if relics could talk
Chapter 160 The Cultural Relics' Self-struggle
In the blink of an eye, Tao Le seemed to think of something.
Her original idea was just to have a dialogue between individual cultural relics and individual cultural relics, and let the speaking cultural relic draw out its own story.
This is indeed a way to do tandem and traction, but it is too simple and crude.
In the Wonderful Night of the Museum, there must be more than one or two cultural relics chatting, and it does not necessarily have to be a one-on-one conversation.
You can chat in groups.
The cultural relics of each dynasty do not necessarily appear together with all the utensils of their era in the background of restoring the stories of the past and present. The overall background of the main stage is the museum, and all exhibits are displayed in the same area.
They talk, they introduce each other, and they may argue.
The reproductions made by the teachers of cultural relic restorers are placed in the display glass cover, and the audience in the front row can see them very clearly.
When the actors performed the story of this cultural relic, Li Yiming's holographic projection technology allowed all the audience to see these magnified cultural relics on the stage. Even if they were sitting in the last row, they could clearly see the above. all the details.
At this time, the people in the story are like time and space being frozen. When the cultural relics are chatting, various actors who play them will come up.
Which relic will appear on the holographic projection when it is whose turn to speak.
The performances of the actors on the stage are enough to attract all adult audiences, and the holographic projection will make corresponding animation effects according to the expressions and movements of the actors, which can attract children.
When Yu Yu brought Tao Le to the set, Tao Le was still writing and drawing on the tablet. Xu Xinxin got up early in the morning to put on makeup, and her eyes were a little hard to open.
"Woke up at 04:30 again today?" Yu Yu seemed to be very familiar with her routine.
Xu Xinxin cheered up and nodded: "It takes too long to do the styling, and almost all the actresses in the group put on makeup like this."
And because there are many actresses in the group, almost every important actor is assigned a makeup artist, so there is no need to wait for the wrong position, so everyone has to get up very early every day.
The male actors are much better, the makeup is not so complicated, and they can almost wait for the actresses to finish their makeup before they get up to do their makeup.
It is indeed a female group portrait drama.
Xu Xinxin also made a joke: "If you want to wear the crown, you must bear its weight, that's the reason."
Who made her the heroine?
Tao Le was quite curious: "Every time you shoot embroidery scenes, do you actually embroider on the spot?"
"You'll know in a while."
On the day they came, Xu Xinxin's scenes were all concentrated in the morning, and in the afternoon the actresses arranged a collective embroidery class and concentrated on filming court scenes.
Tao Le watched Xu Xinxin embroider decently from a long distance away, and then the director called cut, and Yu Yu went to guide her again. When the close-ups were taken again, Xu Xinxin's movements became more standard.
But when the camera zoomed in, the close-up of the embroidery was not the one Xu Xinxin embroidered just now, but Yu Yu's embroidery.
There was no need to shoot close-ups of the actors, so Yu Yu returned to Tao Le and told her, "In fact, Xinxin's technique has improved a lot, but the director still feels that in terms of the character's ability, it must be the best." OK."
"Xu Xinxin clearly knows that she will not use her embroidery in the end, but it is really not easy for her to do her best."
"Do you think such an actor is especially suitable for our stage play?"
"Of course I think it's appropriate, and it has to be the same for others."
"I talked with Xinxin about this matter. She is quite interested in our subject matter, including talking with Ms. Liang. She didn't object directly, but she also said that something must be produced first. The team needs Evaluation also needs to see if the schedule is suitable."
After all, the most critical issue now is that the script has not come out.
Tao Le waited for Xu Xinxin's scene to end, and went to her RV with her.
The assistant brought over Xu Xinxin's lunch, and also helped Yu Yu and Tao Le get the set lunch.
The three girls chatted while eating. Tao Le found that Xu Xinxin's lunch consisted of a little boiled shrimp, broccoli, and a small piece of corn. live?"
"I've been used to it for a long time. It's still a lot of food. After all, I have to film now, and the physical exertion is still a bit heavy."
