President, madam, she can't read it anymore

Not long after, Xu Qing discovered the painting bought for 500 million. He first put it aside to dry, and then put it away after re-framing. After all, it was something bought with money. It is possible to do such a loss-making thing, how can we treat it well.

This time he really made a lot of money. When he unfolded it, Yushou had already thoroughly analyzed its information. This time he really made a lot of money. Xu Qing couldn't help laughing: "Haha, no Thinking that it would be this painting, I really earned too much money, okay!"

"What painting?"

Lin Xin also felt very curious, so she leaned over and took a closer look at the painting, hoping to see something, but she didn't know what to see. It took a while to recover: "My God, this painting is so lucky, it turned out to be this one!

Both of them spoke words of amazement, and its name is a treasure in Chinese classical paintings. In the Eastern Jin Dynasty, Gu Kaizhi, a famous calligrapher and painter, had such luck in his handed down masterpiece "Fu Tu of Liang Shen". To be able to get such a famous work, everyone in the world hopes to get it. If you take it out at this time, everyone will be frightened, but he will not be so stupid. If you take it out, you don't know if you can get it back.

In short, everyone loves wealth, especially such a wealth that is considered the best by everyone. Once discovered, the greedy person will have a desire for it. This is a terrible feeling. It will make people involuntarily do bad things for their own ulterior purposes, so as to satisfy their own desires.

Although this picture is incomplete, there is always a good side. This side is worth at least [-] million, which shows its high value.

Xu Qing absorbed the information conveyed in his heart, and also knew what the painting should look like.

The entire picture of Liang Shenfu is a work with a length of 27.1 cm and a width of 572.8 cm, but what Xu Qing has now is only 286.4 cm, but because its length is not as wide as ordinary paintings, it can be Put it in the heart of the painting you just drew.

No wonder no one has discovered the clues before this. This painting is a silk book, painted with colors, and the scroll is very thin. In addition, the previous painting was mounted in a lot of ways, so it can be completely hidden, if not , it is impossible for such a long time, has not been discovered.

Oh, [-] million, then you are underdeveloped, that’s okay, why don’t we take a look again, maybe you can find more works like this?
Even Lin Xinke, who grew up here, has never seen anyone who can buy back several million sets for [-] million.

It must be said that the gap between the two is really too big, although Xu Qing doesn't know what it looks like to put this painting inside, whether it is hidden inside, or put in after putting on the frame, it doesn't matter. It is impossible to verify it, but what can be imagined is that the people hiding inside want to protect the painting.

""Well, don't think so much. There is no such easy thing in this world. It is luck that I can see this painting today. If not, I'm afraid I don't know who it will fall into. "
After Xu Qing finished speaking, he stopped talking and began to study the painting carefully. He was very engrossed in it and was deeply attracted by it.

This picture was drawn by Gu Kaizhi based on the famous literary work "Liang Shen Fu" written by Cao Zhi, Cao Cao's third son who was also talented and wrote poems in seven steps.

It can be seen that whether it is the expression of the picture, or the conception of the content, the construction of the artistic structure, the shaping of the characters, the expression of the environment, or the technique of brush and ink, there is strict attention, not meticulous painting, feeling that every stroke It is well thought out, but without too much hesitation when it comes to the next stroke.

It is precisely because of this that Xu Qing loves it so much. Although this painting depicts emotions, it has also reached a level that is difficult for ordinary people to touch.

The whole painting is actually divided into three parts, so what Xu Qing got was only one and a half scrolls, and he didn't know where to find the rest.

But in fact, the authentic painting in the National Museum is not Gu Kaizhi's original painting, but a copy of the Song Dynasty. Looking at it in modern times, it can be regarded as a copy. If it is not because of the same age and superb imitation techniques, Gu Kaizhi's artistic characteristics have not been changed too much. In addition, in today's world, it is difficult for anyone to believe that the authentic work will be handed down. Perhaps no one will appreciate the authentic work in the National Museum.

"After all, it's not true, and what's false will always be false. Even if you admit it, it's just because people are looking for a sustenance."

Xu Qing muttered in a low voice, from his point of view, those high society connoisseurs are really pathetic, holding a fake, but regard it as the most important treasure, and directly conclude that it will really never appear again , making many people think that the imitation is all genuine.

Xu Qing can't bear this kind of thing, the fake will never become true, this is a purpose he has always believed in, even now he thinks so.

The painting is completely unique to Gu Kaizhi's painting. It can be seen that its sense of layering is even very diverse and detailed. It is not chaotic because of many, but refined because of many. It clearly depicts the sincere and pure relationship between Cao Zhi and Liang Shen. love story.

Whether it is the arrangement of characters, or the replacement, overlapping, and exchange of different time and space, it is completely reasonable and appropriate, giving people a unique aesthetic feeling in space.

This reflects different time and space techniques on one scroll, but it is unique, and it is not known how Gu Kaizhi did it. Even modern technology may not be able to do this, and naturally it cannot do it.

The strokes used in the whole picture reveal the four characters "fine, strong and simple". It seems that each stroke is very delicate, but the strength is also contained in it, not a little bit, which will give people a strong feeling of tenacity , Like a spring silkworm spinning silk.

Moreover, the design on the screen also reflects a major feature of early landscape paintings, that is, "there are many people and few mountains, and the water cannot be flooded". .

"Yeah, how do you know this painting is real and the one in the Rijksmuseum is a fake?"
Lin Xin didn't know the reason for this question, so she asked it anyway.

Hehe, that would be too simple, because I have seen that portrait of Liang Shenfu, although it is very similar to this one, even without careful comparison, I would think it is the same painting, but in fact, this one The painting does not have the text of Liang Shenfu, let alone the signature.