Siheyuan: Want to force me to vacate the house?No way!

And Wen Lao's main focus is not on this aspect, so it's just a superficial look.

"This painting doesn't seem real..." Wu Yinglong knew that Mr. Wen had a different view on this young man, so he didn't dare to underestimate this painting.

But based on his many years of experience, it seems that this painting is indeed not real, and from all aspects, it is at best a fake painting, but it cannot be regarded as an authentic one.

It was because of Lao Wen's face, he could only say that this painting was not real.

It cannot be said directly that this is a fake.

"Little friend Shixuan, what's your opinion?" Elder Wen asked Guo Shixuan for his opinion.

Guo Shixuan didn't say anything more, he just repeated what he said at Zhou's house that day, and Zhou Lao nodded beside him.

"Exposing the painting?"

"Xiao Guo, what do you mean it's covered with a layer of painting?" Wu Yinglong and Wen Lao looked at each other, both of them were shocked.

If this is to reveal the painting, it can be regarded as a great harvest in their archaeological journey.

After all, exposing paintings is something that can be encountered but not sought after.

"Yes, this technique should be used to protect Wu Daozi's original painting, and the person who collected the previous picture of sending the son to the heavenly king must also be a person who loves painting."

"He imitated a painting that was basically exactly the same and could fit the original painting completely, and then pasted it on the original painting with some special means."

"We can see the flaws when we come to see his framing techniques." I don't know how they feel. A confidence that reveals the painting.

"Hiss...Xiao Wu, what do you think?" Mr. Wen and Mr. Zhou fell in love with Wu Yinglong at the same time. If I want to uncover this painting, I have to let Wu Yinglong do it, because he is a master of cultural relics restoration.

"Well, what Xiao Guo said may have some truth, but to be honest, I have never uncovered paintings, and I only stay in theory when it comes to uncovering paintings."

"I've only heard about it, and I've also heard about how he uncovered the technology, but I really haven't started to operate it."

"And I haven't really seen the technique of uncovering the painting." Wu Yinglong's face was a little ugly. Could it be that the painting needs to be uncovered to reveal the authenticity as the kid said?

If it is really necessary to uncover the upper painting to reveal the lower layer of painting, then the lower painting is undoubtedly the authentic work of Wu Daozi.

Otherwise, who would make a fake painting and then cover up a fake painting?

"Indeed, in the field of cultural relics restoration, it is easy to restore a piece of porcelain or pottery, but if it is to restore a painting, it is made of paper, but if you are not careful, it is easy to damage the original painting."

"If the original painting is fake, then there is nothing to say. If it is real, no one can bear the responsibility." Wen Lao sighed a little, but he was not willing to let the painting be buried in this place. under a fake painting.

"I can try it... but if I want to try it, I have to ask the owner of the painting for advice. What if..." Wu Yinglong didn't say what he said later, if he couldn't repair the damaged painting, he would have to pay for it. Sorry.

"Well..." Guo Shixuan pondered for a while: "Since I brought this painting, I believe in everyone and don't be afraid of any damage. After all, no one is perfect, and no one can guarantee that this thing will not be damaged."

"And I brought this painting and I want this painting, the one below, to see the light of day again!"

"Angkor, since you are an expert in this field, you can operate it, and I can assist you." Guo Shixuan said with a smile, looking indifferent.

In fact, he was also a little apprehensive in his heart. If the original picture of Wu Daozi's Sending the Son to the Heavenly King were really damaged, there would be only this one in the whole world, and there would be no second authentic one.

No matter how good the imitation is, it is not authentic.

And Guo Shixuan didn't know anything about the restoration of cultural relics. The assistance he said was just using his own perspective skills to prevent the other party from damaging his original works as much as possible.

"You help me?" Wu Yinglong was a little surprised.

Could this young man know how to restore cultural relics?
How is it possible? If he knew how to restore cultural relics, wouldn't he just get the painting by himself?
Do you still have to wait until you do it yourself?

"Hehe, I also know a thing or two about the restoration of cultural relics, but I just know it, and I don't really understand it, so Angkor you can mainly do it, and I can assist you." Guo Shixuan replied with a smile.

"OK then!"

"let me try!"

"I will try my best!" Wu Yinglong gritted his teeth and said.

He really can't guarantee this matter, so he can only do his best.

Wu Yinglong brought tools for painting restoration this time. In fact, those tools were used to uncover the painting, but he needed a more steady hand and more meticulous work.

Elder Wen provided them with a venue, Wu Yinglong started to operate, Guo Shixuan didn't get started, he just stood aside and watched.

Wu Yinglong first dipped the tweezers in water, took off the scroll of the painting, and started working from a corner of the painting.

Like other papers, this drawing paper has more than one layer, because when making this drawing paper, in order to prevent the ink from seeping through the back of the paper, it is deliberately made of moderate thickness, and it is also made of several layers of pulp when it is made.

This has led to a particularly interesting phenomenon of falsification in later generations.

In fact, it's not a fake, it's just because when painting, the ink will seep into many layers of paper pulp at the same time, that is, when a thin layer of paper is uncovered, there is another layer of paper underneath, and there may be another layer underneath, but the ink stains have changed. light.

These authentic works uncovered layer by layer have been carefully framed and turned into several authentic works.

And apart from the lighter ink, there is nothing abnormal at all, and the paper is getting thinner and thinner.

If this is circulated on the market, each painting can be sold for a high price.

It is true that he is a fake, but it cannot be said that every painting is true.

When doing this line of work, some skills are especially needed. If the paper is torn apart, the whole painting will be destroyed.

Each of this kind of painting is unique, and there is only one authentic piece, and if it is destroyed, it will never exist again. It will be a huge loss to both the cultural relics dealers and the cultural relics collectors.

……

After two people worked for more than half an hour, the layer of paper on the surface was uncovered.

The lower layer of paper was exposed, Guo Shixuan and Wu Yinglong looked at each other, and continued to peel it off.