Is this how much you eat?
The life of an actress is really unbearable for ordinary people.
While eating the boxed lunch, Tao Le thought, the food for the film crew is not bad, the boxed lunch has both meat and vegetables, and it's not too heavy, but for Xu Xinxin and the others, it's a bit cruel.
"We're eating here, won't you be hungry?"
Xu Xinxin was taken aback for a moment, and after realizing it, she said with a smile: "No, don't worry, I usually eat like this, and I'm really used to it. If I eat greasy food, it's easy for my stomach to not digest it."
"It seems that being an actor is not so easy. Everyone only sees your glamorous side, and no one can see this side."
"These are not too important. All walks of life have a sad side, and there are times when they are satisfied. As long as you love your job, these are actually nothing."
Because of Yi Xuzhi, Xu Xinxin has been paying attention to Tao Le all the time, and she also asked curiously, "Do you like cultural relics yourself?"
"Yes, I have liked cultural relics since I was a child. It may have something to do with my family's work in this field, but I am really not good at restoration, so I can only contribute my strength in other ways."
"It's the same as in our line of work. There are screenwriters, directors, actors, producers, and producers. They all do this job well, and each has a division of labor."
"When you go to perform the person described in the script, do you feel that you are her?"
"It is indeed difficult when entering the play, and it is the most difficult when finding a role," Xu Xinxin answered her, "When I chatted with the screenwriter teachers, they also said that it is not easy to find different characters when creating. .”
"Xiao Ba's current problem is quite special. She is not only a character, but also a cultural relic."
Xu Xinxin was amused by Yu Yu: "That's right, Xiaoba's writings are all cultural relics, and it's even more difficult to find the status of cultural relics."
"I'm almost going bald," Tao Le scratched his head, "I feel as soon as I close my eyes, those cultural relics are chattering in my head, arguing endlessly."
"Of course." After all, she is an actor, and Xu Xinxin's thoughts are different from ordinary people. "They all want to win more roles for their own dynasty and their masters. The bias of the screenwriter teacher is too important."
Her original idea was just to have a dialogue between individual cultural relics and individual cultural relics, and let the speaking cultural relic draw out its own story.
This is indeed a way to do tandem and traction, but it is too simple and crude.
In the Wonderful Night of the Museum, there must be more than one or two cultural relics chatting, and it does not necessarily have to be a one-on-one conversation.
You can chat in groups.
The cultural relics of each dynasty do not necessarily appear together with all the utensils of their era in the background of restoring the stories of the past and present. The overall background of the main stage is the museum, and all exhibits are displayed in the same area.
They talk, they introduce each other, and they may argue.
The reproductions made by the teachers of cultural relic restorers are placed in the display glass cover, and the audience in the front row can see them very clearly.
When the actors performed the story of this cultural relic, Li Yiming's holographic projection technology allowed all the audience to see these magnified cultural relics on the stage. Even if they were sitting in the last row, they could clearly see the above. all the details.
At this time, the people in the story are like time and space being frozen. When the cultural relics are chatting, various actors who play them will come up.
Which relic will appear on the holographic projection when it is whose turn to speak.
The performances of the actors on the stage are enough to attract all adult audiences, and the holographic projection will make corresponding animation effects according to the expressions and movements of the actors, which can attract children.
When Yu Yu brought Tao Le to the set, Tao Le was still writing and drawing on the tablet. Xu Xinxin got up early in the morning to put on makeup, and her eyes were a little hard to open.
"Woke up at 04:30 again today?" Yu Yu seemed to be very familiar with her routine.
Xu Xinxin cheered up and nodded: "It takes too long to do the styling, and almost all the actresses in the group put on makeup like this."
And because there are many actresses in the group, almost every important actor is assigned a makeup artist, so there is no need to wait for the wrong position, so everyone has to get up very early every day.
The male actors are much better, the makeup is not so complicated, and they can almost wait for the actresses to finish their makeup before they get up to do their makeup.
