Hidden Marriage Chief Marry One Get One Free

The producer of "Imperial Power" specially invited Xie Yihe to be the lead director. He also decided to recruit him because of his strength and fame.

Prior to this, Xie Yihe had already filmed two ancient costume TV series in a row, a strategy movie and a martial arts movie, with good reputation and income. Among them, the strategy movie won several important awards at the Magnolia Festival last year. It was famous for a while.

"Imperial Power" is essentially a TV series about ancient tactics. In terms of story structure and various aspects, it is more than a bit better than the TV series that became popular last year.The producers and investors were ambitious and invested huge sums of money, even disregarding the risk of the current TV drama market sluggishness, investing astonishing funds in order to produce a phenomenal drama that would earn both fame and fortune.

In order to achieve this goal, the producers and main investors of the film crew can do whatever it takes, and at the same time, they will unconditionally support Xie Yihe's actions and practices that are beneficial to the filming of the film crew, and even specifically write them into the contract.

Therefore, Xie Yihe's power and voice in the crew are among the best, and the status of the entire director team has also been improved. After the actors joined the team, they were more cautious and honest, for fear of accidentally hitting bad luck.

According to Xie Yihe's shooting habits, the screenwriter picked out all the most important big scenes in the script and arranged them to be shot at the front.Today's Mid-Autumn Festival Banquet is one of them.

Everyone knows that group portrait scenes are the most difficult to shoot, and the most difficult to shoot well, but no one dares to express their opinions. They can only hurry up and try to figure out their own roles, so as not to make mistakes...

This is true even for Xu Han and Song Xuewei, who are the male and female protagonists, let alone other people.

For the scene of the Mid-Autumn Festival Banquet, the timeline in the script should be around the middle of the story. The trend of the prince seizing the heirloom has been secretly set off, but it has not been completely torn apart, so it has formed a scene that is harmonious on the surface and has an undercurrent behind it. situation.

It just corresponds to the luxurious landscaping and different people's hearts at the Mid-Autumn Festival Banquet. It is a typical scene that uses the environment to set off the plot.

At the same time, this scene is followed by a big climax in the whole play, the scene where the concubine and the prince commit adultery and are caught on the spot, and all the intrigues reach their peak in this scene, which symbolizes The plot of seizing the first wife has officially entered the fierce stage of life and death.

And this climactic drama, which caused the tragic death of both the concubine and the prince, and the blood flow of countless people in the harem, is not someone else...

It just so happened that Song Yan played the supporting role No. [-], the ex-dynasty princess Chaoyang who had been blackened and turned into a noble concubine.

She planned the entire conspiracy with her own hands, and even went into battle herself, seducing the prince to blame the concubine, and turned the entire harem upside down. The purpose was to promote, or force the other princes to participate in the succession, so that everyone could not stay out of it and completely disrupted A pool of muddy water in the court hall...

Of course, when the scene developed to this stage, no one realized that the imperial concubine was the mastermind, and her existence was more like a dispensable background board, relying on the old emperor's side, she could not show any edge for the time being.

Only in the middle and later stages of the story, when the princes fell off their horses one by one and died tragically one after another, the old emperor’s health was getting worse day by day, and the whole court was about to be in chaos, the conspiracy of the big villain, the lady, would gradually surface. water surface.

Of course, according to the principle of consistent stories, the one who can defeat the villain is always the protagonist, and it can only be the protagonist.

"Royalty" is no exception.

The first person to notice the concubine's conspiracy was not the male lead, but the female lead who had married the male lead and became a concubine to take part in the seizure of the heir.

In the process of investigating the noble concubine, the heroine was caught by the noble concubine once, and she was severely punished for peeping into the harem. She almost died in the hands of the noble concubine. She was rescued, and the whole process was full of climaxes and tense plots, one after another, which made it very enjoyable to watch.

This is also one of Song Yan's favorite episodes when she was reading the script.

Song Xuewei, who plays the heroine, wants to be crushed by her, who plays the supporting actress, Song Yan feels happy just thinking about it.

In addition to this point, this scene is also the most incisive and vivid scene of the second female princess Chaoyang after her blackening. The contrast is formed arbitrarily, and the sense of contrast is extremely strong, which immediately makes the whole character three-dimensional and vivid.

Song Yan not only likes this part, but also likes the part of Princess Chaoyang before her blackening, as well as the part where the country was ruined and the family fell into darkness just now.

The three fragments are very important, and the succession, transformation, and integration are indispensable.

After merging together, a complete character development route has been formed, which has benefited Song Yan a lot in the process of trying to figure out the role.

Not talking about the later scenes, just referring to the scene of the Mid-Autumn Festival Banquet that will be filmed today.

The Chaoyang princess played by Song Yan has changed her name and surname to become a noble concubine, but it hasn't really exploded yet. Therefore, in this group portrait scene, she doesn't have many formal roles, and she only has a few lines. Some of the time, she just needs to snuggle up to the old emperor enchantingly, and be a background board standing high above and watching coldly.

however……

Sometimes the background boards in ancient court dramas are not so good.

Especially in the script, after changing her name and surname, Princess Chaoyang, as an ordinary lotus picking girl, made the old emperor see a fairy in a glimpse, and forced her into the palace.She was made a concubine as soon as she entered the palace, and she was made a concubine after serving her bed for the first time. She had no children and no daughters in just one year, but she climbed to the high position of imperial concubine abruptly, and was doted on by the old emperor in the sixth palace. Extremely high, her status is even slightly higher than that of the queen.

The former dynasty has perished, and Chaoyang, as the subjugated princess, even has to change her name and surname. There are only a group of hidden forces in her hands, but she is helpless on the surface. Compared with her concubine, she is undoubtedly extremely weak, without any family support.

Her only weapon is beauty.

Entering the palace because of beauty, and being favored because of beauty.

And because of her beauty, as an ordinary peasant girl, she even suppressed countless noble girls from prominent families in the harem, and stepped on their heads to become a noble concubine under one person and above ten thousand, occupying the favor of thousands of people. all over.

From these points alone, it is enough to see the stunning beauty of Princess Chaoyang.

In the script, she is the most beautiful woman in the world as famous as the heroine, and her status is higher than that of the heroine's concubine, and her makeup is even more gorgeous.