Domineering Love: The Third Uncle Falls in Love with the Little Wife

"Have you all got your report cards? I would like to give special praise to Li Bin, Xia Yatong, Zhao Siqi, Wang Yan... you eight, Li Bin's shortcomings in emotion and detail expression, but this time your team In the works you shoot, you can clearly feel that your shooting techniques are mixed with a lot of details.

Xia Yatong, as my student, did not ask me anything during the whole filming process. She took this as a test for herself, and completed such a test with her companions, which is already very worthwhile Awarded.

As a student who may not have any special talent in directing, Zhao Siqi is very good at pursuing some points that others are not aware of during the whole shooting process this time, so as to dig out what you want. very good.

……

The eight of you have gained my best respect through your own efforts, so I decided to reward each of you.

After a while, I will go to a particularly important director seminar. The transcripts I sent to you include tickets to this director seminar. There will be many international directors present, many You can discuss the issue at any time. "

After hearing Director Su Mingze's words, whether it was Xia Yatong or the other people whose names had been called just now, their hearts were filled with extreme excitement.

They are very clear about what this means to them. Being able to participate in such a seminar with many international directors present undoubtedly means that they can learn a lot that they cannot learn in a short period of time.

"Okay, after we've finished talking about these things, it's time for us to give a lecture. Today I'm going to give a lecture on "How to Present the Delicate Emotions Off the Screen".

First of all, the movement of light and shadow is also used in movies to create a certain visual limitation. The most obvious example is some noir films with international awards.

Take this as an example. The genre of film noir has a very strong visual feature, mainly through the shadows created by different objects, so that the characters in the screen are covered by black shadows.

In the scene where many groups of the same ethnic group appear together, for example, it should have been a lively lunch time, these characters are separated by the shadows produced by the buildings, which further presents a sense of distance between people.

In addition to the alienation caused by the movement of light and shadow, many images are presented in the form of silhouettes, because in a closed social atmosphere, they can only communicate secretly.

In addition, large aperture and shallow focus lead the audience to focus, which is also a very important way of expression.Continuing the use of large aperture and shallow focus, the whole film uses a lot of close-up shots to present, so that many works can highlight its strange beauty..."

Director Su Mingze uses his professional knowledge to describe a lot of technical terms, and through these professional terms, many contents that were originally difficult to understand become more mysterious.

However, everyone can still hear clearly what Director Su Mingze said. After all, most of the people present are studying directing, so they naturally know a lot.

"In layman's terms, what we just talked about is that the use of large aperture and shallow focus should be combined with the way you want to shoot in the final editing.

If you didn’t create the feeling you want to shoot when shooting, then even when it comes to the final editing, many of the effects you want to highlight will be difficult to achieve.The effect that can be produced in the early stage should not be left to the later stage. "

"Well, Director Su Mingze, do you mean that we need to consider many situations we encounter during filming, otherwise we will encounter many difficulties in post-editing?" A weak voice opened the mouth.

After Director Su Mingze heard the voice, he took a look and found that it was an auditor from the actor training course. He was not particularly troubled and answered his question seriously.

"Indeed, in the eyes of many people, actors will inevitably encounter some special situations during filming, and all shots will be taken in full during filming, so after the entire pre-production is completed, the post-production tasks should be very easy. .

In fact, this is a completely wrong situation, because if you fail to find out the angles of many problems in the early stage of shooting, then there is no way to find out the clues in the post-editing.

With so much material, actors will have many, many frames during the shooting process, and many times the failure is actually in that frame.

For the later stage, this is called an uncontrollable factor.The relationship between film and photography is very close. They penetrate and influence each other. Learning composition, capturing light and shadow, rendering pictures, etc. from film can be of great help.

If none of these can be done, then the whole film story will be discounted several times on the basis of the original picture.

This is the most unbearable thing for both the people we shoot and the people who act. "

After Director Su Mingze finished speaking, everyone seemed to half understand.

Soon, this class ended here. After this class, Xia Yatong was called away by Director Su Mingze alone.

Director Su Mingze's office.

Director Su Mingze and Xia Yatong were alone here, and Director Su Mingze acted like a strict teacher and directly started a small fire for Xia Yatong.

"Girl Yatong, do you know why I gave a lecture on the delicate emotions of the screen today?" After returning to Director Su Mingze's office.

Director Su Mingze couldn't be idle at all, he went to make a pot of tea and said, "I know all about how each group of you have been filming these days, including your later editing. In this kind of follow-up, someone will follow up some situations. Moreover, you are my most important student, so I pay a little more attention to you.

For example, I know that you have put a lot of effort into making many emotional scenes in place during shooting, but your software has kept up, and if the hardware measures are not so harmonious, then the entire plot will be processed in the end. It just feels bad.

After you have shot those pictures, you hand over the edited pictures of the original material you have selected for shooting to an inexperienced immature editor, so at most the effect that can be presented is not too bad.Ya Tong, please show me the version that was originally edited by the editor. "

After Xia Yatong heard what Director Su Mingze said, Xia Yatong found the original video file that she had copied from Li Bin in her phone, and opened it for Director Su Mingze to play.

Director Su Mingze looked at this version of the original video with a calm expression as always. For Director Su Mingze, this is a very normal situation.

Because in his opinion, the fact that such a first-version demo can be edited into a film already shows that the overall quality of this batch of newcomers is very strong.

After all, he was very clear about the difficulty of his arrangements. The entire editing this time was no less difficult than editing a truly complete movie.

After all, the time he arranges is limited, and a lot of time is still arranged for some operations in the early stage, so the time that can be left for the post-editing is actually even less.

What's more, during this shooting, there is no plot analyst who has been communicating with the post-production staff on the plot. In this case, there is actually no picture that can be referenced in the post-production editing.

Xia Yatong looked at Director Su Mingze's demeanor, and only after the entire first sample was played, she cautiously said: "Teacher, regarding the first sample this time, we didn't have a single sample that could meet our expectations. The standard you can accept, we are really not prepared this time.

Can you tell me about your comments on the revision of our first sample of this edition?I heard that bigwigs in the industry said that you are very experienced in saving waste films, so I thought you would teach me this. "

Xia Yatong did think so carefully when she showed the first prototype to Director Su Mingze. Who made Director Su Mingze his legitimate teacher now, so she doesn't need to be restrained if she has any questions. Able to ask the exit directly.

She knew that the reason why director Su Mingze called her to come to the office this time was to explain to her some of her problems alone, or to say that she showed some things that she was not able to do during the filming process this time. things.

"It's simple, let me tell you this, since there is nothing wrong with the whole editing itself, it just ate some things we needed.

If this is the case, then we can consider making some adjustments in this regard, such as releasing the plots that were originally eaten.

As for these eaten plots, some of the screen angles are not enough, we can change the lens to zoom in, and some of the content is not enough. When the content is not enough, we can completely adjust the progress bar before and after the content, and find something that we can use in the whole Some content in the screen.

In this way, our entire shooting picture can have a sense of drama and picture when it is combined at the end. "Director Su Mingze spoke to Xia Yatong.

Xia Yatong listened to Director Su Mingze's words, and gradually understood what Director Su Mingze said was how to complete the "eaten plot" in this way.

Of course, understanding belongs to understanding. If you really want to be able to make some substantial changes, you still need to add some of your own experience and hone your abilities over time.

Only in this way, then there will be no problems in the follow-up work of the entire filming, and it will be possible for her to move steadily on this road and have her own rhythm more and more.

After Xia Yatong talked with Director Su Mingze, Xia Yatong discussed a lot of film and television studies with Director Su Mingze.