It is indeed a female group portrait drama.
Xu Xinxin also made a joke: "If you want to wear the crown, you must bear its weight, that's the reason."
Who made her the heroine?
Tao Le was quite curious: "Every time you shoot embroidery scenes, do you actually embroider on the spot?"
"You'll know in a while."
On the day they came, Xu Xinxin's scenes were all concentrated in the morning, and in the afternoon the actresses arranged a collective embroidery class and concentrated on filming court scenes.
Tao Le watched Xu Xinxin embroider decently from a long distance away, and then the director called cut, and Yu Yu went to guide her again. When the close-ups were taken again, Xu Xinxin's movements became more standard.
But when the camera zoomed in, the close-up of the embroidery was not the one Xu Xinxin embroidered just now, but Yu Yu's embroidery.
There was no need to shoot close-ups of the actors, so Yu Yu returned to Tao Le and told her, "In fact, Xinxin's technique has improved a lot, but the director still feels that in terms of the character's ability, it must be the best." OK."
"Xu Xinxin clearly knows that she will not use her embroidery in the end, but it is really not easy for her to do her best."
"Do you think such an actor is especially suitable for our stage play?"
"Of course I think it's appropriate, and it has to be the same for others."
"I talked with Xinxin about this matter. She is quite interested in our subject matter, including talking with Ms. Liang. She didn't object directly, but she also said that something must be produced first. The team needs Evaluation also needs to see if the schedule is suitable."
After all, the most critical issue now is that the script has not come out.
Tao Le waited for Xu Xinxin's scene to end, and went to her RV with her.
The assistant brought over Xu Xinxin's lunch, and also helped Yu Yu and Tao Le get the set lunch.
The three girls chatted while eating. Tao Le found that Xu Xinxin's lunch consisted of a little boiled shrimp, broccoli, and a small piece of corn. live?"
"I've been used to it for a long time. It's still a lot of food. After all, I have to film now, and the physical exertion is still a bit heavy."
Is this how much you eat?
The life of an actress is really unbearable for ordinary people.
While eating the boxed lunch, Tao Le thought, the food for the film crew is not bad, the boxed lunch has both meat and vegetables, and it's not too heavy, but for Xu Xinxin and the others, it's a bit cruel.
"We're eating here, won't you be hungry?"
Xu Xinxin was taken aback for a moment, and after realizing it, she said with a smile: "No, don't worry, I usually eat like this, and I'm really used to it. If I eat greasy food, it's easy for my stomach to not digest it."
"It seems that being an actor is not so easy. Everyone only sees your glamorous side, and no one can see this side."
"These are not too important. All walks of life have a sad side, and there are times when they are satisfied. As long as you love your job, these are actually nothing."
Because of Yi Xuzhi, Xu Xinxin has been paying attention to Tao Le all the time, and she also asked curiously, "Do you like cultural relics yourself?"
"Yes, I have liked cultural relics since I was a child. It may have something to do with my family's work in this field, but I am really not good at restoration, so I can only contribute my strength in other ways."
"It's the same as in our line of work. There are screenwriters, directors, actors, producers, and producers. They all do this job well, and each has a division of labor."
"When you go to perform the person described in the script, do you feel that you are her?"
"It is indeed difficult when entering the play, and it is the most difficult when finding a role," Xu Xinxin answered her, "When I chatted with the screenwriter teachers, they also said that it is not easy to find different characters when creating. .”
"Xiao Ba's current problem is quite special. She is not only a character, but also a cultural relic."
Xu Xinxin was amused by Yu Yu: "That's right, Xiaoba's writings are all cultural relics, and it's even more difficult to find the status of cultural relics."
"I'm almost going bald," Tao Le scratched his head, "I feel as soon as I close my eyes, those cultural relics are chattering in my head, arguing endlessly."
"Of course." After all, she is an actor, and Xu Xinxin's thoughts are different from ordinary people. "They all want to win more roles for their own dynasty and their masters. The bias of the screenwriter teacher is too important."
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