if relics could talk

Tao Le suddenly opened up.

She had always thought that all stories must conform to the well-known history, but if it only conforms to history, it is no different from reading history books or historical dramas. The impression left by cultural relics on the audience is always the same as their own perception of cultural relics There is no difference between the stereotypes, if you look at the function of the role, it is a tool man.

But Tao Le's original intention was not like this. She wanted the cultural relics to speak, to make the cultural relics three-dimensional and vivid.

Yu Xinwen smiled and continued: "When we usually write scripts, we tend to fall into a misunderstanding, that is, the protagonist must be great and upright. On the contrary, the supporting roles have more room to play. They can be righteous, evil, and Both good and evil, in this way, even if the position is not very in line with the mainstream values ​​from the beginning, but in the end it must be a three-dimensional character image. It is supported by history, human nature is inherently complicated, and there is more space for the audience to project, so in many cases, the supporting role is more brilliant, and the protagonist is reduced to a tool person instead."

This is exactly the problem that appeared in Tao Le's original script.

She writes all historical characters very three-dimensionally, because the audience has more or less known the corresponding history, so it is easier to enter the plot, and will follow the historical characters played by the actors to enter the story.

Then just ignore the artifacts.

Cultural relics, as a string in the middle, have really become tool people.

No matter how to use holographic projection technology to display, it is only a difference in the form of display.

It's like when you usually watch a football game, there is a cheerleading performance in the middle, watching TV, and inserting advertisements in the middle.

If the form of expression is not good enough, it may be rejected by the audience.

This puts the cart before the horse and the cultural relics theme she originally wanted to highlight.

Thinking of putting the cart before the horse, Tao Le woke up again.

"No, I promote cultural relics, in fact, to make people pay attention to our traditional culture, including history and crafts, etc. The cultural relics themselves are a carrier and a good entry point," Tao Le said, "More What matters is the history and traditional culture behind the cultural relics."

"However, history is multi-faceted. For example, if you want to introduce cultural relics from the Three Kingdoms period, there are many stories to tell about the history behind them," Yu Xinwen said, "But not everyone has read Romance of the Three Kingdoms, but "The Romance of the Three Kingdoms" There are more people in "The Romance of the Three Kingdoms" is so obvious that respecting Liu and demoting Cao, so the audience who have watched "Three Kingdoms" and "Yi Zhongtianpin Three Kingdoms" must be the same as the audience who read "The Romance of the Three Kingdoms" and mistakenly think that the plot is real history. Knowing that there is a deviation, one of the biggest advantages of expressing this deviation in the stage play is that it can make everyone interested in continuing to check historical materials after watching the performance because of different understandings of the plot, so as to let the audience Truly focus on the purpose of history."

It was so!
Tao Le felt that her cognition was narrowed, and she quickly opened the document in her notebook and began to record it.

"Teacher Yu, you continue."

"As for traditional culture, it must be difficult for the audience to fully understand all the things you want to express in the stage play, so when you create the script, you must first make it clear that you pay more attention to thinking in this way of performance. Let the audience know what information, if you are concerned about history, then what I just mentioned is the direction of your script creation, but if you want to express traditional culture in the stage play, such as the embroidery in my current play, Or such as calligraphy and painting, ceramics, wood art, etc., the direction of the script is not 'Night at the Museum', but 'How Cultural Relics Are Born'."

Professionals are indeed professional, and the crux of the problem can be seen at a glance.

Tao Le was still wondering if it was a problem with the theme or the way of expression that caused the actors to feel awkward during the rehearsal, and it seemed a bit useless to rely on cultural relics to intersect in the middle of the scene.

But even at that time, Tao Le was thinking about how to make the cultural relics connect all the unit stories in a more harmonious manner, completely unaware that the real problem lies in the orientation of the entire script.

"Listening to what you said is really..."

Yu Xinwen knew how to pick up the cliché, and immediately said, "It's really like listening to a conversation."

Tao Le was originally recording his words with a serious expression, but at this moment he was directly amused by his words: "That's not true, if your words are all nonsense literature, there will be no golden words with more gold content. "

Yu Xinwen still has work to revise the flyer, and this time when we talked about it, he thought it was okay: "I still have scripts to revise, I think you just need to clarify the direction, basically the problem is not big, I also I will take the time to read your script carefully, and communicate with you at any time if you have any questions."

"Okay, thank you, Teacher Yu!"

"polite."

After he left, Tao Le was still sorting out the computer. After an unknown period of time, Tao Le felt the excitement that he had not seen for a long time, and suddenly returned.

In fact, creativity requires passion. If you go too far in an unknown direction, you will suddenly find that you have gone the wrong way, and you don’t know how to turn back.

Now that Yu Xinwen had found a new direction for her, Tao Le's ideas came to him at once.

Xu Xinxin still had a night show today, and Tao Le just spent sleep and food in her room organizing her thoughts. When Xu Xinxin came back from work, she realized that it was already dark.

"I didn't pay attention to the time on the set, and it was so late when I didn't pay attention." Xu Xinxin was a little sorry, "I made you wait for me for so long."

Tao Le patted himself on the forehead: "Ah, actually I should be embarrassed. Not only did I forget the time when I wrote the manuscript here, but I also forgot about having dinner with you."

"Haha, then we don't have to feel embarrassed," Xu Xinxin said to the assistant, "book a box for us."

She took out her mobile phone and called Yi Xuzhi: "Where are you now?"

Not knowing what Yi Xuzhi answered, Xu Xinxin happily hung up the phone, turned around and said to Tao Le, "It just so happens that your boyfriend is here."

"Oh……"

"But your boyfriend has a good relationship with Yi Xuzhi?" Xu Xinxin began to gossip, "How did you do it?"

"Ah?" Tao Le said dumbfoundedly, "The two of them worked together longer than Qin Yi and I, probably because of mutual sympathy, but I didn't help."

Xu Xinxin looked at her for a while, and when the assistant went out, she asked in a low voice: "You really don't know that Yi Xuzhi likes you, do you?"

"What about you?" Tao Le also asked her in a low voice, "You don't really think that Yi Xuzhi can't see that you like him, do you?"

Each played [-] big boards, and no one was pleased.

Xu Xinxin had no choice but to say, "Let's talk about something else."

Tao Le said with a smile: "I heard that you are very interested in stage plays? If you also like our content by then, you can consider cooperating with us. I believe Brother Xu will be very happy to join us when the time comes." consultant."