan is exactly like this. It lacks some of the emotion and charm of the author when he was painting at that time, and it looks a bit dull.
But Guo Shixuan was still very curious in his heart, what was the reason for identifying it as a fake, but the perspective skills looked genuine.
And according to his new understanding of the perspective skills at Wen Lao's side that day, the painting under the perspective skills showed a lavender color. If the perspective skills correspond to the age, this color should correspond to the Tang Dynasty.
And Wu Daozi was also from the Tang Dynasty.
So this is very strange!
This painting is indeed not made by Wu Daozi himself. Although the copying is better, but the age is relatively recent, and it does not look like an ancient painting. Especially in the current environment, if it is an ancient painting, it is better to preserve it. Whether it is complete or not is another matter, but this painting is obviously very new.
If he didn't have the perspective skills to use it, then he would probably make this picture look good in the Republic of China period.
The farthest is the end of the Qing Dynasty and the beginning of the Republic of China, and it will definitely not be judged to the Tang Dynasty hundreds of years ago.
That clairvoyance skill will not deceive me, nor will my knowledge of treasure appraisal, but the knowledge of treasure appraisal may make mistakes in identification.
Therefore, he should study the identification of this painting carefully to determine whether it is from the Tang Dynasty or the Republic of China.
Since Guo Shixuan found this painting in the afternoon, he has been soaking in it until after get off work.
When it was time to get off work, after everyone had left, he took the painting and walked out. A painting is not a big deal, and there is no need to pay for it.
Along the way, he carefully held the painting in his hand and rolled it up. Because it was all waste products and there was no packaging box, he could only take it home and store it before making a judgment.
However, my current level is still shallow, so I can only use theoretical knowledge and combine it with reality, including using perspective skills to judge.
As soon as he walked back to the courtyard, the people in the courtyard were moved by the sound, and became agitated again. You must know that Guo Shixuan has not been seen since Banggen was taken away by the police station at noon today.
Now that the Lord is finally back, people want to see what his reaction is.
To the great disappointment of the people, Guo Shixuan ran straight to his home with a roll of paper in his hand, with a completely expressionless face and no excitement at all, looking at that expression.
At this time, Guo Shixuan only wanted to go home and cook for Zhou Xiaomin, and study the painting carefully, and even forgot about the stick.
It's just that after Guo Shixuan entered the door, he found that there were many people enjoying the shade at the door and in the yard, but there were indeed not many people today. He just thought about it and didn't pay attention to this strange phenomenon, so he went straight to his home.
Those little things are not worth paying too much attention to. If you pay more attention, it will make you feel that your structure is small.
The uncle has been waiting for him at home for a long time, so if Qin Huai has a request, can he still wait?Of course, the premise of all this is that the aunt does not know.
After seeing Guo Shixuan came back, he walked out, but was stopped by the big mother behind him: "Where are you going?"
"I..." Yi Zhonghai was speechless.
It's fine for him to do it himself. How to explain it to his daughter-in-law is really hard to explain.
"Hmph! I guess you went to find the Guo family boy?" The big mother said to the big man with a sneer.
"I...um." The uncle hummed with his nose, and the sound was like a mosquito buzzing.
"Oh! I knew you were doing it for the widow, why? Do you still want to ask the Guo family boy to go to the police station to bail out the widow's son?" The aunt satirized him mercilessly.
"I...I just wanted to ask him why he did this, did he take me seriously? Is there anything we can't reconcile in the yard? You have to go to the police station! Only the one who lost the yard Face, you just lost my face!" Yi Zhonghai retorted to his daughter-in-law with a blushing face.
But the aunt who has been with him for so many years has long been a roundworm in his stomach. How can the aunt know what he is thinking about?
That's right, Yi Zhonghai is a face-saving person. He is only an eighth-level striker outside and has not been an official, but he finally became a big man in the yard, and he used his status as a big man to suppress others from time to time.
It can be regarded as satisfying his little vanity.
In this matter, what Yi Zhonghai said about his intentions did have such a part, but this part only accounted for a small part. The aunt knew him mainly because of Qin Huairu!
It must be this little rascal who is begging his old man again!
Otherwise, why would the uncle be so anxious to get ahead!
"Has that little widow Qin Huairu come to see you today?" The eldest mother continued to sneer.
This sentence made the old man choke to death. When did the big mother become so smart?
Why didn't he find this woman so smart before?
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